Roscoe Mitchell: "Sound", "Solo Sax Concerts", "Duets w/ Anthony Braxton" 3 LP's
  $   48

 


$ 48 Sold For
Mar 16, 2014 Sold Date
Mar 6, 2014 Start Date
22   Number Of Bids
  USA Country Of Seller
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In this offering we have three (3) LPs by ROSCOE MITCHELL:


SOUND (ROSCOE MITCHELL SEXTET) 1966
Delmark Records (DS-408)    Side One
  1. "Ornette" – 5:22
  2. "The Little Suite" – 10:20

Side Two

  1. "Sound" – 21:30

Personnel & Instrumentation:
  • Roscoe Mitchell – alto, clarinet, flute, recorder
  • Lester Bowie – trumpet, flugelhorn, harmonica
  • Malachi Favors – bass
  • Maurice McIntyre – tenor
  • Lester Lashley – trombone, cello
  • Alvin Fielder – percussion


SOLO SAXOPHONE CONCERTS  1973  
Sackville Records (2006)
Side One
  1. Nonaah - Montreal (alto) 1:20
  2. Tutankamen - Montreal (bass) 7:00
  3. Enlorfe - Montreal (alto) 2:54
  4. Jibbana - Montreal (soprano) 4:51
  5. Eeltwo Part One - Kalamazoo (tenor) 2:53

Side Two

  1. Eeltwo Part Two - Kalamazoo (tenor) 6:23
  2. Oobina (Little Big Horn) - Montreal (soprano & bass) 4:38
  3. Ttum - Montreal (alto) 8:56
  4. Nonaah - Pori (alto) 1:28


DUETS WITH ANTHONY BRAXTON  1978 
Sackville Records (3016).  Includes Sackville Catalgue from May 1978.    Side One
  1. "Five Twenty One Equals Eight" (Roscoe Mitchell) - 4:52
  2. "Line Fine Lyon Seven" (Mitchell) - 1:15
  3. "Seven Behind Nine Ninety-Seven Sixteen or Seven" (Mitchell) - 2:37
  4. "Cards-Three and Open" (Mitchell) - 10:52

Side Two

  1. "Composition 40Q" (Anthony Braxton) - 6:46
  2. "Composition 74B" (Braxton) - 6:35
  3. "Composition 74A" (Braxton) - 7:56

Personnel & Instrumentation:
  • Roscoe Mitchell, Anthony Braxton - reeds

Jackets are about NEAR MINT; LPs range from NEAR MINT MINUS to solid MINT.  SOUND is Mitchell's debut album recorded August 10 - 26, 1966. Listed by Chris Kelsey in his book "Free Jazz: A Subjective History" as one of the 20 Essential Free Jazz Albums; other jazz guides list SOUND among Core Collections with five out of five stars. 

Anthony Braxton is known for naming his pieces as diagrams, typically labeled with numbers and/or letters. The titles can themselves be musical notation indicating to the performer how a piece should be played. Sometimes the letters are identifiable as the initials of Braxton's friends and musical colleagues.

Braxton has pointedly refused to explain their significance, claiming that he himself is still discovering their meaning. Braxton eventually settled on a system of opus-numbers to make referring to these pieces simpler.   Earlier pieces have had opus-numbers retroactively added to them.



RECOGNITION
The following are referenced from Roscoe Mitchell's biography at the official AACM website.

Awards

  • The International Jazz Critics Poll
  • Down Beat Magazine
    • "Talent Deserving Wider Recognition"
    • Best Jazz Group (Established) - Art Ensemble of Chicago
    • Record of the Year – Nonaah
  • Jazz Personality of the Year, City of Madison, Wisconsin
  • "Madison Music Legend" ("Madison" magazine)
  • Certificate of Appreciation (St. Louis Public Schools Role Model Experiences Program)
  • Honorary Citizen of Atlanta, Georgia
  • Outstanding Service to Jazz Education Award (National Association of Jazz Educators)
  • Certificate of Appreciation, Art Ensemble of Chicago (Smithsonian Institution)
  • National Association for the Advancement of Colored People's Image Award

Grants

  • National Endowment for the Arts
  • Arts Midwest Jazz Masters
  • John Cage Award for Music-Foundation for Contemporary Performance Arts, Inc.
  • Michigan State University matching grant
  • Minnesota Composer's Forum
  • Meet the Composer, Cultural Series Grant, Center for International Performance and Exhibition, Chicago IL
  • Comnicut Foundation
  • Wisconsin Arts Board
  • Institut de Recherche at Coordination Acoustique Musique, Paris, France
  • Dane County Cultural Affairs Commission Project Grant, Madison Committee for the Arts
  • Madison Festival of the Lakes Grant.




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