SUN RA w/JOHN GILMORE NOTHING IS VERY RARE ORIG'66 ESP STEREO LP FIRST COVER NM

$

148

WE CURRENTLY HAVE   MORE THAN 300   LISTED ITEMS

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·       SUN RA with THE ARKESTRA featuring JOHN GILMORE – NOTHING IS -  ORIGINAL 1966 ESP-DISK STEREO LP ESP-1045 (RECORDED IN 1966, FIRST RELEASED IN 1968/69)

·       ORIGINAL U.S. PRESSING

·       ORIGINAL, FIRST VERSION OF THE COVER WITH A CAMERA FLASH LIGHT SHOWING BEHIND SUN RA (LATER VERSIONS HAVE SUN RA’S BURNING IMAGE SUPERIMPOSED ON SOLID GREEN BACKGROUND)

·       ORIGINAL UNIQUE  WHITE ESP “ART” LABEL WITH SUN RA’S IMAGE

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Sun Ra & His Arkestra issued only a handful of titles on the groundbreaking indie ESP-Disk' label, and each title contains some of their most expressive musical statements. The eight cuts on 1970's Nothing Is were documented during live performances at various New York state colleges in the spring of 1966. Ra (piano/clavioline) leads the band through a series of free improvisations and more melodically structured compositions. "Dancing Shadows" evolves out of a chaotic brass and percussive assault with some extended inspired keyboard runs. These eventually nestle into a charming upbeat slice of extemporaneous post-bop. Front and center beside Ra are Ali Hassan (trombone), Teddy Nance (trombone), Marshall Allen (alto sax/flute/piccolo/oboe), John Gilmore (tenor sax), Pat Patrick (baritone sax/flute), Robert Cummings (baritone clarinet), James Jacson (flute/log drums), Ronnie Boykins (bass/tuba), Clifford Jarvis (drums), and Carl Nimrod [aka Carl S. Malone/Nimrod Hunt] (sun horn/gong). The leader's solos and accompaniment shimmer with many of the same highly advanced effervescent chord progressions that are worked into early sides such as "Brainville" and "Transitions." Gilmore, Allen, and Patrick playfully blend Eastern-flavored intonations along with Jarvis and a second, albeit uncredited, kit drummer. According to Sun Ra scholars, drummers Jimmy Johnson and Roger Blank both toured at various times during the mid-'60s with the Arkestra. "Imagination" includes a brief recitation, after which comes a full-blown band improv. This undulates over a fast-paced choral mantra of "the second stop is Jupiter" -- a chant that had also been worked into the waning moments of "Rocket #9." The slithery charm of "Exotic Forest" -- featuring a hypnotic oboe lead from Allen -- excels in allowing the mostly percussive contingency of the Arkestra to organically support Boykins' equally entrancing contributions. The short piano solo "Sun Ra and His Band from Outer Space" segues into the last lengthy side, "Shadow World." Patrick streamlines his opening solo around the sonic swirl of Jarvis and Ra. The saxophonist then emerges with an unaccompanied blow that demonstrates his perfection in the context of spontaneity. Allen's solitary oboe borders on maniacal before eventually settling into a final free for all from the entire band. Nothing Is concludes with a mostly Ra-driven "Theme of the Stargazers," which develops into an early version of the "Outer Spaceways Incorporated" and "Next Stop Mars" chants. Caveat emptor: these sides have turned up on numerous repackagings, many of which have been transcribed from poor-grade vinyl.

 (EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

Just a few years after Jackson Pollock hit the world of painting straight between the eyes with his abstract expressionism, Sun Ra did the same to the world of Jazz (and was quickly followed by his acolytes: Eric Dolphy, Ornette Coleman and late-period John Coltrane who quickly mastered the fine art of musical deconstruction and abstraction). Ever a dubious character, Sun Ra claimed (among other things) to have been born on Jupiter - and his music truly, genuinely reflects his "place of birth". This record, which came out in 1966/67 on a legendary ESP label at the apex of the New Jazz movement (Coltrane’s earth-shattering "Ascension" came out only a year earlier) is truly a wonder of nature, a robust and masculine work which requires undivided attention and devotion on part of the listener. A master of all things modal and atonal, Sun Ra created an improvisational masterpiece which is occasionally difficult and demanding, but is generally considered to be one of his finest works.

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has a visible "wrinkle"(crease)  in one of the corners.

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

-         Cover shows some light yellowing on back side, apparently from aging  (nothing significant).

-         Visible shelf wear noted on the seams

-         Cover has all four corners slightly worn / dinged

-         Cover has all three seams (top, bottom and spine) partially split,  as follows:

-         Top seam: between 1 and 2 inches  / 2.5 to 5 centimeters.

-         Bottom seam: less than 1 inch / 2.5 centimeters.

-         Spine: less than 1 inch / 2.5 centimeters.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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