QUEEN

LIVE MAGIC

ORIGINAL PRESSING 12" VINYL STEREO LP RECORD ALBUM

VINYL IN NEAR MINT CONDITION

COVER IN EXCELLENT CONDITION (SEE PHOTOS)

EMI RECORDS

EMC 3519

1986

A BEAUTIFUL NEAR MINT VINYL COPY OF THIS EXCELLENT QUEEN ALBUM FROM MY OWN PERSONAL COLLECTION

THE PICTURES SHOWN IN THE LISTING ARE OF THE ACTUAL ITEM FOR SALE

I DO NOT USE MISLEADING STOCK PHOTOS

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ADDITIONAL INFORMATION KINDLY PROVIDED BY DISCOGS

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Live Magic

Label: EMI – EMC 3519, EMI – 24 0675 1 Format: Vinyl, LP, Album, Stereo, Gatefold Country: UK Released: 1986 Genre: Rock Style: Hard Rock, Arena Rock, Classic Rock

Tracklist

Hide Credits A1 One Vision Written-By – Queen Written-By – Queen 5:05 A2 Tie Your Mother Down Written-By – May* Written-By – May* 2:55 A3 Seven Seas Of Rhye Written-By – Mercury* Written-By – Mercury* 1:22 A4 A Kind Of Magic Written-By – Taylor* Written-By – Taylor* 4:42 A5 Under Pressure Written-By – Bowie*, Queen Written-By – Bowie*, Queen 3:32 A6 Another One Bites The Dust Written-By – Deacon* Written-By – Deacon* 5:35 B1 I Want To Break Free Written-By – Deacon* Written-By – Deacon* 2:38 B2 Is This The World We Created? Written-By – May*, Mercury* Written-By – May*, Mercury* 1:28 B3 Bohemian Rhapsody Written-By – Mercury* Written-By – Mercury* 4:30 B4 Hammer To Fall Written-By – May* Written-By – May* 4:32 B5 Radio Ga-Ga Written-By – Taylor* Written-By – Taylor* 4:22 B6 We Will Rock You Written-By – May* Written-By – May* 1:32 B7 Friends Will Be Friends Written-By – Mercury*, Deacon* Written-By – Mercury*, Deacon* 1:05 B8 We Are The Champions Written-By – Mercury* Written-By – Mercury* 2:00 B9 God Save The Queen Arranged By – May* Arranged By – May* 1:16

Companies, etc.

• Phonographic Copyright ? – Queen Productions Ltd.
• Phonographic Copyright ? – Raincloud Productions Ltd.
• Copyright © – Queen Productions Ltd.
• Copyright © – Raincloud Productions Ltd.
• Published By – Queen Music Ltd.
• Published By – EMI Music Publishing Ltd.
• Published By – B. Feldman & Co. Ltd.
• Published By – Bewlay Bros.
• Published By – Mainman
• Recorded At – Wembley Stadium
• Recorded At – Knebworth
• Recorded At – Népstadion
• Recorded By – Manor Mobile
• Recorded By – Rolling Stones Mobile
• Recorded By – Power Sound Mobile
• Mixed At – The Town House
• Mastered At – The Town House

Credits

• Coordinator [Band] – Chris "Crystal" Taylor*
• Coordinator [Pre-Production - Samuelsons Group Plc] – Brian Croft
• Crew [Band Assistant] – Joe "Liza" Fanelli*
• Crew [Bus Drivers] – Graham Joggins, Mick Dean
• Crew [Buses] – Len Wright Travel*
• Crew [Carpenters] – Alex "Zeus" Alexandrou*, Dave "Batman" Irwin*
• Crew [Catering] – Dave Keeble, Dave Lewis (20), Dave Thomas (29), Lindsey "Not Dave" Beckingham*, Malcolm "Not Dave" Barnett*, Mick "Not Dave" Riddle*, Toad In The Hole
• Crew [Concert Sound - Clair Brothers Audio U.S. & U.K.] – James "Trip" Khalaf
• Crew [Physiotherapist] – Dieter "Fizzy-O" Breit*
• Crew [Rigger] – Charlie "High Steel Drifter" Boxhall*
• Crew [Security] – Brendan Hyland, Dave Mills (5), Jim Callaghan, John "Tunbridge" Wells*, Terry Giddings, Wally Gore
• Crew [Set Construction] – Kimpton Walker, Ltd.
• Crew [Stage Costumes] – Diana Moseley
• Crew [Staging Coordinator] – Graeme Fleming (2), Henry Crallen*
• Crew [Staging] – Dale Scotting, Dragon Kuzmanov, Phillip Pescod, Tom Armstrong (7)
• Crew [Truck Drivers] – Alan "Vera" Moore*, Albert Sutton, George Stedman, Joe Harrison (7), John "B.J." Lewis*, Mickey Conafray, Nigel Auckland, Ted Winfield, Tim Davis (12)
• Crew [Trucking] – Edwin Shirley Trucking Ltd.*
• Crew [Wardrobe] – Tony "Mr. Hyde" Williams*
• Design – Richard Gray (2)
• Design [Lighting] – Roy "Cliff" Bennett*
• Engineer – John "Teddy Bear" Brough*
• Engineer [Monitor] – Jim "Mary" Devenney*
• Film Director – Hannes Rossacher, Rudi Dolezal, The Torpedo Twins
• Keyboards [Additional], Guitar [Additional], Vocals [Additional] – Spike "The Duke" Edney*
• Lighting – Zenith Lighting Ltd
• Lighting Director – Simon Tutchener*
• Lighting [Technician - Light and Sound Design] – Alan Espley
• Lighting [Technician - Vari-Lites] – Bob Batty, Dave Hill (10), Gerry Mott, Guy Forrester, Steve Moles, Tim Phillips (11)
• Management [Accounting] – Peter Chant
• Management [Business] – Jim "Miami" Beach*
• Management [Queen Productions Ltd.] – Christine Southard, Jacky Gunn, Julie Nash, Mary Collins (4), Peter "Feebie" Freestone*
• Management [Travel] – Alan Newing, Mike Hawksworth, Trinifold Travel Ltd.*
• Management [U.S. Travel] – Air Apparent, Inc.*, Paula Lessel
• Mastered By – Kevin Metcalf*
• Performer [Queen] – Brian May, Freddie Mercury, John Deacon, Roger Taylor
• Photography By – Denis "Scoop" O'Regan*, Neal Preston, Torleif Svensson
• Piano [Tuner] – Steven Benjamins
• Producer – Trip Khalaf*, Queen
• Production Manager [Tour] – Gerry "Uncle Grumpy" Stickells*
• Production Manager, Stage Manager – Mike "M.I." Wiesman*, Rick "Parnelli" O'Brien*
• Public Relations [U.K. Publicity] – Roxy Meade
• Public Relations [U.S. Publicity] – Bryn Bridenthal
• Recorded By – David Richards, Mack (2)
• Set Designer – John McGraw*, John Miles (8), Plainview, Inc.
• Technician [Bass & Keyboards] – John "Collie" Collins*, Peter "Ratty" Hince*
• Technician [Drum] – Neil "Moxie" Glover*
• Technician [Guitar] – Brian "Jobby" Zellis*
• Technician [Sound] – Barry Clair, Bill Louthe, Rex Ray (3), Tom "Midget" Foehlinger*
• Tour Manager [Assistant] – Sylvia Reed (2)
• Tour Manager [Freight Forwarders] – Rock-It Cargo Ltd.*, Rock-It Cargo, Inc.*

Notes

The writing credits for track A6 credit Deacon on both the sleeve AND label. Thus, Queen - Live Magic is edited as a misprint.

Issued in a gatefold sleeve with a printed credit / photo inner sleeve that has die-cut corners.

Durations do not appear on this release. Timings via stopwatch.

Barcode and Other Identifiers

• Barcode: 5 099924 067515
• Rights Society: SAG / MCPS
• Other (Sleeve printed, date, company): SP 8611 CMCS
• Matrix / Runout (Side A runout all stamped except "TOWNHOUSE DMM", variant 1): EMC 3519 A-1U-1-1-D Townhouse DMM D
• Matrix / Runout (Side B runout all stamped, variant 1): EMC 3519 B-3U-1-21 D T
• Matrix / Runout (Side A runout all stamped, variant 2): EMC 3519 A-1U-1-2-10 D
• Matrix / Runout (Side A runout all etched, variant 2): TOWNHOUSE DMM
• Matrix / Runout (Side B runout all stamped, variant 2): EMC 3519 B-3U-1-2-11 D
• Matrix / Runout (Side B runout all etched, variant 2): TOWNHOUSE
• Matrix / Runout (Side A runout stamped, variant 3): EMC 3519 A-1U-1-1-2- D
• Matrix / Runout (Side A runout etched, variant 3): TOWNHOUSE DMM
• Matrix / Runout (Side B runout stamped, variant 3): EMC 3519 B-2U-1-6- D
• Matrix / Runout (Side B runout etched, variant 3): TOWNHOUSE DMM
• Matrix / Runout (Side A runout stamped, variant 4): EMC 3519 A-2U-1-1- D
• Matrix / Runout (Side A runout etched, variant 4): TOWNHOUSE DMM
• Matrix / Runout (Side B runout stamped, variant 4): EMC 3519 B-2U-1-2-X1 D
• Matrix / Runout (Side B runout etched, variant 4): TOWNHOUSE DMM

Record Collector Magazine's Grading Guide

"MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection filler."