SXL 2021 MASSENET/MEYERBEER-LAMBERT/MARTINON' LES PATINEURS-EL CID-BALLET MUSIC'
  £   45
  $   60

 


£ 45 Sold For
Jul 9, 2014 Sold Date
Jul 2, 2014 Start Date
£   15 Start price
5   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description


MASSENET / MARTINON
MEYERBEER - LAMBERT
 'LES PATINEURS' - 'LE CID' - BALLET MUSIC

DECCA RECORSDS
ORIGINAL WBG STEREO ISSUE
1958 UK - SINGLE SLEEVE

 Catalogue Number:  SXL 2021

Matrix Numbers:

  • Matrix / Runout side A - machine stamped : ZAL-4047-3ER
  • Matrix / Runout  side B - machine stamped: ZAL-4048-3ER


PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
 BE MENTIONED IN THE LISTINGS

Condition:
***please see end of listing
    for grading system definitions
          before ordering***

Cover:- EXCELLENT +
ORIGINAL BLUE BACK ISSUE
Vinyl:- EXCELLENT
Labels:- EXCELLENT +
ORIGINAL WIDE BAND GROOVED LABELS



WE WANT YOU TO BE HAPPY
 WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
 (EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
 FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**

Tracklist


 –Meyerbeer* Orch. Lambert*, Jean Martinon Conducting The Israel Philharmonic Orchestra Les Patineurs - Ballet A1 – 1. Entrée A2 – 2. Pas Seul A3 – 3. Pas De Deux A4 – 4. Ensemble A5 – 5. Pas De Trois A6 – 6. Duet A7 – 7. Pas Des Patineurs A8 – 8. Finale
–Massenet*, Jean Martinon Conducting The Israel Philharmonic Orchestra Le Cid - Ballet Music B1 – 1. Castillane B2 – 2. Andalouse B3 – 3. Aragonaise B4 – 4. Aubade B5 – 5. Catalane B6 – 6. Madrilène B7 – 7. Navarraise

Credits

  • Arranged By – Lambert* (tracks: A1 to A8)
  • Composed By – Meyerbeer* (tracks: A1 to A8), Massenet* (tracks: B1 to B7)
  • Conductor – Jean Martinon
  • Engineer [Uncredited] – James Brown (13)
  • Mastered By – E (24)
  • Orchestra – Israel Philharmonic Orchestra, The*
  • Orchestrated By – Lambert* (tracks: A1 to A8)
  • Photography By [Cover] – Roger Wood (2)
  • Producer [Uncredited] – John Culshaw

Notes

Recorded May(?) 1958 in the Heikhal Hatabut, Frederic R. Mann Auditorium, Tel-Aviv.

First UK stereo version for this cat#.

LABELS:
- Black/silver 'grooved wideband' labels
- "ORIGINAL RECORDING BY" at 11 o'clock
- "Made in England" at bottom
- "ffss" logo in a circle
- "FULL FREQUENCY STEREOPHONIC SOUND" in wide silver band
- "RECORDING FIRST PUBLISHED 1958"
- "B.I.E.M." logo in a box on side 2 only
- "Hawkes" on side 1
- Matrix numbers printed upside-down

SLEEVE:
- Front laminated
- Straight flipbacks
- Blue border on back
- Triangular "DECCA STEREOPHONIC" logo on front and back
- Thin spine with no text on it
- Printing date on sleeve for this copy is October 1958 ("58.10")
- "Printed in England" on bottom flipback

1st cat# on sleeve.
2nd cat# on labels.

Corresponding mono issue has cat# LXT 5456

Tracklisting taken from labels.
No track duration info on sleeve or labels.

Lambert is credited as "orch." (Orchestrated By) on label and as "Arr." (Arranged By) on sleeve.


************************************************

Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International


SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-

U.K. £4.50  E.U. / UKRAINE £11.50  REST OF THE WORLD** £15.50
**INCLUDES:-
 AUSTRALIA - BRAZIL - CANADA - JAPAN - KOREA - NEW ZEALAND - USA

please note that
***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***

 **************************************************

All items will be posted in custom made mailers in plastic sleeves and using two card liners.

**************************************************
PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
**************************************************

My records are described according to “The Record Collector’s” grading system.

This was originated by “The Record Collector” to assist people buying or selling records.

Their seven standard condition categories and a description of what each one means are given below.

I hope you find this helpful.


MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.

Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.





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