PHAROAH SANDERS "Love In Us All" LP NM/VG+ 1974 White Label Promo, Gatefold QUAD
$
25
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Description
Condition: To my NON US customers, do NOT ask me to alter / change the declared value of your purchase for purposes of avoiding taxes in your country. I will NOT do so.
AMG Review by Nathan Bush [-]
Recorded near the end of Pharoah Sanders' tenure at Impulse, Love in Us All consists of two extended compositions. Together, they serve as an aural representation of the way Sanders' music polarized the jazz world at the time. Like many of his "New Thing" peers, the saxophonist sought the sound world beyond the constraints of conventional harmony. This often translated into music played at the grating, far reaches of his instrument. "To John" finds Sanders in this territory. His solo begins with Coltrane-isms of short motive development before stretching out into a more personal sound. Finding himself engulfed by a rising musical tide, he plays like he's fighting desperately to stay above it. Soon his saxophone takes on a sorrowful tone as if admitting inevitable defeat. With little optimism apparent, it ultimately communicates a sense of emptiness. However, the often one-dimensional criticism of Sanders as an angry, confrontational musician fails to take in the ragged beauty of a work like "Love Is Everywhere." The song offers little explanation as to what the furor was all about. It begins with an exquisite bass vamp that the song builds from. "Love is everywhere" is repeatedly and passionately shouted as the music escalates into a disorienting swirl of sound. Sanders enters midway through with a surprisingly restrained and lyrical solo on soprano. These two songs hardly seem to belong on the same album and are best approached separately. Many of the players who took musical and philosophical inspiration from John Coltrane failed to translate it into resonant works of their own. Sanders' unsuccessful attempt on "To John" falls in this category. Yet, in a way, Coltrane himself never created a work as emotionally direct as "Love Is Everywhere."
Pharoah Sanders ?– Love In Us All
Label: Impulse! ?– ASD-9280 Format: Vinyl, LP, Album, Quadraphonic, Promo, StereoCountry: US Released: 1974 Genre: Jazz Style:
Tracklist
A Love Is Everywhere 20:03 B To John 20:45See our other EBAY auctions by using search by seller and using “record collector michigan”
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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