SHEFFIELD LAB S10 New Sealed Audiophile Direct To Disc THE MISSING LINC II, 1974
$
27
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Description
Condition:
Lincoln Mayorga And Distinguished Colleagues* ?– The Missing Linc (Volume II)
Label: Sheffield Lab ?– S10 Format: Vinyl, LP, Limited Edition, AlbumCountry: US Released: 1974 Genre: Jazz, Pop, Classical Style: Cool Jazz, Jazz-Rock
TracklistHide Credits
A1 Chopin: Prelude In C Major (Opus 28) Composed By – Frédéric Chopin A2 Limehouse Blues Written-By – Douglas Furber, Philip Braham A3 I Never Loved A Woman The Way I Love You Written-By – Ronny Shannon A4 Both Sides Now Written-By – Joni Mitchell A5 Chopin: Prelude In E Major (Opus 28) Composed By – Frédéric Chopin A6 Brasil' 57 Written-By – Lincoln Mayorga A7 The April Fools Written-By – Bacharach And David B1 Norwegian Wood Written-By – Lennon-McCartney B2 We've Only Just Begun Written-By – Paul Williams (2), Roger Nichols (2) B3 Peace Train Written-By – Cat Stevens B4 If Written-By – David Gates B5 Blackbird Written-By – Lennon-McCartney B6 Love Rach Written-By – Lincoln MayorgaCompanies etc
- Recorded At – The Mastering Lab
Credits
- Acoustic Guitar – Mike Deasy (tracks: B1 to B6)
- Alto Saxophone – Plas Johnson (tracks: A1 to A7)
- Arranged By, Piano, Harpsichord – Lincoln Mayorga
- Bass [Fender] – Jerry Scheff (tracks: A1 to A7)
- Cello – Daniel Rothmuller
- Conductor – Jack Feierman
- Cover, Photography By [Front & Liner Notes] – Nurit Wilde
- Design, Cover [Front] – Tanya Neufeld
- Double Bass – Chuck Berghofer (tracks: B1 to B6)
- Drums – Jim Keltner
- Electric Guitar – Mike Deasy (tracks: A1 to A7)
- Organ [Estey Reed Pump Organ] – Joanne Grauer (tracks: B1 to B6), Victor Feldman (tracks: A1 to A7)
- Percussion – Gary Coleman (tracks: A1 to A7), Victor Feldman
- Photography By [Back Cover] – Delgado Beesley
- Producer – Douglas Sax, Lincoln Mayorga
- Recorded By, Engineer – Ed Cobb (tracks: B1 to B6), Larry Brown (tracks: A1 to A7)
- Rhythm Guitar – Mike Anthony (4)
- Supervised By – Lou Busch
- Tenor Saxophone – Plas Johnson (tracks: A1 to A7)
- Viola – Alan De Vertich*
- Violin [First] – Eliot Chapo
- Violin [Second] – José Madera
Notes
Included an inner dust sleeve with images from the recording and fellow musicians involved.Recorded from the studio directly to the master disc.
Recorded at the Producer's Workshop and The Mastering Lab, LA
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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