Sealed LP: Jackie McLean/Cosmic Brotherhood: New York C
  $   40

 


$ 40 Sold For
Aug 3, 2020 Sold Date
Jul 11, 2020 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

Jackie McLean and the Cosmic Brotherhood: New York Calling
FACTORY SEALED LP Format: Album
Country: U.S.A.
Record Company & Release Number: Inner City: IC 2023
Original release date: 1976
Bar Code: NONE Condition of the cover: Mint
Condition of this Album: Sealed - Assumed Mint
My inventory number: 209320
Shipping Weight: 1 pounds, 2 ounces
Notes: - - - Please contact me if you have any difficulty viewing the photos.
Songs

  • New York Calling
  • Star Dancer
  • Camel Driver
  • Some Other Time
  • Adrians Dance
  • New York Calling [#]
Credits
  • James Benjamin: Bass
  • Ron Carran: Engineer
  • Michael Carvin: Drums
  • Thabo Michael Carvin: Drums
  • Billy Gault: Piano, Arranger
  • Per Grunnet: Design
  • Freddy Hansson: Mixing
  • Jackie McLean: Sax (Alto), Sax (Tenor)
  • Rene McLean: Sax (Alto), Sax (Soprano), Sax (Tenor)
  • Billy Skinner: Trumpet, Arranger
  • Ib Skovgaard: Photography
  • Lissa Winther: Design, Photography
  • Nils Winther: Producer
Album Review
Review by Jim Todd, All Music Guide

Jackie McLean's band on New York Calling, the Cosmic Brotherhood, plays with uncompromising passion, fury, and intelligence. The group, a generation younger than the leader, has a sound that is definitive '70s advanced hard bop. Although not as well-known as some of their contemporaries, by the time of this 1974 recording, the members of McLean's quintet had logged playing time with many of the leaders of the hard bop scene: McCoy Tyner, Gary Bartz, Sam Rivers, Art Blakey, Freddie Hubbard, and others. In addition to exceptional chops, the band has strong writers in trumpeter Billy Skinner and pianist Billy Gault. Their tightly voiced arrangements, punctuated by roiling power surges from the rhythm section, call to mind the work of Woody Shaw, whose classic Moontrane was also recorded in 1974. However, where Shaw's music possesses an urbane, majestic poise, Skinner and Gault go for a skittering, street-level urgency. McLean, recognizing the powerful talents in his midst -- including McLean's son, René, on tenor, alto, and soprano sax -- comes across as one among equals. It's to McLean's credit that the date bears the stamp of his band's artistry as much as it does his own.

Biography
Jackie McLean biography by Scott Yanow, All Music Guide

Jackie McLean has long had his own sound, played slightly sharp and with great intensity; he is recognizable within two notes. McLean was one of the few bop-oriented players of the early '50s who explored free jazz in the '60s, widening his emotional range and drawing from the new music qualities that fit his musical personality.

The son of guitarist John McLean (who played guitar with Tiny Bradshaw), Jackie started on alto when he was 15. As a teenager he was friends with such neighbors as Bud Powell, Thelonious Monk, and Sonny Rollins. He made his recording debut with Miles Davis in 1951 and the rest of the decade could be considered his apprenticeship. McLean worked with George Wallington, Charles Mingus, and Art Blakey's Jazz Messengers (1956-1958). He also participated on a string of jam session-flavored records for Prestige and New Jazz which, due to the abysmal pay and his developing style, he later disowned. Actually they are not bad but pale in comparison to McLean's classic series of 21 Blue Note albums (1959-1967). On sessions such as One Step Beyond and Destination Out, McLean really stretches and challenges himself; this music is quite original and intense yet logical. McLean also appeared as a sideman on some sessions for Blue Note (most notably with Tina Brooks, acted in the stage play The Connection (1959-1961), and led his own groups on a regular basis. By 1968, however, he was moving into the jazz education field and other than some SteepleChase records from 1972-1974 (including two meetings with his early idol Dexter Gordon) and an outing for RCA (1978-1979), McLean was less active as a player during the '70s. However in the '80s Jackie McLean returned to a more active playing schedule (sometimes with his son René McLean on tenor), recording for Triloka, Antilles, and most recently (with a renewed relationship) with Blue Note -- without losing the intensity and passion of his earlier days.

This record came from a record store called "Phantasmagoria" which was located in Allentown, Pennsylvania. Phantasmagoria went out of business in 1978. I purchased most of their unsold inventory some years later when I owned "Music Madness" - a new & used record store in Catasauqua.

Phantasmagoria used round colored stickers to indicate the price of the albums. They had a sign on the wall with the color sticker combinations for the customers to use so they knew the price of the albums. Most of the albums still have these stickers on them, and in some rare cases, the stickers are written on. Some of the records have prices on them. This is the price you would have paid for the record in 1978 if you would have bought it at Phantasmagoria. Please don't confuse these prices with their current value.

All sealed records are being sold as collector's items and cannot be returned due to manufacturer's defects. It may be almost impossible to replace many of the sealed albums I am selling.

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All album reviews, credits and artist biographies are from AllMusic Guide. If you haven't been to their web site, you have to check it out. It's one of the most comprehensive music references on the internet. In some cases, credits may include reissue (CD) information. Obviously any credits referenced to CDs do not apply to this album release.

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