Ron Carter and Jim Hall "Live at Village West" LP Test Pressing NM/MT CJ-245

$

80

Ron Carter and Jim Hall "Live at the Village West" LP Concord Jazz CJ-245 (US)

Vinyl is NM/MT, Jacket is generic!

Test Pressing

Track Listing:

Ron Carter (born May 4, 1937) is an American jazz double-bassist. His appearances on over 2,500 albums make him one of the most-recorded bassists in jazz history, along with Milt Hinton, Ray Brown and Leroy Vinnegar. Carter is also an acclaimed cellist who has recorded numerous times on that instrument.

Biography

Carter was born in Ferndale, Michigan. He started to play cello at the age of 10, but when his family moved to Detroit, he ran into difficulties regarding the racial stereotyping of classical musicians and instead moved to bass. He attended the historic Cass Technical High School in Detroit, and, later, the Eastman School of Music, where he played in its Philharmonic Orchestra. He gained his bachelor's degree at Eastman in 1959, and in 1961 a master's degree in double bass performance from the Manhattan School of Music.

His first jobs as a jazz musician were with Jaki Byard and Chico Hamilton. His first records were made with Eric Dolphy (another former member of Hamilton's group) and Don Ellis, in 1960. His own first date as leader, Where?, with Dolphy and Mal Waldron and a date also with Dolphy called Out There with George Duvivier and Roy Haynes and Carter on cello; its advanced harmonies and concepts were in step with the third stream movement.

Carter came to fame via the second great Miles Davis quintet in the early 1960s, which also included Herbie Hancock, Wayne Shorter and Tony Williams. Carter joined Davis's group in 1963, appearing on the album Seven Steps to Heaven and the follow-up E.S.P., the latter being the first album to feature only the full quintet. It also featured three of Carter's compositions (the only time he contributed compositions to Davis's group). He stayed with Davis until 1968 (when he was replaced by Dave Holland), and participated in a couple of studio sessions with Davis in 1969 and 1970. Although he played electric bass occasionally during this period, he has subsequently eschewed that instrument entirely, and now plays only acoustic bass. Carter was close to Davis and even revealed to an interviewer in 1966 that the famous trumpeter's favorite color was fuchsia.

Carter also performed on some of Hancock, Williams and Shorter's recordings during the sixties for Blue Note Records. He was a sideman on many Blue Note recordings of the era, playing with Sam Rivers, Freddie Hubbard, Duke Pearson, Lee Morgan, McCoy Tyner, Andrew Hill, Horace Silver and others.

After leaving Davis, Carter was for several years a mainstay of CTI Records, making albums under his own name and also appearing on many of the label's records with a diverse range of other musicians. Notable musical partnerships in the 70's and 80's included Joe Henderson, Houston Person, Hank Jones, and Cedar Walton. During the 1970s he was a member of the New York Jazz Quartet.

He appears on the alternative hip-hop group A Tribe Called Quest's influential album The Low End Theory on a track called "Verses from the Abstract". He also appears as a member of the jazz combo the Classical Jazz Quartet.

In 1994, Carter appeared on the Red Hot Organization's compilation album, Stolen Moments: Red Hot + Cool. The album, meant to raise awareness and funds in support of the AIDS epidemic in relation to the African American community, was heralded as "Album of the Year" by Time Magazine. In 2001, Carter collaborated with Black Star and John Patton to record "Money Jungle" for the Red Hot Organization's compilation album, Red Hot + Indigo, a tribute to Duke Ellington.

Carter was Distinguished Professor Emeritus of the Music Department of The City College of New York, having taught there for twenty years, and received an honorary Doctorate from the Berklee College of Music, in Spring 2004. He joined the faculty of the Juilliard School in New York City in 2008, teaching bass in the school's Jazz Studies program.

Carter made a notable appearance in Robert Altman's 1996 film Kansas City. The end credits feature him and fellow bassist Christian McBride duetting on "Solitude".

Ron Carter sits on the Advisory Committee of the Board of Directors of The Jazz Foundation of America as well as the Honorary Founder's Committee. Ron has worked with the Jazz Foundation since its inception to save the homes and the lives of America's elderly jazz and blues musicians including musicians that survived Hurricane Katrina.

Carter appeared as himself in an episode of the HBO series Treme entitled "What Is New Orleans."

James Stanley Hall (born December 4, 1930, Buffalo, New York) is an American jazz guitarist.

Biography

Educated at the Cleveland Institute of Music, Hall moved to Los Angeles where he began to attract national, and then international, attention in the late 1950s. There he studied classic guitar with Vincente Gómez.

He played with Chico Hamilton Quintet, (1955–1956), Jimmy Giuffre Trio (1956–1959), Ella Fitzgerald (1960–1961), Ben Webster, Hampton Hawes, Bob Brookmeyer, John Lewis, Zoot Sims, Paul Desmond, Lee Konitz and Bill Evans. By 1960 Jim had arrived in New York to work with Sonny Rollins and Art Farmer, among others. His live and recorded collaborations there with Bill Evans, Paul Desmond and Ron Carter have become legendary.

Formal recognition as a composer came in 1997, when Hall won the New York Jazz Critics Circle Award for Best Jazz Composer/Arranger. His pieces for string, brass, and vocal ensembles can be heard on his Textures and By Arrangement recordings. His original composition, Quartet Plus Four, a piece for jazz quartet augmented by the Zapolski string quartet, was debuted in Denmark during the concert and ceremony where he was awarded the coveted Jazzpar Prize, and later released on CD.

His most recent large-scale composition was a concerto for guitar and orchestra, commissioned by Towson University in Maryland for The First World Guitar Congress, which was debuted in June 2004 with the Baltimore Symphony. He was awarded an NEA Jazz Masters Fellowship award in January 2004. Jim was one of the first artists to join the fan-funded label ArtistShare and released his first recording "Magic Meeting" in 2005. In November, 2008 the double-disc album Hemispheres was released through the ArtistShare label featuring fellow guitarist and former student Bill Frisell with Scott Colley (bass) and Joey Baron (drums).

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