ROGER WATERS "THE WALL - LIVE IN BERLIN" POLYGRAM HOLLAND DISASTER RELIEF ISSUE

	£		22
	$		29

ROGER WATERS
 "THE WALL - LIVE IN BERLIN"

POLYGRAM HOLLAND DISASTER RELIEF ISSUE
1990 - STEREO - GATE-FOLD SLEEVE - DOUBLE

Catalogue Number:  846611-1
Matrix Numbers:
Side One:-  8466121 A-1U-1-1
Side Two:-   8466121 B-2U-1-1
Side Three:-   8466181 A-2U-1-1
Side Four:-   8466181 B-2U-1-2


Condition:
***please see end of listing
    for grading system definitions
          before ordering***

Cover:- EXCELLENT
LIGHT SHELF WEAR
Vinyl:- EXCELLENT
LIGHTLY USED
Labels:- EXCELLENT +

Inserts:-
COMES COMPLETE WITH 2 CUSTOM INNER SLEEVES


WE WANT YOU TO BE HAPPY
 WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
 (EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
 FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**


PRODUCED BY
NICK GRIFFITHS & ROGER WATERS

Setlist

1. "In the Flesh?" by Scorpions
2. "The Thin Ice" by Ute Lemper & Roger Waters & the Rundfunk Orchestra & Choir
3. "Another Brick in the Wall (Part 1)" by Roger Waters; sax solo by Garth Hudson
4. "The Happiest Days of Our Lives" by Roger Waters
5. "Another Brick in the Wall (Part 2)" by Cyndi Lauper; guitar solos by Rick Di Fonzo & Snowy White, synth solo by Thomas Dolby
6. "Mother" by Sinéad O'Connor & The Band; accordion by Garth Hudson, vocals by Rick Danko & Levon Helm; acoustic instruments by The Hooters.
7. "Goodbye Blue Sky" by Joni Mitchell & the Rundfunk Orchestra & Choir ; flute by James Galway
8. "Empty Spaces/What Shall We Do Now?" by Bryan Adams, Roger Waters & the Rundfunk Orchestra & Choir
9. "Young Lust" by Bryan Adams, guitar solos by Rick Di Fonzo & Snowy White
10. "Oh My God – What a Fabulous Room" by Jerry Hall (intro to "One of My Turns")
11. "One of My Turns" by Roger Waters
12. "Don't Leave Me Now" by Roger Waters
13. "Another Brick in the Wall (Part 3)" by Roger Waters & the Rundfunk Orchestra & Choir
14. "The Last Few Bricks"
15. "Goodbye Cruel World" by Roger Waters
16. "Hey You" by Paul Carrack
17. "Is There Anybody Out There?" by The Rundfunk Orchestra & Choir; classical guitars by Rick Di Fonzo & Snowy White
18. "Nobody Home" by Roger Waters & the Rundfunk Orchestra & Choir, guitar solos by Snowy White
19. "Vera" by Roger Waters & the Rundfunk Orchestra & Choir
20. "Bring the Boys Back Home" by The Rundfunk, Band of the Combined Soviet Forces in Germany & Red Army Chorus
21. "Comfortably Numb" by Van Morrison, Roger Waters & The Band & the Rundfunk Orchestra & Choir, guitar solos by Rick Di Fonzo & Snowy White
22. "In the Flesh" by Roger Waters, Scorpions, the Rundfunk Orchestra & Choir
23. "Run Like Hell" by Roger Waters and Scorpions
24. "Waiting for the Worms" by Roger Waters, Scorpions and the Rundfunk Orchestra & Choir
25. "Stop" by Roger Waters
26. "The Trial" by The Rundfunk Orchestra & Choir, featuring:
    • Tim Curry as the Prosecutor
    • Thomas Dolby as the School Master
    • Ute Lemper as the Wife
    • Marianne Faithfull as the Mother
    • Albert Finney as the Judge
27. "The Tide Is Turning (After Live Aid)" (with Outside The Wall affixed to the end) by the Company (lead vocals by Roger Waters, Joni Mitchell, Cyndi Lauper, Bryan Adams, Van Morrison and Paul Carrack.) & the Rundfunk Orchestra & Choir.

Personnel

The Company

• Roger Waters – vocals, bass guitar, acoustic guitar on "Mother", rhythm guitar on "Hey You"
• Scorpions:
  • Klaus Meine – vocals
  • Rudolf Schenker – rhythm guitar
  • Matthias Jabs – lead guitar
  • Francis Buchholz – bass guitar
  • Herman Rarebell – drums
• Ute Lemper – vocals
• Cyndi Lauper – percussion, vocals
• Thomas Dolby – synthesizer, vocals
• Sinéad O'Connor – vocals
• The Band:
  • Rick Danko – vocals
  • Levon Helm – vocals
  • Garth Hudson – accordion, soprano saxophone
• The Hooters:
  • Eric Bazilian – guitar
  • Rob Hyman – keyboards
  • John Lilley – guitar
  • Fran Smith Jr. – bass guitar
  • David Uosikkinen – drums
• Joni Mitchell – vocals
• James Galway – flute
• Bryan Adams – guitar, vocals
• Jerry Hall – vocals
• Paul Carrack – vocals
• Van Morrison – vocals
• Tim Curry – vocals
• Marianne Faithfull – vocals
• Albert Finney – vocals

The Bleeding Heart Band

• Rick Di Fonzo – guitars
• Snowy White – guitars
• Andy Fairweather-Low – bass guitar, guitar, backing vocals
• Peter Wood – keyboards, organ, synthesizers
• Nick Glennie-Smith – keyboards, organ, synthesizers
• Graham Broad – drums, electronic percussion
• Stan Farber – backing vocals (credited as Jim Farber)
• Joe Chemay – backing vocals
• Jim Haas – backing vocals
• John Joyce – backing vocals

Others

• The Rundfunk Orchestra, directed by Michael Kamen.
• The Rundfunk Choir.
• The Marching Band of the Combined Soviet Forces in Germany  
• Paddy Moloney (member of The Chieftains

My records are described according to “The Record Collector’s” grading system.

This was originated by “The Record Collector” to assist people buying or selling records.

Their seven standard condition categories and a description of what each one means are given below.

I hope you find this helpful.

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.

Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.