Procol Harum "Shine On Brightly" 1st UK Press SLRZ 1004

	£		51
	$		68

Procol Harum "Shine On Brightly"

Original 1st UK Press, Stereo, 191968 EMI Records: cat no. SLRZ 1004 Matrix: VCARX 49-1. VCARX 50-1

This is the superb Shine On Brightly album and was Procol Harums' second album. As with their debut album this one failed to sell and is consequently seldom seen today. Now rightly regarded as one of the psychedelic gems of the 1960`s!

99p start.

This item is offered with a money back guarantee if not as described below.

Sleeve Condition: VERY GOOD.

The Garrod & Lofthouse printed flipback laminate sleeve has some ring wear on the front and back also some minor bends where small areas of the laminate is lifting. Spines are near mint, all writing is intact, some light corner rubs.

Vinyl Condition, Visual: VERY GOOD-EXCELLENT.

A nice shiny copy with a few hairline surface marks that generally don't affect play.

Vinyl Condition, Audible: VERY GOOD-EXCELLENT.

Has some surface noise, generally only noticable in between tracks and the odd minor click, nothing serious.

Label Condition: EXCELLENT-MINT.

Has some very light spindle marks, no sign of ring wear, generally very clean.

Welcome to Rat Records. We love our vinyl.

This record has been cleaned on the £1600 Loricraft PRC 4 Mk3 record cleaning machine (google `Garrard 501 Loricraft') using L'Art du Son cleaning fluid and placed in a Nagaoka antistatic inner sleeve. Only the best for our vinyl!

We have 1800+ 100% positive feedbacks, from over 2100 separate transactions over 9 years on eBay. That's a lot of record listing and satisfied customers. We also run a proper record shop in London and have been trading in vinyl for over 20 years, visit us!

Google the Rat Records website for anything else you want to know about Rat Records.

All our records are play graded.

We never describe our records as Near Mint unless they really are superb. Our Excellent grading is a very high standard.

Excellent professional packaging at cost. Records are sent in a PVC sleeve with the vinyl separated from the outer sleeve. The package is then padded and sent in a heavy grade cardboard mailer.

Swift despatch, rapid communication, professional service.

New listings every Thursday. Make us a Favorite Seller.

Our condition gradings are based on the UK 2010 Record Collector Rare Record Price Guide.

Track Listing:

Side 1
Quite Rightly So
Shine On Brightly
Skip Softly (My Moonbeams)
Wish Me Well
Rambling On

Side 2:
Magdalene (My Regal Zonophone)
In Held Twas I
(a)-Glimpses of Nirvana
(b)-Twas Tea Time at the Circus
(c)-In The Autumn Of My Madness
(d)-Look To Your Soul
(e)-Grande Finale

Origins

Based in Southend, Essex, The Paramounts, led by Gary Brooker and Robin Trower and including Chris Copping, scored a moderate British success in 1964 with Jerry Leiber and Mike Stoller's "Poison Ivy," which reached number 35 in the UK singles chart.[1] Unable to generate any follow-up success, the group disbanded in 1966.

Early years

In April 1967, Brooker began working as a singer/songwriter and formed Procol Harum with non-Paramounts Keith Reid (poet), Hammond organist Matthew Fisher, guitarist Ray Royer and bassist David Knights. Guy Stevens, their original manager, named the band after a friend's Burmese cat.[2] The name has been said to be Latin for "beyond these things", but the correct Latin translation of "beyond these things" is Procul His.[3] Alternatively, the name has been translated as "of these far off things" (harum is in the feminine, genitive, plural). However, procul would not be followed by a genitive in Latin.[1] The name of the band is frequently misspelled; often with Procul, Harem, both, or other variations.

At Olympic Studios, with session drummer (and non-Paramount) Bill Eyden, producer Denny Cordell, and sound engineer Keith Grant, the group recorded "A Whiter Shade of Pale" and officially released on 12 May 1967. With the sudden success of this single and The Moody Blues' "Nights in White Satin", their label Deram Records became known as a premier progressive rock label[dubious – discuss] .

With a structure reminiscent of Baroque music, a countermelody based on J.S. Bach's cantata no.140 assigned to Fisher's Hammond organ, Brooker's soulful vocals and Reid's mysterious lyrics, "A Whiter Shade of Pale" reached #1 on the British charts and did almost as well in the United States, reaching #5. In the years since, it has become an enduring classic, placing on several polls of the best songs ever.

After "A Whiter Shade of Pale" became a hit, the band set out to consolidate their studio success by touring; their live debut was opening for Jimi Hendrix in 1967.

The group's follow-up single, "Homburg", with a lineup change of former Paramounts B.J. Wilson on drums and Robin Trower on guitar, was almost as successful in the UK as it reached #6, but the LP Procol Harum, was less successful (it was recorded soon between the two hit singles, but was held back until early 1968 and in mono and phony stereo, which was unusual by that time). A series of singles charted lowly in the US and UK, though rarely both at the same time. A Salty Dog (1969; see 1969 in music) was popular among fans, and was their first album to sell well in the UK; it is still regarded as one of their finest albums. The title track in particular gained a good deal of US FM radio airplay, with Reid's ominous lyrics in the forefront. However, Fisher, who produced this album, departed the band soon after its release.

The group would have many personnel changes [2], but their "classic" lineup for their first three albums was Gary Brooker (piano and lead vocals), Robin Trower (guitar and lead vocals), Matthew Fisher (organ and lead vocals), David Knights (bass), B.J. Wilson (drums), and Keith Reid (lyricist). Former Paramount Chris Copping joined on organ and bass in 1970, and from late 1972 till 1977, the group's guitarist was Mick Grabham.

Procol Harum produced a unique sound that emphasized Brooker's melancholy vocal style and an evocative mix of his eclectic piano, Fisher's elegant, church-like organ, Wilson's dramatic drumming and Trower's searing guitar, with frequent black humour and a penchant for experimentation. Musically, Procol Harum was split during all these years between Trower's guitar-driven blues rock style and Brooker's and Fisher's structured classical rock sound. The group often combined the two into a dynamic fusion, but by 1971 the disparities in style became too great; the end of an era was marked for Procol, with the release of their fifth album Broken Barricades, and subsequent departure of Trower to form his own power trio band; he would be replaced by Dave Ball.

Procol returned to success on the music charts in the following years with a distinctly symphonic rock sound, often backed by symphony orchestras. At this they were one of the first groups to achieve success; Procol Harum Live with the Edmonton Symphony Orchestra was a #5 gold album in the U.S. in 1972, as well as reaching #48 in Britain. "Conquistador" (a track from their first album, recharted for accompaniment by the Edmonton Symphony in 1971) was a hit single in 1972, getting to #16 in the U.S. with considerable additional FM radio airplay, while reaching #22 in the UK. Their follow-up album, Grand Hotel, did fairly well, reaching #21 on the U.S. Billboard Chart in 1973.

Terms & Conditions

We GUARANTEE this item to be in the condition as described above. If it is not as described, we offer a full refund of the sale price and sale postage.

We will contact you by the next business day after the auction has finished. Items are despatched the next working day after payment clears. We will keep you informed by email throughout the sale.

We do not set reserve prices. We do not end my auctions early.

If you buy more than 1 item from us at a time, we make a postage discount, please see postage terms.

Please mail me with any specific wants you have as we are always buying and processing fresh stock. If you are passing, drop into the shop – Rat Records, 348 Camberwell New Road (Denmark Hill end), London, SE5 0RW, open 6 days 10.30 -18.30 - where we have thousands of records and CDs on sale for a lot less than this.

If you do not reply within 48 hours to arrange payment, or payment does not reach me within 7 days without explanation we will relist the item or offer it to the second highest bidder.

If you have a problem with your item, please get in contact before leaving any feedback, and we will try to remedy the situation.

Returns. The item must be safely returned to us in the original condition using an insured, traceable delivery method. The item must be returned to us within 7 days of your receiving it. Return postage costs are your responsibility.

Payment & Postage terms

Acceptable payment forms are; Pay Pal in £ Sterling or cheques from a UK bank. It takes 5 working days to clear cheques so please allow for this when waiting for delivery.

We make no charge for PayPal payments, and offer you the reassurance of PayPal’s Buyer Protection Plan £500 cover, subject to their T & C.

Postage Options:

UK, First Class Recorded Delivery: Costs: £3.00, Delivery time: 1-2 working days, Online tracking, Signature required, Insured up to £30. Multiple Purchase Discount: 2 LPs: you pay £1 less.

UK, Special Delivery: Costs: £5.00, Delivery time: next working day, Online tracking, Signature required, Insured up to £250. Multiple Purchase Discount: 2-3 LPs: you pay £8.50.

Europe, airmail, Costs: £3.50, Delivery time: 3 working days. Multiple Purchase Discount: 2 LPs: you pay £1 less.

Japan, USA, rest of world, airmail, Costs: £5.50, Delivery time: 5 working days. Multiple Purchase Discount: 2 LPs: you pay £1 less.

For airmail items worth over £30, we strongly recommend buyers pay an additional £5.00 for the International Signed For service which insures the item up to £500 and prioritises delivery.

UK Record Collector Grading System:

MINT: The record itself is in brand new condition with no surface marks or deterioration in the sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.

EXCELLENT (US version of this term: Near Mint): The record shows some signs of having been played, but there is very little lessening in the sound quality. The cover and packaging might have slight wear and/or creasing.

VERY GOOD (US version of this term: VG++): The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover, or extra items, without any major defects, is acceptable.

GOOD (US version of this term: VG): The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits etc.