RICHIE ALLEN & PACIFIC SURFERS ? RISING SURF ? orig EX '63 Imperial mono PODOLOR

$

80

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Original first US mono press of their classic debut. Richard Podolor has had a long and successful career in the music industry, most notably as a guitarist and producer. Podolor was schooled in classical piano, but later switched to classical guitar, becoming a protégé of Vicente Gomez. In 1956 he played on his first hit record, Bonnie Guitar's "Dark Moon." The Podolor family was impressed by young Richard's foray into the music industry and sold their used car business to open American Recording Company, which was at first operated by Richie's brother Don. It was in this studio that a demo of "Teen Beat" was recorded, featuring only the drums of Sandy Nelson and Richie's guitar. [Podolor's guitar contributions were less prominent in the final mix, released in 1959 featuring overdubs by Guybo Smith (on bass tuned down to the same pitch as the drums) and Barney Kessel (who delivered the iconic guitar riffs).] Nelson hit again in late 1961 with the Nelson-Podolor composition "Let There Be Drums", recorded at Richie's studio and featuring his powerful guitar work. Not content as a sideman, he released ten instrumental singles and three albums on Imperial in the early 1960s under as Richie Allen (and one vocal single as Dickie Allen). When surf music became popular, he createad Richie Allen And The Pacific Surfers, featuring top L.A. session men Rene Hall, Tommy Tedesco, Plas and Ray Johnson, Lincoln Mayorga, Ray Pohlman and Sandy Nelson amongst others. As a session man, Podolor played on many other surf sides (including those by the Hondells), mostly produced by Gary Usher. Throughout the 1960s he worked either as an engineer or session musician with Chocolate Watch Band, Monkees, Turtles, Electric Prunes, Grateful Dead and Donovan. He got his first official producer's job at the dawn of the 1970s when Gabriel Mekler stopped taking credit for the Steppenwolf and Three Dog Night releases (if there was any actual production on a given track, it was done by Podolor with his lifelong friend/co-engineer Bill Cooper). Hewas ranked the #4 US producer in 1970, working with Blues Image and Iron Butterfly as well as Steppenwolf and TDN in that year alone. He often contributed uncredited guitar (and sitar) when he produced, and is the driving force behind The Inner Mystique's extended psych tracks.



Artist: RICHIE ALLEN AND THE PACIFIC SURFERS

Title: THE RISING SURF

Year: 1963

Label: Imperial

Catalog Number: LP-9229

Mono/Stereo/Quadro: mono

Country: USA

Dead Wax Numbers: IX-459  /  IX-460  (hand-etched)

Weight: 148 grams

Cover Format: standard, wrap-around front slick with paste-on rear panel

Cover Condition: EX (sharp, crisp, vivid and tight, solid NM if not for mild opening corner wear & small name on back, really couldn't be much nicer overall)

Vinyl Condition:

EX (perfect gloss, some mild hairlines & pressing spots but nothing affects play, fantastic keeper copy which plays virtually like new)

Label Condition: perfect

We clean every record on a VPI HW-17F using Audio Intelligent Vinyl Solutions multi-step process (every disc goes into a brand-new poly-lined inner sleeve).

Everything is strictly graded using the classic Goldmine Standards that we have been applying since 1983: 

M (rarely ever used unless still sealed)/ NM / EX / VG+ / VG / VG- / G+ / G (please see bottom of auction for specific grading information).

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We visually grade all records using the classic Goldmine Standard, to which we have added EX (as have many others), but we do not use any other variant from the classic scale.  No NM- or EX+ (which are both EX), EX- VG+++ or Near Excellent (which are all VG+), or any such other nebulous grades here!  We feel that nearly every collector will be more than pleased with anything listed EX or above in our auctions; they will all be top-shelf, archive quality items which will play M- throughout.  A VG+ record will truly satisfy all but the most critical curator.  On the very rare occasion we actually grade an opened LP as straight MINT, we can guarantee you’ll never find a nicer copy anywhere!

We will play-grade any LP if there is any reason to do so; any questionable mark, scuff or noteworthy artifact of any kind will be sampled to determine its true significance (which may obviously impact the grade ).  We will also gladly play-grade anything upon request; if you are curious about the actual pressing characteristics or any have other questions about its actual performance please feel free to ask.

MINT :  Absolutely perfect.

This record looks like it has just left the plant, with no flaws whatsoever.  It appears unhandled and unplayed, with no marks of any sort.  Usually only sealed or (sometimes) unplayed LPs will warrant this grade.

The cover does not appear to have had a record inside it; there is no wear or distraction of any kind.

 NM : Virtually flawless, top copy.

The record is virtually identical to the moment it was opened, but may have a few faint paper, packaging or pressing scuffs which will produce no sound whatsoever and are very hard to see without critical inspection.  It was very carefully handled and played, likely only once or twice.

The cover is as close to perfect as can be expected given its age.  There may be minor impressions due to the outer edge of the vinyl (no ring wear), the lightest possible corner bumps, or a few tiny laminate creases (mainly on imports), but no wear or whitening of any kind whatsoever.

EX : A beautiful specimen, which will please most critical collectors and not need to be upgraded.

The record has no scratches or significant blemishes, and will play NM throughout.  It retains 100% of the gloss, sheen and luster, but may have a handful of faint superficial scuffs, hairlines or light spindle marks which will not produce any sound whatsoever.

The cover is nearly perfect.  There may be the absolute faintest suggestion of ring wear or possibly a light touch of dulling on the corners (nothing wrinkled or obtrusive in any way), but no notable seam or spine wear, writing or sign of tape anywhere.

 VG+ : Plays perfectly nearly all of the time, with only a few minor distractions.

The record still retains nearly all of the gloss, sheen and luster, but there may be a handful of inaudible superficial marks or scuffs, a mild scattering of light hairlines (which would only be faintly audible between tracks or in some very quiet passages), or a few stray marks which may mildly sound for a few revolutions. Each flaw is very minor, barely noticeable to the naked eye, and will not detract from the enjoyment in any way.

The cover is still very clean and crisp, but may look slightly more aged and have a few minor flaws such as small unobtrusive writing, minor wear to the seams and spine (no splits), slightly worn corners, very light ring wear or minor creasing.  No flaw is at all distracting in and of itself.

 VG : A nice play copy, which will perform without much significant distraction.

The record appears well played, but still has the majority of the luster.  It will not have been abused, though there will be some audible sound defects which will not overpower the dynamics of the music, such as mild surface noise in the quietest sections, a handful of stray isolated pops and clicks (which are brief and occasional), or possibly some very mild groove wear; still no skips, repeats, or anything deep or seriously pronounced.  It will play through quite nicely most of the time, with very minimal distraction.

The cover looks somewhat used and shows some mild wear.  There may be some minor seam splitting, ring wear (which still doesn’t overwhelm the cover), discreet writing (not large magic marker), or mild yellowing due to air contaminants. It is still nice, just a few notable flaws away from VG+.

We will never sell anything less than VG, so the rest of the scale is unnecessary.  We absolutely detest groove wear, so we will almost never list anything lacking the overwhelming majority of the luster, sheen and gloss.  Anything of significance will always be noted. 

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