(SENSATIONAL ALEX HARVEY BAND -The Penthouse Tapes)-ORIGINAL 1ST PRESSING-F8-LP

	A$		40
	$		26

ITEM: VINYL 12” LP 33 1/3rpm
ARTIST: THE SENSATIONAL ALEX HARVEY BAND
TITLE: The Penthouse Tapes 
COUNTRY PRINTED: OZ
CAT No: VERTIGO; 6370 413
ORIGINAL 1ST PRESSING, 1976
COVER:  Gatefold (Grade at NEAR MINT+)
LABEL: (Grade at NEAR MINT+)
INSERT: (Grade at NEAR MINT-) small crease bottom right cnr
VINYL: (Grade at MINT-)
TRACKS:
A1-I Wanna Have You Back-2:44
A2-Jungle Jenny-4:02
A3-Runaway-2:48
A4-Love Story-5:02
A5-School's Out-4:57
B1-Goodnight Irene-4:31
B2Say You're Mine (Every Cowboy Song)-3:21
B3-Gamblin' Bar Room Blues-4:06
B4-Crazy Horses-2:53
B5-Cheek To Cheek-3:50 
COMMENT: Biography by William Ruhlmann

Alex Harvey was a British journeyman rocker who enjoyed a brief period of widespread popularity in the mid-'70s after decades of struggle. Growing up in Scotland, he turned to music in his late teens and was in a skiffle band by 1955. By 1959, it had evolved into the Alex Harvey Big Soul Band. Harvey took the group to Hamburg, West Germany in the early '60s, there recording his first LP, Alex Harvey and His Soul Band, in the fall of 1963, which did not feature the band. He and his group made their London debut in February 1964, and the same year he recorded The Blues, which essentially was a solo record. In 1965, Harvey dissolved the Big Soul Band and later returned to Glasgow. But he was back in London in 1967, assembling Giant Moth, a psychedelic group that existed only for a short time. He then accepted a job working in the pit band of the musical Hair and while doing so recorded Having a Hair Rave up Live from the Shaftsbury Theatre. In 1969, he released Roman Wall Blues, his first solo effort in five years. Up to this point, none of his musical efforts had attracted much attention. But in the early '70s, he recruited the Scottish band Tear Gas -- consisting of Zal Cleminson, Chris Glen, Hugh McKenna, and Ted McKenna -- christening the resulting quintet the Sensational Alex Harvey Band.

Their first two albums, Framed (1972) and Next (1973), didn't sell, but in the fall of 1974 The Impossible Dream became Harvey's first chart record in the U.K. (It briefly made the American charts in March 1975.) Tomorrow Belongs to Me followed in the spring of 1975, hitting the Top Ten along with the Top Ten singles placing of Harvey's flamboyant cover of the Tom Jones hit "Delilah." With that, Next belatedly made the charts, and in September Sensational Alex Harvey Band Live came out and reached the Top 20 (also making the Top 100 in the U.S), as "Gamblin' Bar Room Blues" became a Top 40 single. This commercial success continued into 1976, with Penthouse Tapes entering the LP charts in April and becoming a Top 20 hit, "Boston Tea Party" making the singles charts in June and making a Top 20 showing, and SAHB Stories following in July and just missing the Top Ten.

In 1977, Harvey and the band recorded separately, SAHB without Alex (as it was billed) issuing Fourplay, while the leader made Alex Harvey Presents the Loch Ness Monster. A final album together, Rock Drill, was followed by the group's breakup. Harvey was back with his New Band in 1979 and an album called The Mafia Stole My Guitar, but his moment, so long in coming, had passed. Nevertheless, he kept on rocking and was on tour in Belgium when he succumbed to a heart attack in 1982 just before his 47th birthday.

  VINYL GRADING SYSTEM

MINT:
RECORD: New condition with no surface marks or loss of sound quality.
COVER: New condition with no surface marks, creases or wear.
NEAR MINT:
RECORD: Barely noticeable surface mark with no loss of sound quality.
COVER: Barely noticeable surface mark/ wear.
EXCELLENT:
RECORD: Some signs of being played with extremely little if no loss of sound quality.
COVER: Slight wear or creasing.
VERY GOOD:
RECORD: Obviously been played with noticeable surface marks & the occasional light scratches but exhibits no major loss of sound quality.
COVER: Noticeable wear on cover, seam or spine.
+(PLUS)/-(MINUS):
Slightly up or down in condition as appears in the comments above.
NOTE:
Gradings are done visually unless there appears to be a questionable surface mark on the vinyl, it is then put on the turntable to check. A comment describing the outcome will appear if this is the case.

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