Phelimuncasi & Metal Preyers - Izigqinamba LP NEW BLUE VINYL
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Phelimuncasi & Metal Preyers - Izigqinamba LP NEW BLUE VINYL
Phelimuncasi & Metal Preyers - Izigqinamba LP NEW. SEALED. Nyege Nyege Tapes Records Jesse Hackett returns with another unclassifiable co-mingling of genres, this time made in collaboration with Durban-based gqom trio Phelimuncasi. The group met up in Nyege Nyege's Kampala studio last year, spending three days engineering a sequence of tracks that turned the acts' respective sounds inside out, stretching urgent vocals over mutating backdrops of time stretched electronic drums, saturated noise and unstable synths. We last heard from Hackett on last year's chilling 'Shadow Swamps', a chilly, surrealist blast of disembodied folk folk and vintage electronics that added a cinematic twist to industrial music. Phelimuncasi meanwhile followed their acclaimed debut with the enormous 'Ama Gogela', asserting their dominance with tight, dancefloor-fwd, hook-led jams produced by some of the scene's most important beatmakers. In collaboration, both Metal Preyers and Phelimuncasi materialized a few worlds outside their comfort zones, with the Durban trio's words frothing from Hackett's marshy productions like echoes from another universe. Opening track 'Gidigidi ka Makhelwane' erupts in a fizz of beatbox percussion that loops noisily alongside Makan Nana, Khera and Malathon's stirring vocals, delivered in their local isiZulu tongue. Hackett's process is relatively restrained, offering Phelimuncasi the space to work their rousing magic unimpeded and adding punctuation where necessary. But when he takes more of a destructive role, it's just as impressive: on 'Gqom slowgen Chant', he corrupts his rhythm into a ritualistic pulse, letting the trio's words melt into metallic clicks and nauseous atmospheres. Elsewhere on 'Mgiligi wableka', Phelimuncasi's words create a rousing rhythm against a low-n-slow gqom thud from Hackett, and on 'Coffin Roller' he brings to mind '80s video nasty soundtracks, toying with analog synth sequences against Makan Nana, Khera and Malathon's distant chants. 'Like A Corpse' might be the album's most hollowed-out banger, turning the beat into a chopped 'n screwed drag that scrapes clamorously against Phelimuncasi's gurgling raps. Needless to say, there's nothing else like this. 1 Gidigidi Ka Makhelwane2 Ayi Ayi We Crazy3 Gqom Slowgen Chant4 Mgiligi Wabaleka5 Ngicela Siqoze6 Coffin Roller7 Khala Ngiyabaleka8 Like a Corpse9 Last FlutterPhelimuncasi & Metal Preyers - Izigqinamba LP NEW BLUE VINYL
Phelimuncasi & Metal Preyers - Izigqinamba LP
NEW. SEALED.
Nyege Nyege Tapes Records
Jesse Hackett returns with another unclassifiable co-mingling of genres, this time made in collaboration with Durban-based gqom trio Phelimuncasi. The group met up in Nyege Nyege's Kampala studio last year, spending three days engineering a sequence of tracks that turned the acts' respective sounds inside out, stretching urgent vocals over mutating backdrops of time stretched electronic drums, saturated noise and unstable synths.
We last heard from Hackett on last year's chilling 'Shadow Swamps', a chilly, surrealist blast of disembodied folk folk and vintage electronics that added a cinematic twist to industrial music. Phelimuncasi meanwhile followed their acclaimed debut with the enormous 'Ama Gogela', asserting their dominance with tight, dancefloor-fwd, hook-led jams produced by some of the scene's most important beatmakers. In collaboration, both Metal Preyers and Phelimuncasi materialized a few worlds outside their comfort zones, with the Durban trio's words frothing from Hackett's marshy productions like echoes from another universe. Opening track 'Gidigidi ka Makhelwane' erupts in a fizz of beatbox percussion that loops noisily alongside Makan Nana, Khera and Malathon's stirring vocals, delivered in their local isiZulu tongue. Hackett's process is relatively restrained, offering Phelimuncasi the space to work their rousing magic unimpeded and adding punctuation where necessary. But when he takes more of a destructive role, it's just as impressive: on 'Gqom slowgen Chant', he corrupts his rhythm into a ritualistic pulse, letting the trio's words melt into metallic clicks and nauseous atmospheres. Elsewhere on 'Mgiligi wableka', Phelimuncasi's words create a rousing rhythm against a low-n-slow gqom thud from Hackett, and on 'Coffin Roller' he brings to mind '80s video nasty soundtracks, toying with analog synth sequences against Makan Nana, Khera and Malathon's distant chants. 'Like A Corpse' might be the album's most hollowed-out banger, turning the beat into a chopped 'n screwed drag that scrapes clamorously against Phelimuncasi's gurgling raps. Needless to say, there's nothing else like this.
1 Gidigidi Ka Makhelwane
2 Ayi Ayi We Crazy
3 Gqom Slowgen Chant
4 Mgiligi Wabaleka
5 Ngicela Siqoze
6 Coffin Roller
7 Khala Ngiyabaleka
8 Like a Corpse
9 Last Flutter
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Immediate payment is required upon selecting "Buy It Now" or upon checking out through the cart.
We accept payment via U.S. PayPal accounts and all Major Credit Cards, Debit Cards & Google Pay.
We are legally required to collect sales tax in those states and localities where we maintain a physical presence (nexus).
The applicable amount of sales tax charged to an order will be calculated based on the shipment destination's state and local sales tax laws.
Thank you for shopping with us on eBay!
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