SAVES THE DAY Through Being Cool lp 1999 Equal Vision Original EMO Get Up Kids
$
77
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
SAVES THE DAY TTHROUGH BEING COOL lp
LABEL: EQUAL VISION Records CATALOG # EVR-54
ORIGINAL 1999 EQUAL VISION RECORDS ISSUE, NOT A CURRENT ISSUE/REISSUE OR BOOTLEG BLACK VINYL COMPLETE WITH LYRIC INSERT
LONG LONG OUT OF PRINT ON VINYL
GUARANTEED ORIGINAL PRESSING CONDITION PLEASE READ CAREFULLY:
SLEEVE IS GRADED EX, IT SHOWS MINIMAL WEAR , SOME LIGHT CORNER WEAR BOTTOM LEFT AND RIGHT, OVERALL VERY NICE
VINYL IS VISUAL GRADED AT G+/VG-, VINYL MAINTAINS ALL IT'S SHEEN .. SIDE A: HAS SOME NOTICEABLE LIGHT SURFACE MARKS MOSTLY NOTICEABLE WHEN HELD TO DIRECT LIGHT .. SIDE B: HAS LIGHT SURFACE MARKS AS WELL AND A COUPLE DEEPER MARKS (no skips)
BOTH SIDE PLAY VERY WELL WITH NO SKIPS THERE IS SOME SURFACE NOISE AT LEAD IN AND TRAIL OFF AND LIGHTLY BETWEEN SOME TRACKS THERE IS A FEW POPS/CLICKS BETWEEN TWO TRACKS ON SIDE B. BUT WHEN MUSIC IS PLAYING IS IS STRONG AND CRISP AND CLEAR BUT THIS IS NOT A MINT RECORD IT SHOWS WEAR BUT PLAYS VERY RESPECTABLE WITH NO MAJOR FLAWS
PICTURES OF ACTUAL ITEM! PLEASE LOOK CLOSE TO GET BEST IDEA OF CONDITION!
ALL BIDDERS OUTSIDE USA, ANY ITEM SELLING FOR OVER $50 IT MUST BE SHIPPED REGISTERED MAIL. IF YOU DO NOT UNDERSTAND THIS REQUEST PLEASE GET IN TOUCH BEFORE BIDDING
Review by Vincent Jeffries
Possessing a fiery dynamism lacking in their debut Can't Slow Down, Saves the Day's sophomore release on Equal Vision is an emocore classic. More anxious than emo godfathers Get Up Kids, Saves the Day opted for punchier production and faster tempos to provide a backdrop for singer Chris Conley's romantic teen declarations. True to the genre Conley helped define, his lyrics walk a thin sentimental wire. Just when the stories lose balance, leaning toward the obvious, sappy, or both,Conley pulls it together with plain-spoken honesty, as in "Third Engine" when he describes seeing his long-distance love in the face of another girl while riding a train: "I looked out past her cheeks/Through the glass-light conduit/But the sun had sank already/Disappeared into New Jersey/Oh, why don't they have phones on these things." Conley's disclosures resonate wildly with his teen audience -- validating their shallow, but still open wounds -- while the band's tightly wound arrangements gyrate around his language of casual suffering. Highlights of this most elevated combination include the melodic, quick-paced "My Sweet Fracture" and "The Last I Told You." Ending Through Being Cool with the metallic "Banned From the Back Porch," Saves the Day toys with expectation, revealing an eagerness to explore outside the emocore form that is all but mastered on this 1999 release
price rating