Steely Dan / Katy Lied, Vinyl LP MCA 37043 1979
$
19
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
Stock photos are not used. Photos of actual item serve as a description of sleeve condition. Look at them. There is a reflection of light on some of the vinyl ~ not a scratch.
Katy Lied is the fourth studio album by American rock band Steely Dan, released in 1975 by ABC Records. It went gold and peaked at No. 13 on the US charts.[1] The single "Black Friday" charted at No. 37.[2]
The album was the first after the break-up of the original five-piece Steely Dan; most of the original members had left during a rift over touring and recording schedules. Donald Fagen and Walter Becker, who had been increasingly using session musicians in the studio on prior albums, continued on with numerous prominent Los Angeles–area studio musicians. This album marks the first appearance of singer Michael McDonald on a Steely Dan album. Jeff Porcaro, then only 20 years old, played drums on all the songs except "Any World (That I'm Welcome To)", which features session drummer Hal Blaine. It also marked the first appearance of Larry Carlton, who played guitar on "Daddy Don't Live in That New York City No More".
Band leaders Becker and Fagen were unhappy with the album's sound quality because of an equipment malfunction with the then-new dbx noise reduction system. The group has claimed that the damage was mostly repaired after consulting with the engineers at dbx, but Fagen and Becker still refused to listen to the completed album.[citation needed]
The album was reissued by MCA Records after ABC Records was acquired by MCA in 1979.
Critical reception[edit]
Professional ratings
Reviewing for The Village Voice in 1975, Robert Christgau said Katy Lied may be Steely Dan's "biggest" album, but he found it "slightly disappointing" on a musical level, citing the loss of lead guitarist Skunk Baxter and what he perceived as "cool, cerebral, one-dimensional" jazz guitar influences. He nonetheless admitted to playing the record frequently[12] and named it the third best album of the year for the 1975 Pazz & Jop critics poll,[13] where it finished sixth best.[14] John Mendelsohn was more critical in Rolling Stone, believing that "however immaculately tasteful and intelligent" Steely Dan's music may be in theory, it did not register with him emotionally and remained "exemplarily well-crafted and uncommonly intelligent schlock". Mendelsohn found the lyrics interesting but inscrutable, the musicianship tasteful and well-performed but not stimulating, and Fagen's singing unique-sounding but seemingly passionless.[15]
Katy Lied was later called "anonymous, absolutely impeccable swing-pop" by Rolling Stone's Cameron Crowe, who observed "no cheap displays of human emotion",[16] while Travis Elborough felt it was not on par with 1974's Pretzel Logic or 1977's Aja "but up there as jazz rock staples go".[17] Stephen Thomas Erlewine deemed it a more refined version of Pretzel Logic and "another excellent record" from Steely Dan in his retrospective review for AllMusic.[4] In The Rolling Stone Album Guide (2004), Rob Sheffield said the album completed a 1970s trilogy of albums, starting with Countdown to Ecstasy (1973), that was "a rock version of Chinatown, a film noir tour of L.A.'s decadent losers, showbiz kids, and razor boys".[11]
price rating
