ROLAND KIRK INTRODUCING ROLAND KIRK ULTRA-RARE '60 ARGO MONO LP DG VERY NICE
$
152
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Description
WE CURRENTLY HAVE MORE THAN 1,000 LISTED ITEMS
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· ROLAND KIRK – INTRODUCING ROLAND KIRK – RARE 1960 ARGO RECORDS MONO LP 669 (THIS WAS KIRK’S SECOND STUDIO ALBUM, BUT HIS FIRST – AND LAST - FOR THE ARGO/CHESS LABEL)
· GENUINE U.S. PRESSING
· VERY EARLY PRESSING CIRCA 1961/62 ON GRAY ARGO LABEL WITH BLACK PRINT
· DEEP GROOVE PRESSING
· THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Although the title suggests otherwise, Introducing Roland Kirk is actually Kirk's second long player. Poor distribution kept his debut, Triple Threat, from receiving the attention it deserved until subsequent reissues of the album in the early '70s. On these sides, Kirk is accompanied by a quartet including: Ira Sullivan (trumpet/tenor sax), William Burton (keyboards), Don Garrett (bass), and Sonny Brown (drums). Kirk leads the ensemble with his "triple threat" -- consisting of a variation of the soprano sax called a manzello; a stritch, which is a variant of the straight alto saxophone; and a slightly modified tenor sax -- all of which he could maneuver simultaneously. Although Kirk's performances are exceedingly reserved on this album, there is little doubt of his technical proficiencies. The three sides penned by Kirk are among the most interesting as they allow for a certain degree of openness that is essential when spotlighting his unique talents. This autonomy yields some exceptional interplay between Kirk and Ira Sullivan -- highlighted on "The Call" and "Soul Station." One of the motifs evident throughout Kirk's career involved his ability to personalize pop standards into his very distinctive mold as "Our Love Is Here to Stay" aptly exemplifies. Although some free jazz and avant-garde purists may find Introducing Roland Kirk not challenging enough, it provides a solid basis for his increasingly bombastic post-bop experiments throughout the remainder of the '60s and '70s.
(EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record comes in a poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!
(c) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2 (front side) and 3 (back side)
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on back side, apparently from aging (nothing significant).
- Cover has a few tiny wrinkles along the spine
- Visible shelf wear noted on the top and bottom seams.
- Cover has a partially split top seam (between 2 and 4 inches / 5 to 10 centimeters)
- Cover has three corners slightly worn / dinged (nothing significant)
- Cover has a light "wrinkle" (crease) in one of the corners. (VISIBLE ON BACK SIDE ONLY) (NOTE: the wrinkle is on the paper slick only and does NOT affect the cardboard base)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No writing
- No stamps
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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