Peter Tosh Legalize It LP USA ORIGINAL 1976 VG+/VG+ Columbia PC 34253

	£		15
	$		20

Play tested on Thorens TD320 Mk2, fitted with Ortofon Bronze via Quad and Celestion Studio Monitors. Described upon listening - please ask if any other questions so as to avoid any misunderstanding. Have a look at the photos and read descriptions carefully before bidding. 
Matrix / Runout (Runout, Side A, Variant 1): P AL 34253-5H 1T Matrix / Runout (Runout, Side B, Variant 1): P BL 34253-1K 1T
All Music review After years of being overshadowed by Bob Marley, Peter Tosh left the Wailers to pursue a solo career. Released in 1976, Legalize It is a bold statement that Peter Tosh had arrived and was a creative force in his own right. Although he explores some issues of spirituality, this is Tosh's most lightweight album in the sense that it is his least political. This is not meant as a criticism -- in fact, Tosh's playfulness and joy ("Ketchy Shuby") only add to the album's charm. He does make political statements (the title track celebrates and promotes the use of marijuana), but they are done with a sense of humor and a melodic infectiousness that belie his sincere concern for the issues. Tosh incorporates many instruments and mixes slower ballads with upbeat grooving tunes. The album's highlight is "Why Must I Cry," a multi-layered song (co-written with Bob Marley) that conveys a sense of personal failure when fighting an uphill battle, whether it be against injustices of the world or within the confines of a relationship. Legalize It cemented Tosh's position as a giant in reggae, and the album is one of the best albums of the genre.
Wikipedia Legalize It is an album and song by Peter Tosh. Legalize It was Tosh's debut album as a solo artist after leaving The Wailers. It was recorded at Treasure Isle and Randy's, Kingston, Jamaica in 1975 and released in Jamaica in the same year. Legalize It is one of the two solo albums released in 1976 by Wailers members, along with Bunny Wailer's album Blackheart Man. Bob Marley and his new Wailers also released Rastaman Vibration.
The song was written in response to his ongoing victimization by the Jamaican police and as a political piece pushing for the legalization of cannabis, particularly for medical use. In 1977, Tosh backed this up by saying 'We are the victims of Rasclot circumstances. Victimization, colonialism, gonna lead to bloodbath'. Tosh also said 'Herb will become like cigarettes', in an NME interview in 1978. The title track was banned when released in Jamaica in 1975. Attempts to suppress the song failed, however, catapulting Tosh to international fame.
The album was included in the book 1001 Albums You Must Hear Before You Die.
Track listing All tracks composed by Peter Tosh; except where indicated
"Legalize It" - 4:35 "Burial" (Tosh, Bunny Livingston) - 3:54 "What'cha Gonna Do?" - 2:25 "No Sympathy" - 4:35 "Why Must I Cry" (Tosh, Marley) - 3:08 "Igziabeher (Let Jah Be Praised)" - 4:37 "Ketchy Shuby" - 4:53 "Till Your Well Runs Dry" (Tosh, Livingston) - 6:09 "Brand New Second Hand" - 4:03

• All records are packed carefully in MusicMax or similar with card stiffeners and/or bubblewrap. 
• Record supplied with a poly inner - new if not already present, packed separately to sleeve in outer poly cover to preserve its condition.
• Dispatched promptly. 

Mint (M)   Absolutely perfect in every way. Certainly never been played, possibly even still sealed. Should be used sparingly as a grade, If at all.

Near Mint (NM or M-)   A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly)that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap. 

Very Good Plus (VG+)   Generally worth 50 percent of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.

Very Good (VG)   Generally worth 25 percent of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them. 

Good (G), Good Plus (G+)   Generally worth 10-15 percent of the Near Mint value. Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. It is a common item, you'll probably find another copy in better shape eventually. Pass it up. But, if it's something you have been seeking for years, and the price is right, get it...but keep looking to upgrade.

Poor (P), Fair (F)   Generally worth 0-5 percent of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon.