SONIC YOUTH "Goo" Sealed MFSL Audiophile LP (Low #190)
  $   79

 


$ 79 Sold For
Dec 18, 2010 Sold Date
Dec 11, 2010 Start Date
$   25 Start price
11   Number Of Bids
  USA Country Of Seller
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Description

Sonic Youth / Goo - Geffen/Mobile Fidelity Sound Lab Records MFSL 1-257 (Stereo)(US)(1996) ...This auction is for a factory Sealed, limited issue [numbered (No. 0190)] Record pressed on 200gram Audiophile vinyl. This special limited edition recording features half-speed production and mastering and his specially plated and pressed on 200 grams of High Definition Vinyl (Anadisc 200) andmastered from the original master tapes. The heavy duty protective packaging includes a high quality dust-free inner sleeve.

Track listings and reviews below...

The brand new Record and Gatefold Cover are in excellent (Mint) condition. The record will include a high-quality resealable plastic outer record sleeve. Satisfaction Guaranteed. For payment please use Paypal (other payments are no longer accepted due to eBay’s new policy. If that is a problem, please let them know and contact us to work something out). Payment and Shipping information is listed below. All items are shipped worldwide. Specialized shipping is extra ~ Not responsible for uninsured items ~ Insurance (US prices only) is $2.50 for $5.00 to $200.00 in coverage (Foreign Insurance can be expensive and complicated) ...Thank you (Click the (me) file next to the feedback score for our seller profile)


Detailed item info:

Track listing
(Side One)
1. Dirty Boots
2. Tunic (Song for Karen)
3. Mary-Christ
4. Kool Thing
5. Mote

(Side Two)
1. My Friend Goo
2. Disappearer
3. Mildred Pierce
4. Cinderella's Big Score
5. Scooter + Jinx
6. Titanium Exposé

Details Contributing artists: Chuck D, Don Fleming, J Mascis Distributor: Mobile Fidelity Sound Lab
Recording type: Studio Recording mode: Stereo
Album notes Sonic Youth: Thurston Moore, Lee Ranaldo (vocals, guitar); Kim Gordon (vocals, bass); Steve Shelley (drums).
Additional personnel: Nick Sansano (percussion); Don Fleming (percussion, background vocals); J. Mascis, Chuck D. (background vocals).
Producers: Sonic Youth, Nick Sansano, Ron Saint Germain.
Recorded at Sorcerer Sound and Greene Street, New York, New York.
Personnel: Don Fleming (percussion, background vocals); Nick Sansano (percussion); J Mascis (background vocals).
Recording information: Greene Street Recording Studio, New York, NY; Sorcerer SOund, New York, NY.
GOO was Sonic Youth's major label debut and allowed the band to blend its skewed sense of aesthetic and cultural criticism into a more understandable stab at pop culture. GOO unleashed the band's ability to create monster riffs out of fuzzy, unlikely tunings, while bringing their once aloof songwriting into a more pop-sensitive light.
GOO's stunning collection of material once again highlighted Sonic Youth's unique writing talents. "Dirty Boots" and "Mary Christ" showed Thurston Moore's delicious slant on rock melody. Yet it was Kim Gordon who stole the show with her chilling "Tunic (Song For Karen)" and the brilliant "Kool Thing."
In "Tunic," Gordon wrapped her cunning insight around the Karen Carpenter story: "I feel like I'm disappearing/Getting smaller every day/But I look in the mirror/And I'm getting bigger in every way..." The song was one of the album's many attempts at understanding the mechanics of pop stardom. "Kool Thing" summed up rock's once blatant "fear of a female planet" by placing women rockers in a rap context. "Are you going to liberate us girls/From male, white, corporate oppression?" Gordon toyed, saying more in her deadpan delivery than years of articles on women in rock or rap combined.

Editorial reviews Rated #6 of the Top 10 Recordings for 1990.
New York Times  (12/30/1990)

4 Stars - Excellent - ...a brilliant, extended essay in refined primitivism...
Rolling Stone  (08/09/1990)

...moves from lush, airy chords to brutalizing power riffs--the bristling sound of rock in the future. - Rating: B - Ranked by EW as the #6 Album of 1990.
Entertainment Weekly  

4.5 Stars - ...This album is miles away from pop music with its unpredictable tempo leaps, the fidgeting with speaker noise and feedback, and the stumblings through instrumental excursions that succeed by a combination of drive and joy....immensely rewarding...
Down Beat  (11/01/1990)

Highly Recommended - ...a compelling, identifiable consistency...
Option  

4 stars out of 5 - [S]panning spazzed-out Krautrock, malevolent electronic drones and open-tuned jazz-punk....Exhilarating.
Uncut  

Q 3 Stars - Good

Option Highly Recommended - ...a compelling, identifiable consistency...

Entertainment Weekly ...moves from lush, airy chords to brutalizing power riffs--the bristling sound of rock in the future. - Rating: B - Ranked by EW as the #6 Album of 1990.




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