STILL SEALED STICKER '66 LP BOB DYLAN BRINGING IT ALL BACK HOME BLOOMFIELD

$

168

STILL FACTORY SEALED

1966 STEREOPHONIC SONG MIXES LP

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• = BOB DYLAN =

  Bringing It All Back Home

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• USA - Columbia 360 sound - [STEREO CS 9128]
  
  A Beauty! STILL IN ORIGINAL FACTORY-SHRINK WRAPPER
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• STILL FACTORY SEALED IN ORIGINAL COLUMBIA ISSUED BAGGY
  
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•  Containing the first pressing custom designed "Homesick Blues"sticker 
• on outside of shrink wrapper!
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  SCARCE 100% MACHINE STAMPED MATRIX: 1-B / 1-B
  
  SEALED NEVER PLAYED: STEREO MIXES 360 SOUND COLUMBIA PRESSING !
  
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  BRINGING IT ALL BACK HOME is divided into an electric and an acoustic side. On side one of the original LP, Dylan is backed by an electric rock and roll band - a move that further alienated him from some of his former peers in the folk song community.
  
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  BRINGING IT ALL BACK HOME is divided into an electric and an acoustic side. On side one of the original LP, Dylan is backed by an electric rock and roll band - a move that further alienated him from some of his former peers in the folk song community.
  
  The album reached #6 on Billboard's Pop Albums chart, the first of Dylan's LPs to break into the US top 10.
  
  If you want Bob Dylan's best album, check out Bringing It All Back Home. It beats Highway Sixty-One, Blonde on Blonde, Freewheelin', Blood on the Tracks, Desire, etc. One side acoustic, one side electric, two sides amazing. From the opening blast of "Subterranean Homesick Blues" to that last harmonica note on "It's All Over Now Baby Blue", this record screams "MASTERPIECE!!!"
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  "Homesick Blues" marks one of Bob's best social-commentary songs. It's two-and-a-half minutes of pure, twisted, funny rock. Same with "Maggie's Farm", his hilarious blues tune about pretty much working with idiots. Then there's his two funniest songs,"On the Road Again" and "Bob Dylan's 115th Dream".
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  Side Two is Dylan's Dark Side. First we have his masterful drug-song, "Mr. Tambourine Man". Next is the pitch-black "Gates of Eden", where he compares our world to a perfect one. He sings this like a prophet of doom and spits out among his best lines. Then there's "It's All Right Ma (I'm Only Bleeding)", another rapid, dark protest song where he lashes out against capitalism, communism, political corruption and pretty much everything else. Finally, the beauty of "It's All Over Now, Baby Blue". Or at least it seems beautiful on the outside. But listen to it seriously, and you'll find more dark lyrics.
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  If you were to own one Dylan studio album, get Bringing It All Back Home.
  
  The album opens with "Subterranean Homesick Blues," a romp through the difficulties and absurdities of anti-establishment politics that was heavily inspired by Chuck Berry's "Too Much Monkey Business."
  
  "She Belongs to Me" extols the bohemian virtues of an artistic lover whose creativity must be constantly fed ("Bow down to her on Sunday / Salute her when her birthday comes. / For Halloween buy her a trumpet / And for Christmas, give her a drum.")
  
  "Maggie's Farm" is Dylan's declaration of independence from the protest folk movement. Punning on Silas McGee's Farm, where he had performed "Only a Pawn in Their Game" at a civil rights protest in 1963 (featured in the film Dont Look Back), Maggie's Farm recasts Dylan as the pawn and the folk music scene as the oppressor. Rejecting the expectations of that scene as he turns towards loud rock'n'roll, self-exploration, and surrealism, Dylan intones: "They say sing while you slave / I just get bored."
  
  "Love Minus Zero/No Limit" is a low-key love song, described as a "hallucinatory allegiance, a poetic turn that exposes the paradoxes of love ('She knows there's no success like failure / And that failure's no success at all')...[it] points toward the dual vulnerabilities that steer 'Just Like A Woman.' In both cases, a woman's susceptibility is linked to the singer's defenseless infatuation."
  
  "Outlaw Blues" explores Dylan's desire to leave behind the pieties of political folk and explore a bohemian, "outlaw" lifestyle. Straining at his identity as a protest singer, Dylan knows he "might look like Robert Ford" (who assassinated Jesse James), but he feels "just like a Jesse James."
  
  "On the Road Again" catalogs the absurd affectations and degenerate living conditions of bohemia. The song concludes, "Then you ask why I don't live here / Honey, how come you don't move?".
  
  "Bob Dylan's 115th Dream" narrates a surreal experience involving the discovery of America, the cast of Moby Dick and numerous bizarre encounters. It is the longest song in the electric section of the album, starting out as an acoustic ballad before being interrupted by laughter, and then starting back up again with an electric blues rhythm. The music is so similar in places to Another Side of Bob Dylan's "Motorpsycho Nitemare" as to be indistinguishable from it but for the electric instrumentation.
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  CONDITION:
  is perfect, STILL FACTORY SEALED IN ORIGINAL BAGGY 1966 pressing or about a year later from initial pressing. Contains the rare and wanted: SUBTERRANEAN HOMESICK BLUES custom sticker on outer cello , after 54 years is with vibrant colors, all stiff, no problems, no bends, no seam splits, no writing, all together final collection collectible! NEVER OPENED / NEVER PLAYED = FACTORY SEALED