RARE *SEALED* 3 LP BOX = THE A CID SYMPHONY 1967 CALIF ACID HEAD RAGA FOLK PSYCH
  $   52

 


$ 52 Sold For
May 11, 2014 Sold Date
May 6, 2014 Start Date
$   10 Start price
11   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

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  3 LP COLORED VINYL 1967 RAGA FOLK PSYCH INJECTIONS!

          

                         

          

           The A CID SYMPHONY

             

                              

            

\                                                          USA - Europe AK - 090 - 93

 

STILL SEALED (((COLORED VINYL))) BOX SET - exactly as original vinyl release from 1967 ... transparent YELLOW, PURPLE & GREEN VINYL

This is a long long gone near 15 years ago limited press frpom Europe, lavishly produced, it surpasses the 1967 issue in total quality...

Includes a cool biography, photos and large POSTER!

The A CID SYMPHONY played throughout California, including the Monterey Pop Festival (they played off stage on the festival grounds), and San Francisco's The Human Be In, but never recorded a follow-up LP. 

The style of A-cid Symphony is a bit acid folk with fusions of Middle Eastern influences with blues & folk edges... It uses a raga-like slightly droning and flowing effect, with instruments like dulcimer, guitar...

Unquestionably a harbinger of the times, A Cid Symphony — a folk-and-ethnic music collective that incorporated instruments as wide-ranging as dulcimer, hand-held brass, and Hindustani ankle bells into their extended Middle Eastern-cum-country and folk music drones — was instigated and helmed by Dustin Mark Miller. Miller, was a part of the mid-'60s Free Speech Movement at UC Berkeley, spending his time selling protest records to raise money for the movement. The musical passion stuck, so in 1966 he enlisted old pal and neighbor Charles Ewing, whom he had known since kindergarten, and Ernie Fischbach to start a folk/ethnic flower-child band aligned with the San Francisco Diggers. Ewing was an avid flamenco guitar aficionado, and he had met Fischbach while the two were in graduate school together at Cal State Long Beach. The two shared a passion for music, and Ewing soon discovered Fischbach could play any instrument with strings, as well as drums and harmonica. The trio converged in Los Angeles and A Cid (originally Acid) Symphony was born.   In Berkeley the trio hooked up with Dustin Mark Miller. Miller was attending the University of California at Berkeley, where he'd become involved in the school's free speech movement. Miller had known Ewing since childhood. The two parties quickly discovered common musical ground and as the A Cid Symphony began experimenting with a unique blend of Eastern and Western musical genres. Their performances began to attract media attention and following a write-up in the Los Angeles Times, the four decided to head for San Francisco. Once in San Francisco they met music columnist Ralph Gleason who introduced them to Fantasy Records executive Max Weiss. Intrigued by their bizarre fusion of styles, Weiss gave the group access to Fantasy's studio, where they began recording their debut.

The epic album unfolds with Eastern and Western instruments (dulcimer, guitar, sarod, sitar) and cultural genres (country, blues, flamenco, jazz, folk-psych and raga). The results have a certain quiet dignity and are quite impressive given they sound like improvisational pieces. Anyone who enjoys material such as "Magic Carpet" or post-Mighty Baby "Habibiya" will almost certainly find this collection engaging.   "A Cid Symphony" track listing:
(side 1)
1.) Loudusphone Number 1 - 1:17
2.) Loudusphone Number 2 - 0:35
3.) Loudusphone Number 3 - 14:01

(side 2)
1.) Pierced Hand Number 1  - 6:30
2.) Pierced Hand Number 2 - 4:11
3.) Pierced Hand Number 3 - 8:50

(side 3)
1.) Golden Gate Number 1 - 7:34
2.) Golden Gate Number 2 - 3:21
3.) Golden Gate Number 3- 1:33
4.) Golden Gate Number 4  - 3:57

(side 4)
1.) Burning Bush Number 1  - 3:02
2.) Burning Bush Number 2 - 2:56
3.) Burning Bush Number 3  - 8:45

(side 5)
1.) Noisemakers Number 1 - 0:35
2.) Noisemakers Number 2 - 4:37
3.) Noisemakers Number 3  - 5:46
4.) Noisemakers Number 4 - 0:56

(side 6)
1.) Scrambled Psychadelic BS Number 1 - 8:31
2.) Scrambled Psychadelic BS Number 2  - 0:26
3.) Scrambled Psychadelic BS Number 3  - 6:43
4.) Scrambled Psychadelic BS Number 4  - 3:21

 

 

 

       

 

CONDITION:  3 LP BOX SET...each disc pressed in vibrant COLOR vinyl just like the '67 first print ...here the box and records within are STILL FACTORY SEALED ....not easy to find, especially STILL FACTORY SEALED...the limited box set is long long out of print and rare... no problems, mint sealed, unopened/unplayed ...poster and extras included... future investment item that will keep rising in value as the days pass by....

 

       

      A cool addition to anyone's music library!

 

SEE: SELLERS OTher items for similar cool sounds for "head" people...

 

EFFICIENT/CAREFUL GRADING

All imperfections are noted both cover & record

  NOTE: All Items backed by  money back guarantee! IF you have a problem PLEASE let us solve for you BEFORE leaving ANY negative feedback. Thanks!   GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M    Completely clean, no marks M-   Carefully used, looks clean, plays clean, shiny gloss, no marks EX   Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, clean VG+ a bit more scuff or markls still plays well with very minimal surface at worse VG   more marks/scratches only minor, nothing deep, no loud clicks or pops         this grade is abused by many, VG here does not mean "trashed" VG-  surface noise present, will not have skips or jumps     ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END   BIDDERS PLEASE = Do Not Bid If You Are Not Serious About  Following Through The Transaction!   ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!

 


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