STEVE REICH, THE DESERT MUSIC, NONESUCH DIGITAL LP, 1985, MINIMAL, EXCELLENT
  £   17
  $   22

 


£ 17 Sold For
Jan 6, 2020 Sold Date
Dec 27, 2019 Start Date
£   2 Start price
8   Number Of Bids
  Great Britain Country Of Seller
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Description

STEVE REICH, THE DESERT MUSIC, NONESUCH DIGITAL LP, 1985, MINIMAL, EXCELLENT

Steve Reich – The Desert Music

Stephen Michael Reich (born October 3, 1936) is an American composer who, along with La Monte Young, Terry Riley, and Philip Glass, pioneered minimal music in the mid to late 1960s. His work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. His innovations include using tape loops to create phasing patterns, as on the early compositions It's Gonna Rain (1965) and Come Out (1966), and the use of simple, audible processes, as on Pendulum Music (1968) and Four Organs (1970). The 1978 recording Music for 18 Musicians would help entrench minimalism as a movement. His work took on a darker character in the 1980s with the introduction of historical themes as well as themes from his Jewish heritage, notably Different Trains (1988).
 Side One: First Movement (Fast); Second Movement (Moderate); Third Movement: Part One (Slow); Third Movement: Part Two (Moderate).
Side Two: Third Movement: Part Three (Slow); Fourth Movement (Moderate); Fifth Movement (Fast).
The album is on Nonesuch Records, 979 101-1. Matrix side one: WEA DMM A   C - 979 101 - 1A (stamped) CS-B-III (written). Matrix side two: WEA DMM A   C - 979 101 - 1B (stamped) CS-B-III (written).
Released in 1985. European pressing. Stereo.
See photos for more info.

Condition: (as Record Collector’s grading system)
Vinyl side 1: excellent (has the odd very light superficial marks that can only be seen under bright light that do not affect the audio in any way, plays great with no jumps, sticks or clicks and minimal crackle).
Vinyl side 2: excellent (has the odd very light superficial marks that can only be seen under bright light that do not affect the audio in any way, plays great with no jumps, sticks or clicks and minimal crackle).
Cover (glossy, gatefold): excellent (a few small light edge creases).
Comes with the original inner sleeve in excellent condition.
I have tried to give my honest opinion as to the condition. I will give a complete refund to the buyer if they are not happy with the record.
Any questions, don’t hesitate to ask.
Check out the other records that I am selling at the moment by clicking on ‘view seller’s other items’.

RECORD COLLECTOR GRADING SYSTEM:
MINT: I very rarely use the mint grade. Only records that are still sealed or records that even under the strongest of lights are completely unmarked. Also covers that are unmarked/uncreased in any way and still look brand new.
EXCELLENT: The record shows some signs of having been played, but there is no lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler. Payment strictly by PayPal only. Postal discounts available for multiple purchases - Please email for details.  859 (GS 7.0.21 (859))


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