EVERYTHING'S EVENTUAL VINYL

**SEALED ORIGINAL NUMBERED LP**

**45 rpm 1/2 Speed Mastering**

3-LPs

Side F "Etched"

**PETER GABRIEL**

 

**US**

#007556

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Peter Gabriel ?– Us

Label: Real World Records ?– PGLPR7X Format: 2 × Vinyl, LP, 45 RPM 
Vinyl, LP, 45 RPM, Single Sided, Etched 
All Media, Album, Deluxe Edition, Limited Edition, Numbered, Reissue, Remastered, Half Speed Remaster 
Country: UK & Europe Released: 15 Jul 2016 Genre: Electronic, Rock, Funk / Soul Style: Pop Rock, Art Rock, Downtempo, Funk

TracklistHide Credits

A1 Come Talk To Me Bagpipes – Chris OrmstonBass [Chorus] – Tony LevinDrums – Manu KatchéDrums [Sabar Drums] – The Babacar Faye DrummersDuduk [Doudouk] – Levon MinassianGuitar – David RhodesGuitar, Shaker, Vocals [Additional] – Daniel LanoisKeyboards [Additional - Verse] – Richard BlairLoops [Drum Loop] – Doudou N'Diaye RoseProgrammed By – David BottrillVocals – Sinéad O'Connor, The Dmitri Pokrovsky Ensemble 7:04 A2 Love To Be Loved Arranged By [Strings] – Caroline Lavelle, Jonny Dollar, Wil MaloneBass – Tony LevinCello – Caroline LavelleDrums [Hand Drum] – Daryl JohnsonElectronic Drums – Manu KatchéEngineer [Additional] – Richard Evans (3)Guitar – Bill Dillon, David RhodesKeyboards [Additional] – Brian EnoProgrammed By – David Bottrill, William OrbitTabla – Hossam RamzyViolin – Shankar 5:16 B1 Blood Of Eden Bass – Tony LevinDuduk [Doudouk] – Levon MinassianGuitar [Bridge] – Gus IsidoreHihat – Daniel LanoisMixed By [Bridge Section] – Richard ChappellProgrammed By – David BottrillProgrammed By [Additional] – Richard BlairTwelve-String Guitar – David RhodesViolin – ShankarVocals – Daniel Lanois, Sinéad O'Connor 6:35 B2 Steam Arranged By [Horns] – Daniel Lanois, Peter GabrielBass – Tony LevinDrums [Sabar] – The Babacar Faye DrummersElectronic Drums – Manu KatchéGuitar – David Rhodes, Leo NocentelliProgrammed By – David Bottrill, Richard BlairSaxophone – Reggie Houston, Tim Green (3)Trombone – Renard Poche* 6:02 C1 Only Us Bass – Tony LevinElectronic Drums – Manu KatchéGuitar – Bill Dillon, David RhodesNey – Kudsi ErgunerProgrammed By – Richard BlairProgrammed By [Additional] – David Bottrill, William OrbitViolin – ShankarVocals – Ayub Ogada 6:30 C2 Washing Of The Water Arranged By [Horns] – Malcolm BurnArranged By [Strings] – Jonny Dollar, Wil MaloneBass – Tony LevinCello – Caroline LavelleDrums – Manu KatchéRecorded By [Horns] – Mark HowardSaxophone – Reggie Houston, Tim Green (3) 3:50 D1 Digging In The Dirt Bass – Tony LevinDjembe – Babacar FayeDrums – Manu KatchéGuitar – David Rhodes, Leo NocentelliProgrammed By – David Bottrill, Richard BlairSurdo [Surdu] – Hossam RamzyTalking Drum [Tama] – Assane ThiamVocals – Ayub Ogada, Peter Hammill, Richard Macphail 5:16 D2 Fourteen Black Paintings Djembe – Babacar FayeDobro – Daniel LanoisDuduk [Doudouk] – Levon MinassianGuitar – David RhodesMandolin, Engineer [Mix] – Richard Evans (3)Surdo [Surdu], Bass, Keyboards – John Paul JonesTalking Drum – Assane ThiamViolin – Shankar 4:36 E1 Kiss That Frog Guitar – David RhodesLoops [Additional Percussion Loop] – The Adzido DrummersProgrammed By – Richard BlairProgrammed By [Additional] – David BottrillShaker [Senegalese Shakers] – Manny EliasVocals – Marilyn McFarlane 5:17 E2 Secret World Bass – Tony LevinCello – Caroline LavelleElectronic Drums, Percussion – Manu KatchéGuitar – David RhodesGuitar [Telecaster], Dobro – Daniel LanoisLoops [Drum Loop] – Doudou N'Diaye RoseProgrammed By – David BottrillSynthesizer [Additional Synth Cello], Producer [Additional Production Ideas] – Malcolm Burn 7:01

Companies, etc.

• Phonographic Copyright (p) – Peter Gabriel Ltd.
• Copyright (c) – Peter Gabriel Ltd.
• Licensed To – Virgin Records Ltd.
• Published By – Real World Music Ltd.
• Recorded At – Real World Studios
• Recorded At – Kingsway Studios, New Orleans
• Recorded At – Studio 2000 (2)
• Mixed At – Real World Studios
• Remastered At – Metropolis Mastering
• Lacquer Cut At – Alchemy Mastering

Credits

• A&R – Gary Gersh, Simon Draper
• Art Direction [Visual Artist Liaison] – Tamar Arnon
• Art Direction [Visual Coodination] – Mike Coulson*, Nichola Bruce
• Artwork [Chaos Artist] – Gordon Aldred
• CGI Artist [Digital Image Remix] – Luca (38)
• Crew [Assistant To Peter Gabriel] – Annie Parsons
• Design [Sleeve Design] – Assorted Images, Malcolm Garrett
• Engineer [Additional] – Richard Blair
• Engineer [Recording, Mix], Edited By [Digital Editing By] – David Bottrill
• Lacquer Cut By – Matt Colton
• Management – Stephen Hedges
• Management [Assisted By] – Fizle Sagar, Paula Bonhomme
• Mastered By – Ian Cooper, Tony Cousins
• Other [Extra Brainstorming] – Brian Eno
• Photography By – David Scheinmann
• Producer – Daniel Lanois, Peter Gabriel
• Technician [Additional Studio Assistance] – Ben Findlay, Richard Chappell
• Technician [Technical Support] – Brian Gray (5), Paul Mahon (2), Pete Holmes (5), Sue Coulson

Notes

The album has been Half-Speed Remastered and cut to lacquers at 45RPM to deliver maximum dynamic range in the sound. The vinyl was cut by Matt Colton at Alchemy Mastering, mastered by Tony Cousins at Metropolis and overseen by Peter’s main sound engineer Richard Chappell.

Gatefold sleeves utilise imagery from the original LP inner bags and all images are newly re-scanned. The album also contains a download card with a choice of digital download (Hi-Res 24bit/96k or 16bit/44.1k).

The album is a Limited Edition and individually Numbered.

All tracks published by Real World Music Ltd

 

Tracks Include : see above 

CONDITION

 

Jacket:  NM- (tears to shrink: Top Center and bottom left corner)

Vinyl: NEW AND SEALED

   

 

SEALED LIMITED EDITION NUMBERED PRESSING

 

****PETER GABRIEL****

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PLEASE READ: GRADING AND EVALAUTION

Grading records is not a ‘Scientific’ exercise, instead it is a subjective activity. I do my best to listen carefully to both sides of the record before grading based on the listening experience. Flaws, if any, that I hear will be reflected in the grade rating, and if noteworthy, will be mentioned. The nature of how records are played (i.e. physical contact between the moving grooves and the stylus tip) makes it a medium where flaws are often inherent in the process. Also, please keep in mind that there may well be subtle differences between turntables. Records are not the ‘sterile’ medium of CDs. Flaws generally range from somewhat normal quiet background noise in run-ins between tracks to more serious issues such as pressing flaws, groove wear, skips, repeats and long scratches producing consistent ticks or pops.

I try to follow a grading system similar to Goldmine where I will have NM, NM-, VG+, VG, VG- etc. I may also have combinations such as VG+/NM-. Generally, I do not sell records below the VG+ rating unless somewhat rare, in which case I will point out the issues.

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