Phish Lawn Boy Sealed 1990 Absolute A Go Go only 1000

	€		66
	$		77

sealed 1990 record an Absolute A Go Go Records Oakland, US Import allover mint, with origial Innersleeve ( I can see this only on another copy open in shrink, this one you're bidding for is still sealed Matrix-Nr AGO 1992-1A/B

in 1991 I bought  two sealed copies from german importing and wholesale distributon  semaphore and sold at this time none of both records, so I stored both record and found them now, here for sale,

This statement I found on another sold copy of this rare album:

There were originally one thousand pieces. 500 were sold and the rest were handed back to Phish's management company for their use. The vinyl copies are very rare! Sincerely Brad Morrison Absoluteagogo Records

Shipping: within Germany Hermes 4,60 EUR insured

Europe: 5,00 EUR not insured

World: 8,50 EUR not insured, for registration please add another 2,05 EUR for europe or world

This album is relaxed, friendly, and a lot of fun. It is their true statement of purpose, capturing Trey Anastasio's unique visions in their rawest form. "Reba," with its absurd lyrics, intricate design, and renegade momentum is one of their best moments, neatly summarizing the band's philosophy in 12 minutes. Anastasio may have played with greater force and potency later on, but his creative spark was rarely brighter than here, and he proves himself to be not only a student, but a master of many divergent styles.

During the early '90s, Phish emerged as heir to the Grateful Dead's throne. Although their music was somewhat similar to the Dead's sound — an eclectic, free-form rock & roll encompassing elements of folk, jazz, country, bluegrass, and pop — the group adhered more to jazz-derived improvisation than folk tradition. Moreover, they also sported a looser, goofier attitude (after all, their drummer regularly played a vacuum during their concerts). However, Phish's main claim as the inheritors to the Dead's legacy was their approach to their musical career. The band didn't concentrate on albums; instead, they dedicated themselves to live improvisation. Within a few years of their 1988 debut, Phish had become an institution in certain sections of America, particularly college campuses. While their in-concert popularity didn't necessarily translate to huge record sales (their biggest-selling albums usually halted at gold status, which the notable exceptions of Junta and A Live One), Phish's members were still the de facto leaders of the neo-hippie jam band movement.

Guitarist/vocalist Trey Anastasio, drummer Jon Fishman, and guitarist Jeff Holdsworth formed the band in late 1983 while attending the University of Vermont. After meeting and jamming in their dormitory, the trio posted flyers across campus to recruit a bassist. Mike Gordon answered the advertisement and he was soon added to the original lineup. Phish began practicing regularly and soon assembled a demo tape; by the fall of 1984, they'd also begun performing off-campus concerts. At this stage in their career, the band was augmented by percussionist Marc Daubert and, occasionally, a vocalist called the Dude of Life. Keyboardist Page McConnell soon joined the group, too, having previously booked Phish to play Goddard College's Springfest in 1985. Shortly after McConnell's arrival, Holdsworth left the group, and both Anastasio and Fishman transferred to Goddard College during the fall of 1986.

Early in 1988, Phish recorded the debut album Junta, which they sold as a cassette-only release at local shows. The group played their first tour outside of New England the following year, traveling through the Southeast. Phish also recorded another album, Lawn Boy, in 1989, although the album wasn't released until the fall of 1990 (when it was issued by the independent label Absolute A-Go-Go, a subsidiary of Rough Trade). Throughout early 1991, Phish toured America; during the summer, they recorded their third album, as well as a set of sessions with their old friend, the Dude of Life.

Rough Trade collapsed that August, taking Absolute A-Go-Go with it. Phish was left without a record contract, but they were soon signed by Elektra, which released A Picture of Nectar in February 1992. The group then embarked on an extensive national tour to support the album, including a handful of shows on the H.O.R.D.E. tour. That same summer, Elektra reissued Lawn Boy and Junta, which gave fans greater access to the band's early material.

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