TALKING HEADS BUILDINGS & FOOD ULTRA-RARE TEST PRESSING
$
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Description
THIS RECORD COMES FROM OUR PERSONAL COLLECTION
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· TALKING HEADS – MORE SONGS ABOUT BUILDINGS AND FOOD - ORIGINAL 1978 SIRE RECORDS STEREO LP SRK-6058
· ORIGINAL U.S. PRESSING
*** ULTRA-RARE TEST PRESSING ***
· PLAIN, WHITE, GENERIC TEST PRESSING LABEL WITH ONLY MINOR TECHNICAL ANNOTATION ON IT
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· THIS TEST PRESSING COMES IN ITS GENERIC, PLAIN, WHITE COVER
· INCLUDES TYPEWRITTEN DATA SHEET STILL AFFIXED TO THE FRONT COVER, WITH A TENTATIVE TRACK LISTING, PROPOSED TITLE, ARTIST- AND PRODUCER CREDITS,
· CLEAN, WEAR-FREE LABELS
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Amazing !!! An unbelievable piece: What we have here is an unheard-of TEST PRESSING of this classic Talking Heads Post-Punk classic! While many test pressings often have alternate or demo- versions of known, later released songs, and while it is possible that this particular test pressing contains demo or alternate versions of some of the tracks, please don’t take our word that it does. We regret we cannot provide any competent information on how different this TEST PRESSING may be from the official release. Please contact us if you have any questions. The generic white test pressing label is (almost) entirely blank and without any details whatsoever.
The album comes with the neatly typewritten album data sheet (which also serves as a revision log) which contains all the details of the test pressing, including artist name, producer name, song titles, timings, assigned catalog number, scheduled date of release, list of revisions made thus far, performer credits, etc. The generic white test pressing label is mostly blank
PLEASE NOTE: THIS TEST PRESSING APPARENTLY NEVER HAD A CUSTOM COVER; THE ALBUM WILL BE SHIPPED IN A PLAIN, GENERIC [WHITE] CARDBOARD COVER. TEST PRESSINGS ARE RARELY – IF EVER – FOUND IN CUSTOM (STOCK) COVERS.
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The title of Talking Heads' second album, More Songs About Buildings and Food, slyly addressed the sophomore record syndrome, in which songs not used on a first LP are mixed with hastily written new material. If the band's sound seems more conventional, the reason simply may be that one had encountered the odd song structures, staccato rhythms, strained vocals, and impressionistic lyrics once before. Another was that new co-producer Brian Eno brought a musical unity that tied the album together, especially in terms of the rhythm section, the sequencing, the pacing, and the mixing. Where Talking Heads had largely been about David Byrne's voice and words, Eno moved the emphasis to the bass-and-drums team of Tina Weymouth and Chris Frantz; all the songs were danceable, and there were only short breaks between them. Byrne held his own, however, and he continued to explore the eccentric, if not demented persona first heard on 77, whether he was adding to his observations on boys and girls or turning his "Psycho Killer" into an artist in "Artists Only." Through the first nine tracks, More Songs was the successor to 77, which would not have earned it landmark status or made it the commercial breakthrough it became. It was the last two songs that pushed the album over those hurdles. First there was an inspired cover of Al Green's "Take Me to the River"; released as a single, it made the Top 40 and pushed the album to gold-record status. Second was the album closer, "The Big Country," Byrne's country-tinged reflection on flying over middle America; it crystallized his artist-vs.-ordinary people perspective in unusually direct and dismissive terms, turning the old Chuck Berry patriotic travelogue theme of rock & roll on its head and employing a great hook in the process.
(EXCERPT FROM AN ONLINE REVIEW BY WILLIAM RUHLMAN, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical or discography information on this album, including track listing ►click here
THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.
(c) The album comes with its original typewritten data sheet / track listing
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
- COVER :
- This reference (test) pressing comes without any custom jacket, and will be shipped in a plain, generic, white cardboard cover (NOT SEPARATELY GRADED)
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