RODRIGUEZ COMING FROM REALITY (2d ALBUM) ULTRA-RARE ORIG'71 SUSSEX PROMO LP MINT
$
242
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Description
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· RODRIGUEZ – COMING FROM REALITY - ULTRA-RARE ORIGINAL 1971 SUSSEX RECORDS STEREO LP SXBS-7012
· ORIGINAL U.S. PRESSING
· *** PROMOTIONAL COPY; THE RECORD HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL BANNER ON THE LABELS CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***
· ORIGINAL TAN (BROWN) SUSSEX LABEL WITH MULTICOLORED LOGO
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· UNIQUE ORIGINAL UNIPAK-STYLE COVER WITH ONE SIDE SHORTER THAN THE OTHER (LEFT SIDE OF THE COVER IS CUT IN THE SHAPE OF THE ARTIST, A FLAP WHICH FOLDS OVER THE OTHER HALF)
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
· THE RECORD HAS A 'BELL SOUND' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.
· EAST COAST (HOLBROOK, LONG ISLAND) PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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For his second album, Rodriguez decamped to London at the request of producer Steve Rowland, who had heard Cold Fact and wanted to produce him. Since Cold Fact had made little in the way of commercial movement, Rodriguez jumped at the opportunity. Session musicians like renowned guitarist Chris Spedding lent a hand on production, which was overseen by Steve Rowland. (Curiously, the latter would go on to use about half of Cold Fact for Family Dogg's oddity The View from Roland's Head.) By far not as striking as his debut, Coming from Reality offers up some haunting stream-of-consciousness gems in "Sandrevan Lullaby" and "Cause." Rodriguez's lyrics still come off as mildly anti-establishment; "Heikki's Suburbia Bus Tour" apparently recalls a trip Rodriguez and friends undertook to Grosse Pointe to retaliate against the rich folks who often came to the inner city of Detroit to make fun of the hippies. He also spends lots of time with the low life, as he reminisces in the prologue to "A Most Disgusting Song": "I've played every kind of gig there is to play now/I've played faggot bars, hooker bars, motorcycle funerals, opera houses, concert houses, halfway houses." Slightly more slick than the debut, but still retaining the haunted personality (if not the gritty funk), the album sadly went nowhere in the United States and Europe. Faced, however, with the unexpected success of Cold Fact in South Africa, Sussex re-released Coming from Reality in 1976 as After the Fact. It lay out of print worldwide for several decades until 2009, when Light in the Attic resurrected it, along with the debut, and added three bonus tracks recorded during 1972-1973, back in Detroit, with Mike Theodore and Dennis Coffey again producing.
(EXCERPT FROM AN ONLINE REVIEW BY QUINT KIK, ALL MUSIC GUIDE /ALLMUSIC.COM/)
The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
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· CONDITION:
· THE RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new (NOTE: a viisble, but not feelable, scuff noted on 'Cause', not expected to be audible.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· THE COVER
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.
The following flaws or imperfections are noted on the cover:
- Cover has a few tiny wrinkles along the seams
- Minor shelf wear noted on the seams (nothing significant)
- Cover shows JUST A HINT of yellowing on both sides, apparently from aging.
- Cover has two corners slightly worn (nothing significant)
NO OTHER VISIBLE FLAWS AND IMPERFECTIONS ON THE COVER
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POSTAGE & SHIPPING:
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