Rolling Stones-Exile on Main Street-2LPGatefold-COC 2-2900-1972-Musidor NV

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Rolling Stones-Exile on Main Street-2LPGatefold-COC 2-2900-1972-Musidor NV.

Exile on Main St. is the 10th British and 12th American studio album by the English rock band the Rolling Stones, released on 12 May 1972 by Rolling Stones Records. Recording began in 1969 in England during sessions for Sticky Fingers and continued in mid-1971 at a rented villa in the South of France named Nellcôte while the band lived abroad as tax exiles. A collage of various images, the album's artwork, according to frontman Mick Jagger, reflects the Rolling Stones as "runaway outlaws using the blues as its weapon against the world", showcasing "feeling of joyful isolation, grinning in the face of a scary and unknown future".

Working with a mobile recording studio, the loose and unorganised Nellcôte sessions went on for hours into the night, with personnel varying greatly from day to day. The recording was completed with overdub sessions at Los Angeles's Sunset Sound and included additional musicians such as pianist Nicky Hopkins, saxophonist Bobby Keys, drummer Jimmy Miller and horn player Jim Price. The resulting music was rooted in blues, rock and roll, swing, country and gospel, while the lyrics explored themes related to hedonism, sex and time. These newly recorded tracks were combined with some tracks recorded at earlier sessions from 1969–1971, resulting in the Stones' first double album.

Exile on Main St. contains frequently performed concert staples and was a number one charting album in six countries, including the UK, US, and Canada. It spawned the hit songs "Happy", a rare song that featured Keith Richards on lead vocals, country music ballad "Sweet Virginia", and worldwide top-ten hit "Tumbling Dice". A remastered and expanded version of the album was released in 2010 featuring a bonus disc with 10 new tracks. Unusual for a re-release, it also charted highly at the time of its release, reaching number one in the UK and number two in the US.

The album was originally met with mixed reviews before a positive critical reassessment during the 1970s. It has since been viewed by many critics as the Rolling Stones' best work and a culmination of a string of the band's highly critically successful albums, following the releases of Beggars Banquet (1968), Let It Bleed (1969) and Sticky Fingers (1971).[1] Rolling Stone magazine has ranked Exile on Main St. number 7 on its list of the 500 Greatest Albums of All Time in 2003 and 2012, and dropping to number 14 in the 2020 edition, the highest Rolling Stones album ranked on the list. In 2012, the album was inducted into the Grammy Hall of Fame, the band's fourth album to be inducted.

Exile on Main St. was written and recorded between 1969 and 1972. Mick Jagger said "After we got out of our contract with Allen Klein, we didn't want to give him [those earlier tracks]," as they were forced to do with "Brown Sugar" and "Wild Horses" from Sticky Fingers (1971). Many tracks were recorded between 1969 and 1971 at Olympic Studios and Jagger's Stargroves country house in England during sessions for Sticky Fingers.[2]

By the spring of 1971 the Rolling Stones had spent the money they owed in taxes and left Britain before the government could seize their assets. Jagger settled in Paris with his new bride Bianca, and guitarist Keith Richards rented a villa, Nellcôte, in Villefranche-sur-Mer, near Nice. The other members settled in the south of France. As a suitable recording studio could not be found where they could continue work on the album, Richards' basement at Nellcôte became a makeshift studio using the band's mobile recording truck.

Legacy and reappraisal

Critics later reassessed Exile on Main St. favourably,[21] and by the late 1970s it had become viewed as the Rolling Stones' greatest album.[37] In retrospect, Janovitz called it "the greatest, most soulful, rock & roll record ever made" because it seamlessly distills "perhaps all the essential elements of rock & roll up to 1971, if not beyond". He added that it is "the single greatest rock & roll record of all time", distinguished from other contending albums by the Beatles or Pet Sounds, which are more so "brilliant pop records".[38] On the response to the album, Richards said, "When [Exile] came out it didn't sell particularly well at the beginning, and it was also pretty much universally panned. But within a few years the people who had written the reviews saying it was a piece of crap were extolling it as the best frigging album in the world."[39]

In 2003, Jagger said, "Exile is not one of my favourite albums, although I think the record does have a particular feeling. I'm not too sure how great the songs are, but put together it's a nice piece. However, when I listen to Exile it has some of the worst mixes I've ever heard. I'd love to remix the record, not just because of the vocals, but because generally I think it sounds lousy. At the time Jimmy Miller was not functioning properly. I had to finish the whole record myself, because otherwise there were just these drunks and junkies. Of course I'm ultimately responsible for it, but it's really not good and there's no concerted effort or intention." Jagger also stated he did not understand the praise among Rolling Stones fans because the album did not yield many hits.[40]

Richards also said, "Exile was a double album. And because it's a double album you're going to be hitting different areas, including 'D for Down', and the Stones really felt like exiles. We didn't start off intending to make a double album; we just went down to the south of France to make an album and by the time we'd finished we said, 'We want to put it all out.' The point is that the Stones had reached a point where we no longer had to do what we were told to do. Around the time Andrew Oldham left us, we'd done our time, things were changing and I was no longer interested in hitting Number One in the charts every time. What I want to do is good shit—if it's good they'll get it some time down the road."[39]