PINK FLOYD. "THE WALL" DOUBLE LP, UK 1979. HARVEST LABEL. G/F ORIG.
  £   75
  $   99   

 


£ 75   (best offer accepted)   Sold For
May 17, 2025 Sold Date
Sep 25, 2022 Start Date
1 Number Of Bids
  Great Britain Country Of Seller
eBay Sold at
 
save auction  

Description

Pink Floyd ‎– The Wall Label: Harvest ‎– SHDW 411 Format: 2 × Vinyl, LP, Album Country: UK Released: 1979 Genre: Rock Style: Prog Rock The Wall (Vinyl, LP, Album) for sale More Images
Tracklist Position Title/Credits Duration A1 In The Flesh? A2 The Thin Ice A3 Another Brick In The Wall (Part 1) A4 The Happiest Days Of Our Lives A5 Another Brick In The Wall (Part 2) A6 Mother B1 Goodbye Blue Sky B2 Empty Spaces B3 Young Lust Written-By – Gilmour*, Waters* B4 One Of My Turns B5 Don't Leave Me Now B6 Another Brick In The Wall Part 3 B7 Goodbye Cruel World C1 Hey You C2 Is There Anybody Out There? C3 Nobody Home C4 Vera C5 Bring The Boys Back Home C6 Comfortably Numb Written-By – Gilmour*, Waters* D1 The Show Must Go On D2 In The Flesh D3 Run Like Hell Written-By – Gilmour*, Waters* D4 Waiting For The Worms D5 Stop D6 The Trial Written-By – Ezrin*, Waters* D7 Outside The Wall Companies, etc. Record Company – EMI Records Ltd. Phonographic Copyright (p) – Pink Floyd Music Ltd. Copyright (c) – Pink Floyd Music Publishers Ltd. Recorded At – Super Bear Studios Recorded At – Producers Workshop Recorded At – CBS Studios, New York Mastered At – The Mastering Lab Pressed By – EMI Records Credits Arranged By [Orchestra] – Michael Kamen Backing Vocals – Bruce Johnston, Islington Green School, Jim Haas, Joe Chemay, John Joyce*, Stan Farber, Toni Tennille Co-producer, Engineer – James Guthrie Design [Sleeve] – Gerald Scarfe Engineer – Brian Christian, John McClure, Nick Griffiths, Patrice Quef, Rick Hart Mastered By [Uncredited] – Doug Sax Performer, Drums [Uncredited], Percussion [Uncredited] – Nick Mason Performer, Piano [Uncredited], Organ [Uncredited], Synthesizer [Uncredited], Clavinet [Uncredited], Pedalboard [Bass Pedals, Uncredited] – Richard Wright Producer, Arranged By [Orchestra] – Bob Ezrin Producer, Design [Sleeve], Performer, Vocals [Uncredited], Bass [Uncredited], Synthesizer [Uncredited], Guitar [Uncredited] – Roger Waters Producer, Performer, Guitar [Uncredited], Vocals [Uncredited], Bass [Uncredited], Sequencer [Uncredited], Synthesizer [Uncredited], Clavinet [Uncredited], Percussion [Uncredited] – David Gilmour Technician [Sound Equipment] – Phil Taylor (5) Written-By – Roger Waters (tracks: A1 to B2, B4 to C5, D1, D2, D4, D5, D7) Notes Gatefold sleeve with plastic 'sticker' that adheres to the sleeve, but is not permanently stuck on. Band members are listed inside the sleeve, below the songwriting credits. Inner sleeves also feature the "Wall" design with lyrics (graphics by Gerald Scarfe). The track order on the inners is not the same as featured on the album.
Recorded at Superbear Miravel, France Producers Workshop Los Angeles C.B.S. New York between April and November 1979.
Three different catalog numbers, one for the album and one for each disc: SHDW 411 = album OC-158 63410 SHSP 4111 = disc 1 OC-158 63411 SHSP 4112 = disc 2


The Wall Review by Rovi Staff  [-] The Wall was Roger Waters' crowning accomplishment in Pink Floyd. It documented the rise and fall of a rock star (named Pink Floyd), based on Waters' own experiences and the tendencies he'd observed in people around him. By then, the bassist had firm control of the group's direction, working mostly alongside David Gilmour and bringing in producer Bob Ezrin as an outside collaborator. Drummer Nick Mason was barely involved, while keyboardist Rick Wright seemed to be completely out of the picture. Still, The Wall was a mighty, sprawling affair, featuring 26 songs with vocals: nearly as many as all previous Floyd albums combined. The story revolves around the fictional Pink Floyd's isolation behind a psychological wall. The wall grows as various parts of his life spin out of control, and he grows incapable of dealing with his neuroses. The album opens by welcoming the unwitting listener to Floyd's show ("In the Flesh?"), then turns back to childhood memories of his father's death in World War II ("Another Brick in the Wall, Pt. 1"), his mother's over protectiveness ("Mother"), and his fascination with and fear of sex ("Young Lust"). By the time "Goodbye Cruel World" closes the first disc, the wall is built and Pink is trapped in the midst of a mental breakdown. On disc two, the gentle acoustic phrasings of "Is There Anybody Out There?" and the lilting orchestrations of "Nobody Home" reinforce Floyd's feeling of isolation. When his record company uses drugs to coax him to perform ("Comfortably Numb"), his onstage persona is transformed into a homophobic, race-baiting fascist ("In the Flesh"). In "The Trial," he mentally prosecutes himself, and the wall comes tumbling down. This ambitious concept album was an across-the-board smash, topping the Billboard album chart for 15 weeks in 1980. The single "Another Brick in the Wall, Pt. 2" was the country's best-seller for four weeks. The Wall spawned an elaborate stage show (so elaborate, in fact, that the band was able to bring it to only a few cities) and a full-length film. It also marked the last time Waters and Gilmour would work together as equal partners.


price rating