Panic at the Disco "Vices & Virtues" LP /1500 OOP Maroon Fall Out Boy Paramore
$
75
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Description
Panic at the Disco "Vices & Virtues" LP Decaydance/Fueled By Ramen (US)
Vinyl is NM, Jacket is NM in shrink
Out of Print!
Pressed on Maroon Wax!!
Track Listing:
A1 The Ballad Of Mona Lisa 3:47 A2 Let's Kill Tonight 3:34 A3 Hurricane 4:25 A4 Memories 3:26 A5 Trade Mistakes 3:36 B1 Ready To Go (Get Me Out Of My Mind) 3:37 B2 Always 2:34 B3 The Calendar 4:43 B4 Sarah Smiles 3:36 B5 Nearly Witches (Ever Since We Met...) 4:16Panic! at the Disco (stylized for a time as Panic at the Disco) is an American rock band from Las Vegas, Nevada, formed in 2004. Since its inception, the band's line-up has included Brendon Urie (lead vocals, guitar, piano) and Spencer Smith (drums), and currently includes bass guitarist Dallon Weekes. During live performances the band is joined by touring guitarist Kenneth Harris.
Founded by childhood friends, Ryan Ross, Spencer Smith, Brent Wilson and Brendon Urie, Panic! at the Disco recorded its first demos while its members were all in high school. Shortly after, the band recorded and released its debut studio album, A Fever You Can't Sweat Out (2005). Made known by the top ten lead single, "I Write Sins Not Tragedies", the album eventually was certified double platinum in the US. In 2006, founding bassist Brent Wilson was fired from the band during an extensive world tour, and subsequently replaced by Jon Walker.
Influenced by 1960s rock bands, The Beatles, The Zombies and The Beach Boys, and preceded by the hit single, "Nine in the Afternoon", the band's second studio album, Pretty. Odd. (2008), marked a significant departure from the sound of the band's debut, and ultimately lead to the departure of guitarist and principal songwriter Ryan Ross and bassist Jon Walker, who favored the band's new direction. The duo subsequently formed a new band, The Young Veins, leaving Brendon Urie and Spencer Smith as the sole remaining members of the band.
Continuing as a duo, the band released a new single, "New Perspective", and recruited Dallon Weekes (bass) and Ian Crawford (guitar) to accompany the band during live performances. The band's third studio album, Vices & Virtues (2011), marked a return to the band's initial Vaudevillian pop-punk sound and was recorded solely by Urie and Spencer with producers John Feldmann and Butch Walker.
In 2012, the band added touring bassist Weekes to its core line-up, rendering the band a three-piece, and released its fourth studio album, Too Weird to Live, Too Rare to Die!, in 2013.
Urie and Ross performing in support of Pretty. Odd. in Houston, Texas, April 2008.After a short period of development regarding the ideas of the album, on March 6, 2007 the band arrived at a cabin in the rural mountains of Mount Charleston, Nevada and began the writing process for the new album. After recording the new tracks and performing them live over the summer, the band returned to their native Las Vegas as well as their old rehearsal studio, where they wrote their debut record. The band grew uninterested in the songs previously written and by August scrapped the entire new album (which Ross later revealed was "three-quarters" done) and started over. "We wanted to approach these songs in the most basic form," Ross said. "We wrote them all on one acoustic guitar and with someone singing. I think that we kind of skipped that part of songwriting on the first record, and this time we're sort of paying attention to that. […] We've written a bunch of songs since we've been home [Las Vegas]. I think it's the most fun and the happiest we've been since we started." With simplicity the new focus and the old album shelved, the group settled in and began recording what would become Pretty. Odd. In October, the band entered the Studio at the Palms at the Palms Casino Resort in Las Vegas to begin recording the album.
In January 2008, the band unveiled a new logo and dropped the exclamation point from their name, becoming Panic at the Disco, which soon caused outrage among the band's fan base. Released on March 21, 2008, Pretty. Odd. was described by the band as "more organic and mellower" than A Fever You Can't Sweat Out, as well as unintentionally and coincidentally similar to music of The Beatles, in both songwriting and scope. The record debuted at number two on the US Billboard 200 chart, with first-day sales of 54,000, and first-week sales of 139,000 copies in the United States. Those figures marked the band's biggest sales week to that date, beating a previous record held by A Fever You Can't Sweat Out (which sold 45,000 during the winter of 2006). The record also debuted at "Current Alternative Albums" chart and No. 2 on the "Digital Albums" chart, the latter of which accounted for 26 percent of the disc's overall sales. The album charted high in various other countries and was eventually certified gold in the United Kingdom, however, Pretty. Odd. received relatively disappointing sales in the face of its predecessor. Pretty. Odd. was, however, critically acclaimed in contrast to Fever: Barry Walters of Spin called Panic's debut album "embarrassing" while regarding the new record as "[daring] to be optimistically beautiful at a time when sadness and ugliness might have won them easier credibility."
The band announced plans to headline the 2008 Honda Civic Tour in January 2008, which took up the majority of early touring for the album. Motion City Soundtrack, The Hush Sound and Phantom Planet opened for the tour, which April 10 to July 14, 2008 across North America. Throughout October and November 2008, the band toured with Dashboard Confessional and The Cab on the Rock Band Live Tour promoting the video game Rock Band 2.
As expected and predicted by several music publications, the band adopted a very different style for the touring in support of Pretty. Odd., in contrast to the dark, circus-themed elements of their previous stage shows. Each show contained "woodsy set pieces, projections of flora and fauna, and mic stands wrapped in lights and flowers," and each band member dressed in a vest. While reflecting on the theatrical nature of A Fever You Can't Sweat Out touring, Urie commented "We did it and it was a lot of fun when we did it, but this time around I think we wanted to get back to a more intimate, personal setting, and scale it down a little bit." Ryan Ross explained that "It's more about connecting with the audience and seeing what's gonna happen every night. It's not as scripted out and pre-planned. It makes it more exciting for us, and less monotonous every night." A live album, ...Live in Chicago, based on live recordings from Chicago during the Honda Civic Tour, was released December 2, 2008. An accompanying DVD contains photos from the tour, each music video from the album as well as behind-the-scenes footage of the videos and the tour, the short film Panic! at the Disco In: American Valley, and the documentary feature based on the tour, All In A Day's.
Pretty. Odd.'s touring was also defined by a larger effort to remain environmentally conscious. On the tour, the band worked with two non-profit eco organizations: Reverb, which facilitates environmentally friendly touring; and Global Inheritance, which seeks to inspire more eco-activism. In a 2008 interview, Ross revealed that the band traveling on a biodiesel bus, to re-using plastics, and recycling more backstage. The band went as far as to print tour booklets on recycled paper, with soy ink, and organize an "eco-contest," in which profits from the tour went straight to environmental organizations.
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