Passengers ?– Original Soundtracks 1 UK Vinyl LP (NM/NM) U2 Brian Eno
£
32
$
42
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Description
Cover and vinyl in near mint condition - promo stickers and cellopane wrap still on sleeve, check out my 100% feedback.
Passengers ?– Original Soundtracks 1
Label: Island Records ?– 524 166-1, Island Records ?– ILPS 8043 Format: Vinyl, LPCountry: Europe Released: 06 Nov 1995 Genre: Electronic, Rock Style: Alternative Rock, Pop Rock, Experimental, Ambient
Tracklist Hide Credits
A1 United Colours Saxophone – David Herbert (2) Synthesizer – Larry Mullen Jr.* A2 Slug A3 Your Blue Room Narrator – Adam Clayton Organ – Edge, The A4 Always Forever Now Arranged By [Strings] – Paul Barrett Sequenced By – Des Broadbery A5 A Different Kind Of Blue Vocals – Brian Eno A6 Beach Sequence Piano – Bono B1 Miss Sarajevo Arranged By [Strings] – Craig Armstrong Vocals – Luciano Pavarotti B2 Ito Okashi Vocals, Written-By – Holi (2) B3 One Minute Warning Synthesizer – Holger Zschenderlein Voice – Holi (2) B4 Corpse (These Chains Are Way Too Long) Saxophone – David Herbert (2) Vocals – Edge, The B5 Elvis Ate America Engineer [Assistant] – Fiach Cooling Engineer, Vocals [Call Vocal], Written-by – Howie B. B6 Plot 180 B7 Theme From The Swan B8 Theme From Let's Go NativeCredits
- Artwork By [Apple Mapping] – Rob Crane
- Artwork By [Cutting Floor] – Richard Baker
- Artwork By [Front Cover Illustration] – Theodor Rotrekl
- Artwork By [Sleeve & Concept] – Brian Eno, Cally
- Bass – Adam Clayton
- Chorus, Sequenced By, Synthesizer, Other [Strategies, Treatments] – Brian Eno
- Coordinator [Studio Co-ordinator] – David Herbert (2)
- Drums, Percussion – Larry Mullen Jr.*
- Edited By – Brian Eno, Rob Kirwan
- Edited By [Digital] – Stewart Whitmore
- Engineer – Danton Supple (tracks: A1 to B4, B6 to B8)
- Engineer [Assistant At Metropolis] – Ruadhri Cushnan
- Engineer [Assistant] – Rob Kirwan
- Guitar, Chorus – Edge, The
- Management [Album Production Manager] – Anne-Louise Kelly
- Management [Assistant Album Production Manager] – Candida Bottaci
- Mastered By – Arnie Acosta
- Mixed By – Brian Eno, Howie B.
- Recorded By [Assistant On Original Recordings] – Lee Philips
- Scratches, Other [Treatmens] – Howie B.
- Technician [Post Production] – Cheryl Engels
- Technician [Studio Crew] – Dallas Schoo, Dennis Sheehan, Des Broadbery, Fraser McAlister, Rab McAllister, Rob Kirwan, Sam O'Sullivan, Stuart Morgan
- Vocals, Guitar – Bono
- Written-By – Adam Clayton, Bono, Brian Eno, Edge, The, Larry Mullen Jr.*
Notes
Original Soundtracks 1:1: From The Film "United Colours Of Plutonium"
2: From "Slug" (Peter Von Heineken, Germany)
3: From "Par-Delà Les Nuages/Beyond The Clouds" (Michelangelo Antonioni, Wim Wenders, Italy)
4: End Titles From "Always Forever Now" (John Leng Qi, Hong Kong)
5: From "An Ordinary Day" (Lurlene Clewman, USA)
6: From From "Par-Delà Les Nuages/Beyond The Clouds" (Michelangelo Antonioni, Wim Wenders, Italy)
7: From The Film "Miss Sarajevo" (Bill Carter, USA)
8: From "Ito Okashi/Something Beautiful" (Rita Takashina, Fukushima)
9: From "Ghost In The Shell" (Mamuri Oshii, Japan)
10: From "Gibigiane/Reflections" (Aldo Gianniccolo, Milan)
11: From The Film "Elvis Ate America" (Jeff Koons, New York)
12: From "Hypnotize (Love Me 'Til Dawn)" (Peter Sedgeley, London)
13: From "The Swan" (Joseph Mamat, Hungary)
14: From "Let's Go Native" (Rodger Vuijkers, South Africa, Unreleased)
Recorded and mixed at Westside Studios (London) and Hanover, Dublin.
Vinyl Ratings
Mint - Basically perfect, should look like it has just left the manufacturer. No scuffs or scratches, no marks what so ever. In other words, very hard to find 2nd hand that come like this.
Near Mint - Very minor scuffs or scratches due to storage and the removing of vinyl from inner sleeve. Obvious signs of care taken with this record during it lifetime.
Excellent - A few scuffs may be visible but nothing that looks like deep scratches. The playing of this vinyl should not be affected due to scuffs.
Very Good - There maybe a few crackles and pops when playing this record but nothing that should deter you from the pleasure of listening. The surface of the vinyl may have signs of heavy use such as fading or quite a few surface scuffs. Scratches may even be seen on the vinyl but nothing that will deteriate the quality of the music to much.
Good - Obvious signs of heavy use but should still play. The surface of this record has is starting to look very dull and faded as well as more scuffs and scratches. There maybe some surface noise such as popping or crackling but should still play to an enjoyable level.
Cover Ratings
Mint - Has no marks on the cover or impressions. Looks like it has just been made.
Near Mint - The cover looks in great condition with only a few minor signs or age or wear. Minor impressions made by the vinyl inside but the artwork has not been affected.
Excellent - The covers artwork should still be as close as it can be when first made. Slight creasing to the corners but nothing to bad. Minor record impression wear but ink to cover not affected. Corners also show signs of wear due to use of record.
Very Good - These cover have signs of use such as being worn. The artwork on the cover may have deteriated due to use of record and also the vinyl inside. The seams may be splitting but not completely torn. Corners show signs of quite abit of use such as scuffing and creasing. There maybe some writing on the cover or signs of price tag removal (slight tear in artwork ink to reveal cardboard underneath) but nothing too big.
Good - This cover has seen better days but is still in one peice. May have tape holding it together but nothing that looks bad to the eye. Artwork is still noticeable but will have signs of either aging or heavy use. Corners to cover are creased and scuffed but hold together.
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