Renaissance Debut LP. orig. Pink Island ILPS 9114

	£		40
	$		53

Renaissance - Debut LP

Original 1st UK Press, Stereo, 1969 Island Records: cat no. ILPS 9114 Matrix: A//1, B//1

The original group's debut album was a then-groundbreaking meld of progressive rock with classical and jazz influences.  Vocalist Jane Relf had a striking individual style, and the classical influence was unique for its time.  An outstanding album musically, and a first class example of this.

99p start.

This item is offered with a money back guarantee if not as described below.

Sleeve Condition: VERY GOOD-EXCELLENT.

Gatefold sleeve is in great shape front, back & inside with only light spine rubs and corner scuffs.

Vinyl Condition, Visual: EXCELLENT.

A lovely shiny copy with only a few hairline surface marks that generally don't affect play.

Vinyl Condition, Audible: EXCELLENT.

Plays great with the lightest of surface noise only noticeable in between some tracks.

Label Condition: EXCELLENT-MINT.

No sign of spindle marks, or ring wear, very clean.

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This record has been cleaned on the £1600 Loricraft PRC 4 Mk3 record cleaning machine (google `Garrard 501 Loricraft') using L'Art du Son cleaning fluid and placed in a Nagaoka antistatic inner sleeve. Only the best for our vinyl!

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Review:

The history of Renaissance is essentially the history of two separate groups, rather similar to the two phases of the Moody Blues or the Drifters. The original group was founded in 1969 by ex-Yardbirds members Keith Relf and Jim McCarty as a sort of progressive folk-rock band, who recorded two albums (of which only the first, self-titled LP came out in America, on Elektra Records) but never quite made it, despite some success on England's campus circuit.

The band went through several membership changes, with Relf and his sister Jane (who later fronted the very Renaissance-like Illusion) exiting and McCarty all but gone after 1971. The new lineup formed around the core of bassist Jon Camp, keyboard player John Tout, and Terry Sullivan on drums, with Annie Haslam, an aspiring singer with operatic training and a three-octave range.

Their first album in this incarnation, Prologue, released in 1972, was considerably more ambitious than the original band's work, with extended instrumental passages and soaring vocals by Haslam. Their breakthrough came with their next record, Ashes Are Burning, issued in 1973, which introduced guitarist Micheal Dunford to the lineup and featured some searing electric licks by guest axeman Andy Powell. Their next record, Turn of the Cards, released by Sire Records, had a much more ornate songwriting style and was awash in lyrics that alternated between the topical and the mystical.

The group's ambitions, by now, were growing faster than its audience, which was concentrated on America's East Coast, especially in New York and Philadelphia -- Scheherazade (1975) was built around a 20-minute extended suite for rock group and orchestra that dazzled the fans but made no new converts. A live album recorded at a New York concert date reprised their earlier material, including the "Scheherazade" suite, but covered little new ground and showed the group in a somewhat lethargic manner. The band's next two albums, Novella and A Song for All Seasons, failed to find new listeners, and as the 1970s closed out, the group was running headlong into the punk and new wave booms that made them seem increasingly anachronistic and doomed to cult status.

Their '80s albums were released with less than global or even national fanfare, and the group split up in the early '80s amid reported personality conflicts between members. During 1995, however, both Haslam and Dunford made attempts to revive the Renaissance name in different incarnations, and Jane Relf and the other surviving members of the original band were reportedly planning to launch their own Renaissance revival which, if nothing else, may keep the courts and some trademark attorneys busy for a little while.

Track Listing:

Side 1
1. Kings And Queens
2. Innocence

Side 2
1. Island
2. Wanderer
3. Bullet

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UK Record Collector Grading System:

MINT: The record itself is in brand new condition with no surface marks or deterioration in the sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.

EXCELLENT (US version of this term: Near Mint): The record shows some signs of having been played, but there is very little lessening in the sound quality. The cover and packaging might have slight wear and/or creasing.

VERY GOOD (US version of this term: VG++): The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover, or extra items, without any major defects, is acceptable.

GOOD (US version of this term: VG): The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits etc.