RALPH SHARON [Mr & Mrs Jazz] J.R. MONTEROSE [orig] DG:
  $   61

 


$ 61 Sold For
Jan 16, 2010 Sold Date
Jan 9, 2010 Start Date
$   10 Start price
9   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description


innersleeve1 Store WE'VE JUST ACQUIRED A TERRIFIC BATCH OF ORIGINAL JAZZ, SOUL & BLUES LP's.

THE  OWNER PURCHASED THEM NEW AND THEY HAVE BEEN IN THE SAME COLLECTION
SINCE DAY ONE.
95% OF THESE LOOK TO HAVE BEEN PLAYED ONCE TO ONLY HANDFUL
OF TIMES... VERY CLEAN LP's WITH SLIGHT SHELF OR STORAGE WEAR BEING THE
BIGGEST ISSUE.
THIS IS AN EXCITING & INTERESTING SELECTION, SO PLEASE HAVE
A LOOK AT ALL OF OUR OTHER OFFERINGS!

GOOD LUCK & HAPPY NEW YEAR
FROM YOUR FRIENDS AT

INNERSLEEVE

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1956 BETHLEHEM Records BCP-13

DEEP GROOVE * MONO ORIGINAL

J.R. MONTEROSE
Eddie Costa * Milt Hinton * Joe Puma
Jo Jones

*

VINYL is EX++
top copy, a couple
of superficial
hairline scuffs

 COVER is VG
light edge/surface wear,
top seam1/2 split
bottom 4"

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Ralph Sharon made his professional debut with Ted Heath in 1946, then moved on to Frank Weir's orchestra before leading his own sextet. He moved to the U.S. in 1953, where he initially worked as an accompanist to Chris Connor. In 1957, he became musical director and pianist for Tony Bennett. He acquired American citizenship in 1958. In 1965, he and Bennett split up, but they got back together in 1979 and have stayed together since. Sharon has also led various groups and made many recordings as a leader.

J.R. Monterose (not to be confused with fellow tenor Jack Montrose) is most famous for a gig that he personally did not enjoy, playing with Charles Mingus in 1956 and recording on Mingus' breakthrough album Pithecanthropus Erectus. He grew up in Utica, NY, played in territory bands in the Midwest, and then moved to New York City in the early '50s. Monterose played with Buddy Rich (1952) and Claude Thornhill and recorded with (among others) Teddy Charles, Jon Eardley, and Eddie Bert. After leaving Mingus (whom he did not get along with), Monterose played with Kenny Dorham's Jazz Prophets and recorded a strong set for Blue Note as a leader. Although he performed into the 1980s (doubling on soprano in later years), Monterose never really became famous. In addition to his Blue Note date, he led sets for Jaro (a 1959 session later reissued by Xanadu), Studio 4 (which was reissued by V.S.O.P.), a very obscure 1969 outing for the Dutch label Heavy Soul Music (1969), and, during 1979-1981, albums for Progressive, Cadence, and two for Uptown.

All Music Guide

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