TEMPTATIONS MEET TEMPTATIONS ULTRA-RARE 1st ALBUM RARE '64 GORDY MONO LP SHRINK
$
68
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WE CURRENTLY HAVE NEARLY 300 LISTED ITEMS
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· THE TEMPTATIONS - MEET THE TEMPTATIONS (THE TEMPTATIONS’ FIRST ALBUM) - 1964 GORDY RECORDS MONO LP 911
· GENUINE U.S. PRESSING
· VERY EARLY PRESSING CIRCA 1967 ON BURGUNDY ‘GORDY’ LABEL WITH A YELLOW “WEDGE” ACROSS THE CENTER OF THE LABEL
· DEEP GROOVE PRESSING
· THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP
· THICK, HEAVY VINYL PRESSING
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1…'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
· MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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The Temptations' first LP, released three years into the group's history with Motown, is also a great record, even though it wasn't really an album so much as a collection of their early singles, hooked around their then new hit, "The Way You Do the Things You Do." Those expecting the classic Temptations sound should also be aware that David Ruffin is absent from all of the tracks except "The Way You Do the Things You Do," which was cut just after he joined, replacing Elbridge "Al" Bryant. Thus, the 14 cuts on this CD (12 off the original album plus two bonus tracks) represent the evolution of the act and its sound, as well as a succession of producers -- Andre Williams and Mickey Stevenson on "Oh, Mother of Mine" and "Romance Without Finance," the group's earliest 45 pairing, issued on the short-lived Miracle label; Norman Whitfield, for one single; Berry Gordy and Smokey Robinson; and finally Robinson. The differences are fascinating -- "Oh, Mother of Mine," sung by Paul Williams and Eddie Kendricks sharing the lead, has an exuberant doo wop-based sound mixed with a serious soulful quality that would eventually define the group; "Romance Without Finance" is a little less derivative, with a heavier, fuller band sound (especially the guitars), but both tracks are rooted in a fast dance beat, in keeping with the tastes of the times (early 1961), and neither had the hooks to make it distinctive unto itself. Several of the Gordy-produced numbers seem highly derivative of other, more familiar songs by other acts -- "Paradise" sounds like the Four Seasons covering Maurice Williams' "Stay," and "Isn't She Pretty" comes off like a rewrite (albeit a very pretty one, no joke intended) of the Isley Brothers' "Respectable." These and other Gordy-written and -produced numbers are attractive enough, but not special as songs or productions, despite some excellent singing. One group composition, "Check Yourself," produced by Gordy, is interesting for its abrupt tempo change, and features a beautifully expressive Paul Williams lead vocal. But the Smokey Robinson cuts are where the group's sound blossoms, their harmonies suddenly soaring elegantly with Williams' voice cutting through the center while an understated but fully integral band sound provides the foundation. Coupled with his songwriting, those numbers and Robinson helped put The Temptations on the charts -- and well up on the charts -- after three years of failure. The sound on the 1999 reissue of this album is excellent and then some (the Earl Van Dyke Band never sounded better), and the notes, although minimal, give some frame of reference for the album's release. An excellent mid-priced release that will delight fans and casual listeners.
(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
This is the brutally rare MONO first pressing of the Temptations' first album. The group would go on to pretty much single-handedly define R&B group vocal harmonies of the mid-to-late 1960's, but on these early tracks, they were clearly enamored by gospel, blues and early crossover such as Jackie Wilson and Sam Cooke. And those harmonies are nothing short of mind-boggling. The album sports some of the most intense R & B vocal acrobatics captured on record, ever. Mono version of this album, which was later completely replaced by the stereo version, is the ONLY way to hear this fabulous album, and a much, much harder version to find.
For additional historical information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(c) The record comes in the original stock inner sleeve.
(d) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS STRONG NEAR MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP (A SMALL PIECE OF SHRINK WRAP IS MISSING)
The following flaws or imperfections are noted on the cover:
- Cover shows JUST A HINT of yellowing on both sides, apparently from aging.
- Cover has a few tiny wrinkles along the spine (BARELY VISIBLE)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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