PERCY THRILLINGTON Thrillington LP CAPITOL 1977 US orig BEATLES-PAUL McCARTNEY
  £   102
  $   135

 


£ 102 Sold For
Feb 24, 2016 Sold Date
Feb 14, 2016 Start Date
£   75 Start price
5   Number Of Bids
  Italy Country Of Seller
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Description

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PERCY 'THRILLS' THRILLINGTON

 Album by Paul McCartney, under the pseudonym of Percy "Thrills" Thrillington.

The album is an instrumental cover version of Paul and Linda McCartney's 1971 album, Ram.

"THRILLINGTON"

Produced by PERCY 'THRILLS' THRILLINGTON

1977    LP     CAPITOL RECORDS    STEREO  ST-11642

PRINTED IN U.S.A.    ORIGINAL PRESSING

Barcode and Other Identifiers

Barcode: none

LABEL:  CAPITOL -  PURPLE LABEL - SILVER TEXT

Catalog on cover: ST-11642 

Catalog on labels: ST-11642 [(ST 1-11642) / (ST 2-11642)]

Matrix / Runout (Side A, Etched): ST-1-11642 J-2

Matrix / Runout (Side B, Etched): ST-2-11642 J-2

   Other, on both sides: (Etched): JAY   (Stamped): MASTERED BY CAPITOL

On labels: Produced by  Percy "Thrills" Thrillington

Recorded in England

? 1977 MPL Communications, Inc.

top rim text reads "MFD. by Capitol Records, Inc...."

On back cover: Orchestra arranged and conducted by: Richard Hewson

Recorded at: Abbey Road Studios EMI

Printed in U.S.A.

from my records collection

tracklisting

Side A: TOO MANY PEOPLE - 3 LEGS - RAM ON - DEAR BOY

UNCLE ALBERT/ADMIRAL HALSEY - SMILE AWAY

Side B: HEART OF THE COUNTRY - MONKBERRY MOON DELIGHT

EAT AT HOME - LONG HAIRED LADY - BACK SEAT OF MY CAR

  grading

RECORD  from VG to VG(+) but (please, read above description)

SLEEVE VG but (please, see pictures and read above description)

The Thrillington album is one of the few genuinely rare, legitimate commercial LP releases 

in Paul McCartney's output, mostly a result of its never having been officially credited to McCartney 

or publicized as one of his releases. An orchestral/instrumental version 

of Paul & Linda McCartney's Ram album, Thrillington is a very potent work in its own right. 

Arranged and conducted by Richard Hewson, it avoids the temptation to deliver flaccid elevator music, 

in favor of very precise playing and finely detailed arrangements. The orchestrations incorporate 

elements of big-band swing and very elegantly realized pop music, with occasional backing 

by scatted and vamped choruses, courtesy of the Swingle Singers, 

who call up memories of the Hi-Los at various points here...(AllMusic)




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