R.E.M. Out Of Time LP WARNER BROS 1991 US orig+inner MICHAEL STIPE-KATE PIERSON
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Description
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R.E.M.
Fronted by the charismatic Michael Stipe, one of the first alt-rock bands to make it big, maintaining
their integrity and a sense of adventure over three decades...
"OUT OF TIME"
1991 LP WARNER BROS. RECORDS 9 26496-1
PRINTED IN U.S.A. ORIGINAL FIRST PRESSING
SINGLE COVER PARTIALLY IN SHRINK + INNER SLEEVE
Barcode and Other Identifiers
Barcode: 0 7599-26496-12
LABEL: WB - WHITE LABEL w/LOGO on TOP - BLACK TEXT
Label Code: none
Catalog on cover: (spine) 9 26496-1
Catalog on labels: 1-26496 (TIME SIDE / MEMORY SIDE)
Matrix / Runout (Side A, Etched): 1-26496-A-SR1-DMM SP I-I Precision
Matrix / Runout (Side B, Etched): 1-26496-B-SR1-DMM SP I-I Precision
On labels: Produced by Scott Litt & R.E.M.
All songs Berry, Buck, Mills, Stipe.
Published by Night Garden Music,
administered everywhere by Unichappell Music, Inc. BMI
? 1991 R.E.M./Athens, Ltd.
On Inner Sleeve: Credits & Photos
On back cover: Warner Bros......© 1991 R.E.M./Athens, Ltd. ? 1991.......
Made in U.S.A. All Rights.........Laws.
tracklisting
TIME SIDE (Side A): RADIO SONG - LOSING MY RELIGION
LOW - NEAR WILD HEAVEN - ENDGAME
MEMORY SIDE (Side B): SHINY HAPPY PEOPLE - BELONG - HALF A WORLD AWAY
TEXARKANA - COUNTRY FEEDBACK - ME IN HONEY
grading
RECORD NEAR EX but (please, read above description)
SLEEVE NEAR EX but (please, see pictures and read above description)
R.E.M. marked the point when post-punk turned into alternative rock. When their first single,
"Radio Free Europe," was released in 1981, it sparked a back-to-the-garage movement in the American
underground. While there were a number of hardcore and punk bands in the U.S. during the early '80s,
R.E.M. brought guitar pop back into the underground lexicon. Combining ringing guitar hooks with
mumbled, cryptic lyrics and a D.I.Y. aesthetic borrowed from post-punk, the band simultaneously sounded
traditional and modern. Though there were no overt innovations in their music, R.E.M. had an identity
and sense of purpose that transformed the American underground. Throughout the '80s, they worked
relentlessly, releasing records every year and touring constantly, playing both theaters and backwoods dives.
Along the way, they inspired countless bands, from the legions of jangle pop groups in the mid-'80s
to scores of alternative pop groups in the '90s, who admired their slow climb to stardom.
Where previous R.E.M. records captured a stripped-down, live sound, Out of Time was lush with
sonic detail, featuring string sections, keyboards, mandolins, and cameos from everyone from
rapper KRS-One to the B-52's' Kate Pierson. The scope of R.E.M.'s ambitions is impressive, and
the record sounds impeccable, its sunny array of pop and folk songs as refreshing as Michael Stipe's decision
to abandon explicitly political lyrics for the personal. Several R.E.M. classics --
including Mike Mills' Byrds-y "Near Wild Heaven," the haunting "Country Feedback,"
and the masterpiece "Losing My Religion" -- are present...(AllMusic)
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