SCOTTY MOORE (ELVIS PRESLEY) GUITAR CHANGED WORLD RARE ORIG '64 EPIC MONO LP NM

$

27

WE CURRENTLY HAVE   MORE THAN 600   LISTED ITEMS

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·       SCOTTY MOORE (ELVIS PRESLEY`S RIGHT-HAND “GUITAR MAN” BETWEEN 1955 AND 1963) – THE GUITAR THAT CHANGED THE WORLD – ORIGINAL 1964 EPIC RECORDS  MONO LP LN-24103

·       ORIGINAL U.S. PRESSING

·       ORIGINAL YELLOW EPIC LABEL WITH BLACK PRINT

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1C/-1C'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Scotty Moore's guitar, as represented on Elvis Presley's Sun sides in 1954 and 1955, did help in a big way to change the world. But 1964 was definitely not the year in which for Moore or Epic Records to try and remind anyone that fact, even with Elvis alumni D.J. Fontana (drums), Bob Moore (bass), Boots Randolph (sax), Jerry Kennedy (guitar), Buddy Harman (drums), Bill Pursell (piano), and the Jordanaires aboard. The Guitar That Changed the World passed largely without notice that year, becoming a curiously mistimed attempt at a career move. Apart from its sense of timing, the album's problems included having more of a Nashville than a Memphis sound, being a little too mid-tempo and relaxed, and having too much sax and country piano. Without Elvis' presence, there wasn't going to be an overabundance of sexuality, nothing like the excitement of the originals, in these re-recordings of "That's All Right," "Hound Dog," "Money Honey," "Heartbreak Hotel," "Milk Cow Blues," "Mystery Train," and so on, but the country sound here is a little too pale, and a little too close in spirit to Chet Atkins. Rather than trying to pick up where he'd left off at Sun in 1955, or even recreating the pseudo-Sun sound of Elvis' early RCA singles, Moore aimed for more of a mature, virtuoso performance -- he plays beautifully and dexterously, but not with much excitement or any attempt to elicit excitement from the listener; he and the rest concentrate more on precision, and the resulting album is strong there and weak in most other departments. It's beautifully, carefully played but nothing like spontaneous, cutting-edge rock & roll. Guitar buffs and Elvis completists will want this, but others should hear it also, if only to get a glimpse of what Elvis' sidemen (and collaborators, in Moore's case) could do on their own.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical information on Scotty Moore and this album ►click here

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Cover shows some light yellowing on both sides, apparently from aging   (nothing significant).

-         Cover has a few tiny wrinkles along the spine

-         Minor shelf wear noted on the seams (nothing significant)

-         Cover has some fraying/wear along the upper seam

-         Cover has two corners slightly worn / dinged  / bent.(nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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