SARAH VAUGHAN+MILES DAVIS IN HI-FI ULTRA-RARE ORIG '55 MONO WHITE LABEL PROMO LP
$
182
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Description
WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS
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· SARAH VAUGHAN WITH MILES DAVIS, BENNIE GREEN, MUNDELL LOWE AND OTHERS – SARAH VAUGHAN IN HI-FI –– ORIGINAL 1955 COLUMBIA RECORDS MONO LP CL-745
· ORIGINAL U.S. PRESSING
· *** WHITE LABEL PROMO ***
· ORIGINAL COLUMBIA LABEL, EARLY '50s STYLE (THIS IS THE OLDEST KNOWN COLUMBIA 12” LABEL), WHITE PROMOTIONAL VERSION; INTERESTINGLY, THE ALBUM WAS NEVER COMMERCIALLY RELEASED ON THIS LABEL; THE EARLIEST KNOWN COPIES OF THE ALBUM WERE PRESSED ON THE MID-'50s "SIX EYE" LABELS; THE COPY WE HAVE APPEARS TO HAVE PROMO-ONLY LABELS.
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· THICK CARDBOARD COVER, AMERICAN STYLE
· ORIGINAL LAMINATED COVER
· THIS IS THE VERSION OF THE COVER WITH THE THUMBNAILED COLOR IMAGES OF OTHER COLUMBIA PERIOD RELEASES ON THE BACK COVER.
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1B/-1B'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Most of Sarah Vaughan's Columbia recordings were on the commercial side, but not the memorable selections on this one. She recorded eight selections in 1950 with an octet that included trumpeter Miles Davis, trombonist Benny Green, the remarkably cool clarinetist Tony Scott and tenorman Budd Johnson. Her version of "Ain't Misbehavin'" is a true classic (with memorable eight-bar solos by each of the four horns); "Mean to Me" and "Nice Work If You Can Get It" are gems, and the other performances are not far behind. Sassy has rarely sounded better. Highly recommended.
(EXCERPT FROM AN ONLINE REVIEW BY SCOTT YANOW, ALL MUSIC GUIDE /ALLMUSIC.COM/)
THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
For additional historical information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· THE RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++. A few light abrasions ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(d) White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 200:1.
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has a partially split top seam (between 2 and 4 inches / 5 to 10 centimeters)
- The laminated cover has a slight loss (flaking) of lamination along the opening edge (this is a common problem with most laminated 50’s and 60’s covers; lamination is just beginning to peel-off along the opening edge; however, since the underlying layer of the cover is ALSO laminated, the peeled-off spots are only a minor visual distraction (VISIBLE ON FRONT SIDE ONLY)
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4 (VISIBLE ON BACK SIDE ONLY)
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on back side, apparently from aging (nothing significant).
- Visible shelf wear noted on the top seam
- Cover has two corners slightly worn / dinged (nothing significant)
NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER
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POSTAGE & SHIPPING:
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