SUGAR HILL GANG, Sugarhill Gang shrink+hype USA 1st press LP [Rapper's Delight]
$
36
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Description
The Sugar Hill Gang* ?– Sugarhill Gang Label: Sugar Hill Records ?– SH-245, Sugar Hill Records ?– SH245 Format: Vinyl, LP, Album, Bestway Pressing, Gatefold Country: US Released: 1980 Genre: Hip Hop, Funk / Soul Style: Funk, Disco TracklistHide Credits A1 Here I Am Written-By – C. Derry*, D. Phillips*, N. Edmonds*, S. Robinson* 5:09 A2 Rapper's Reprise (Jam-Jam) Featuring [Guest Artist] – The Sequence Written-By – Sylvia Robinson 7:40 A3 Bad News Written-By – D. Phillips*, N. Edmonds*, Sylvia Robinson 6:45 B1 Sugar Hill Groove Written-By – G. O'Brien*, H. Jackson*, M. Wright*, Sylvia Robinson 9:52 B2 Passion Play Written-By – B. Roland*, B. Reynolds*, N. Edmonds*, S. Smith* 5:10 B3 Rapper's Delight Written-By – Bernard Edwards, Nile Rodgers 4:55 Companies, etc. Copyright (c) – Sugar Hill Records Ltd. Phonographic Copyright (p) – Sugar Hill Records Ltd. Published By – Sugar Hill Music Publishing Ltd. Published By – Chic Music, Inc. Lacquer Cut At – Sterling Sound Pressed By – Bestway Products Inc. Credits Art Direction [Album] – Novigraphics Backing Vocals, Arranged By [Rhythm Arrangements] – Positive Force (tracks: A3, B2, B3) Bass – Bernard Rowland, Douglas Wimbish* Congas – Craig Derry Design [Album] – Christopher Rohn Drums – Brian Horton, Keith LeBlanc Effects [Special Effects] – Billy Jones, Nate Edmonds Executive-Producer – Sylvia Inc.* Guest [Special Guest Appearance] – Tito Puente Guitar – Bert Williams*, Skip McDonald Keyboards – Nate Edmonds, Skitch Smith Lacquer Cut By [Runout Etch ?] – Greg Calbi Mastered By – Jose Rodriguez* Percussion – Craig Derry, Harry Reyes, John Stump Performer – Big Bank Hank, Master Gee, Wonder Mike Photography By – James Dargan Producer – Sylvia, Inc.* Producer, Engineer, Mixed By – Billy Jones, Nate Edmonds, Sylvia Robinson Vibraphone [Vibes] – Sylvia Robinson Notes Released in a gatefold jacket. Labels specify "Artist - The Sugar Hill Gang" and show the title as "Sugar Hill Gang"; the jacket just shows "Sugarhill Gang". Back cover: © 1979 Sugar Hill Records, Ltd. Labels: ? © 1980 Sugarhill Records Ltd. Cover: SH245 Label: SH-245 All tracks published by Sugar Hill Music Publishing Ltd.; track B3 also published by Chic Music, Inc. This version is the Bestway Productions pressing plant variation and can be identified by the text on the labels and by the runout groove etchings.
USA FIRST PRESSING VINYL ALBUM IN GATEFOLD SLEEVE WITH ORIGINAL WHITE INNER SLEEVE.
SLEEVE: EXCELLENT MINUS, STILL IN SHRINK WRAP WITH HYPE STICKER AND ORIGINAL STORE PRICE STICKER. INNER SLEEVE HAS MIDDLE SIDE SEAM SPLIT.
DISC[S]: VERY GOOD+. NO SCRATCHES, BUT SOME PLAY SCUFFS AND HAIRLINES. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
THIS ITEM SHIPS FROM THE USA (We can ship anywhere in the world EXCEPT to Georgia, USA)
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If you DO NOT use Paypal, we can ship by regular air mail, which costs $19.99
Add $6.00 for each additional LP purchased at the same time
If you DO NOT use Paypal, we can ship by regular air mail, which costs $26.99
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