Stone The Crows ?– Teenage Licks First U.K. Pressing + Rare Press Cutting EXCEL
  £   22
  $   29

 


£ 22 Sold For
Jul 25, 2021 Sold Date
Jul 15, 2021 Start Date
5   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

Stone The Crows ?– Teenage Licks First U.K. Pressing + Rare Press Cutting EXCELLENT


Wow Stone The Crows! Rock and Blues from a band that hit as hard as a headbutt on Glasgow’s Sauchiehall Street. Fronted by Maggie Bell’s vocals and the late Les Harvey’s fluent guitar they should have set the world on fire. But, for some reason it never happened. They remained a solid favourite on the festival and gig circuit; I remember seeing them whipping up a half asleep, stoned, drunken crowd to fever pitch at 3a.m. on a freezing wet morning. Maggie’s voice was somewhere between Janis Joplin and Rod Stewart but had even more soulful expression. I always thought this was the album that showed their talents off best. Enjoy!

Matrix Side 1. 2425 071  A?1 115 420 (crossed out ) PORKY Side 2. 2425 071 B?1 114

Catalogue number Polydor, 2425-071 Originally released 1971

Overall condition is EXCELLENT

Sleeve EXCELLENT The matt, unlaminated, textured, gatefold picture sleeve with the colours still very bright, is in EXCELLENT condition. There are no tears or splits but there is the slightest or ringwear on the back where the top edge of the record sits. It has some very light wear to some corners and edges but there isn’t any writing, taping or stickers. It is Printed and made by Macneil Press ltd, London, S.E.1 

Spine EXCELLENT there’s only minimal edge wear and the spine is firm and totally legible but has some slight creasing.

I will also include the original Colton Audio Products plastic outer that I bought with it,which still fits tightly and has successfully kept the dust off for all these years

Record EXCELLENT It’s pressed on heavyweight vinyl The record itself is clean and glossy and the disc retains its deep, black vinyl sheen.

Labels EXCELLENT The Red Polydor labels show some minimal signs of use, have no writing and are clean with minimal spindle marking.

Audio Quality EXCELLENT The record plays well apart from some of the usual vinyl crackle between tracks that unfortunately is noticeable in some of the quietest passages but vanishes after a few seconds and doesn’t detract from the overall sound, which is still amazing. although deep cleaning would probably remove it. But, to quote the Record Collector grading system for the category of EXCELLENT, there is very little lessening in sound quality.” It lays flat on the turntable and plays well without the needle sticking or jumping.

(Please remember even new, factory fresh vinyl is likely to have some clicks and pops, but the richness of sound will always be better than digital. OK eventually the robots and aliens will make digital sound as good, but until then, it’s a compromise, you have to choose; deep rich tones and a beautiful sleeve (often with lyrics or other notes) or clinical sterility with nothing to see and a narrow frequency range.)

Since 1970 all my records have been played on a Pioneer PL12D with a Shure N75 ED-T2 cartridge and stylus, tracking at 1.5 grams which I continue to use today – although the stylus has been replaced regularly

Tracks: A: Big Jim Salter, Faces, Mr.Wizard, Don't Think Twice, It's Alright,

B: Keep On Rollin', Ailen Mochree, One Five Eight, I May Be Right I May Be Wrong, Seven Lakes

PRESS CUTTING I’m also including a press cutting from Melody Maker from the same period I found it tucked in behind the album. I think it’s very rare, as I’ve never seen it referred to in books or on the web.

Summary:this ICONIC, blues rock masterwork album is a lovely piece of genuine memorabilia from a bygone time that changed the world, as well as the way that music is made, and would grace any collection. If you haven’t heard it on vinyl this could be for you. It certainly doesn’t sound fifty years old.

Admittedly it is not in Mint condition, although the album overall counts as EXCELLENT but that is why I’m starting at a sensible price so a genuine fan or collector can enjoy it without paying rip off prices.

If you check my feedback you will see many people think my grading is spot on.

I’m not a dealer of any sort, but am just downsizing and having to clear things out and trying to survive on a poxy pension. Good luck with your bidding and feel free to ask any question.

A Word About Payment and Postage

Sorry but I accept Paypal only and it will be posted as soon as payment has cleared, which must be paid within 24hours of the end of the auction. This may seem harsh but I’m fed up with time wasters!

I use 12" Vinyl LP Record Cruciform postal mailers and protect them with an additional layer of bubblewrap. In the UK I use Royal Mail Signed For.

Price for postage is for 2nd class and reflects the fact that eBay & PayPal take a combined total fee of 13.4% on shipping charges. If you are outside the UK, I will use Ebay’s Global Shipping Program and you are therefore accepting their shipping terms and charges over which I have no control.


Record Collector grading system used

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

As well as the above grades, Near Mint is often used as well; this is really for a record that appears new but is known to have been played because the label has light spindle marks or because it has come from a previous owner and is assumed to have been played by them. For records which appear to fall between the accepted grades, + and - are also often added to the grading.



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