RUBY BRAFF w/Pee Wee Russell [Newport] VERVE [mono] 57:
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26
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Description
innersleeve1 Store WE'VE JUST ACQUIRED ANOTHER TERRIFIC BATCH OF ORIGINAL JAZZ, SOUL & BLUES LP's.
THE OWNER PURCHASED THEM NEW AND THEY HAVE BEEN IN THE SAME COLLECTION
SINCE DAY ONE.
95% OF THESE LOOK TO HAVE BEEN PLAYED ONCE TO ONLY HANDFUL
OF TIMES... VERY CLEAN LP's WITH SLIGHT SHELF OR STORAGE WEAR BEING THE
BIGGEST ISSUE.
THIS IS AN EXCITING & INTERESTING SELECTION, SO PLEASE HAVE
A LOOK AT ALL OF OUR OTHER OFFERINGS!
GOOD LUCK!!!
INNERSLEEVE
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1957 VERVE Records MG V-8241
DEEP GROOVE * MONO original
DAVID STONE MARTIN
"TRUMPET PLAYER"
LOGO LABELS
Sam Margolis * Jimmy Welch * Nat Pierce
Steve Jordan * Walter Page * Buzzy Drootin
*
VINYL is EX
high gloss!
top copy
one or two very light
hairlines, beautiful
COVER is VG+
light edge/surface wear,
price tag on back,
2 creases in rear slick
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One of the great swing/Dixieland cornetists, Ruby Braff went through long periods of his career unable to find work because his music was considered out-of-fashion, but his fortunes improved by the 1970s. A very expressive player who in later years liked to build his solos up to a low note, Braff's playing was instantly recognizable within seconds.
Braff mostly worked around Boston in the late '40s. He teamed up with Pee Wee Russell when the clarinetist was making a comeback (they recorded live for Savoy), and after moving to New York in 1953, he fit easily into a variety of Dixieland and mainstream settings. Braff recorded for Vanguard as a leader, and with Vic Dickenson, Buck Clayton, and Urbie Green. He was one of the stars of Buck Clayton's Columbia jam sessions, and in the mid-'50s worked with Benny Goodman. But, despite good reviews and occasional recordings, work was hard for Braff to come by at times. In the 1960s, he was able to get jobs by being with George Wein's Newport All-Stars and at jazz festivals, but it was not until the cornetist formed a quartet with guitarist George Barnes, in 1973, that he became more secure. Afterward, Braff was heard in many small-group settings, including duets with Dick Hyman and Ellis Larkins (he had first met up with the latter in the 1950s), quintets with Scott Hamilton, and matching wits with Howard Alden. He remained one of the greats of mainstream jazz until his death in 2003.
All Music Guide
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