PEARL JAM YIELD ALICE IN CHAINS IN SHRINK NM- / NM- OOP
  $   82

 


$ 82 Sold For
Aug 30, 2010 Sold Date
Aug 23, 2010 Start Date
$   80 Start price
3   Number Of Bids
  USA Country Of Seller
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Description



PEARL JAM

                                    YIELD 

                              IN SHRINK WRAP

Pearl Jam: Eddie Vedder (vocals, guitar); Stone Gossard, Mike McCready (guitar); Jeff Ament (bass); Jack Irons (drums).
Recorded at Studio Litho and Bad Animals, Seattle, Washington; Southern Tracks Recording and Doppler, Atlanta, Georgia.
"Do The Evolution" was nominated for the 1999 Grammy Award for Best Hard Rock Performance and Best Short Form Music Video. YIELD was nominated for the 1999 Grammy Award for Best Recording Package.
Personnel: Eddie Vedder (vocals, guitar); Mike McCready, Stone Gossard (guitar); Jack Irons (drums).
Audio Mixers: Nick DiDia; Brendan O'Brien.
Recording information: Jack Irons Home; Southern Tracks Recording And Doppler, Atlanta, GA; Studio Litho, Seattle, WA; Studio X, Seattle, WA.
Photographers: J. Glacier; Jerry Gay; Greg Montijo; Jeff Ament.
Nay-sayers and trends be damned. Pearl Jam's follow-up to 1996's NO CODE continues down the path of aggressive rock and roll, existential musings and musical experimentation. This isn't your older brother's grunge. Opening with the hard-driving "Brain Of J," YIELD goes from a punky swagger representing man's arrogance in asserting his lofty place on the food chain ("Do The Evolution") to a free jazz approach and a disembodied Vedder vocal questioning the meaning of life ("Push Me, Pull Me").
Most of YIELD continues to ply the standard Pearl Jam sound: Vedder's pained emoting, the interesting use of dynamics between McCready and Gossard's guitars and solid rhythm-work from the Ament/Irons rhythm section. Rather than falling into the creative rut many huge bands succumb to, Pearl Jam's music has instead developed its own identity while still walking the fringes of the unorthodox. Hence the inclusion of a weird, untitled percussive instrumental cut in Jack Irons' home studio and an Eastern-flavored hidden track pointing towards the influence of the late Nusrat Fateh Ali Khan.

Editorial reviews

4 Stars (out of 5) - ...even the rockers have an uncommonly easy touch that's new to Pearl Jam....Vedder is singing more frankly about his life as an adult....shows that Pearl Jam have made the most out of growing up in public...
Rolling Stone  (02/19/1998)

8 (out of 10) - ...Part touchstone, part pariah, Pearl Jam have tried arty gestures; they've ostentatiously declined to rock; and now they've come back with an album full of gracefully ambivalent anthems. All commodities should be this unstable, and have this much blood pumping through them.
Spin  (03/01/1998)

7 (out of 10) - ...Here's where Pearl Jam put on their diverse boots and stomp across their bluesy roots, careering through various styles and pop-mongous strops...
NME  (01/31/1998)

...an intermittently affecting album that veers between fiery garage rock and rootsy, acoustic-based ruminations. Perhaps mindful of their position as the last alt-rock ambassadors with any degree of clout, they've come up with their most cohesive album since their 1991 debut, TEN... - Rating: B
Entertainment Weekly  (02/06/1998)

 

Track listing

 

1. Brain of J.
2. Faithfull
3. No Way
4. Given to Fly
5. Wishlist
6. Pilate
7. Do the Evolution
8. [Untitled Track]
9. MFC
10. Low Light
11. In Hiding
12. Push Me Pull Me
13. All Those Yesterdays


                    

                    ORIGINAL PRESS            

                       OUT OF PRINT !

 REMOVED FROM SLEEVE FOR PHOTO NEVER PLAYED!                        

                        

 
 

 

 



DIE CUT SLEEVE -NEAR MINT MINUS ( IN SHRINK WRAP) 

( A SOFT CORNER OR TWO )

VINYL - NEAR MINT MINUS 

STICKER- NEAR MINT

inner picture sleeve near mint minus

(side splits due to heavy sharp vinyl)




 COMBINED SHIPPING ONLY .50 CENTS EACH ADDITIONAL ALBUM

See my other lp's: rare Dave Brubeck and Jazz, Arhoolie lps and other rare and hard to find Jerry Garcia, Rolling Stones, Grateful Dead, much much more.  I am in need of money, these are my prized possessions, my loss is your gain.

 

How to Grade   Look at everything about a record. It's playing surface, it's label, it's edges... under a strong light. Then based on your overall impression give it a grade based on the following criteria:  
  • Mint (M)   Absolutely perfect in every way. Certainly never been played, possibly even still sealed.(More on still sealed under "Other Considerations"). Should be used sparingly as a grade, If at all.
  • Near Mint (NM or M-)   A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly)that no record is ever truly perfect.

    The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.

    An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like.

    Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap.

    Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.

     
  • Very Good Plus (VG+)   Generally worth 50 percent of the Near Mint value.

    A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.

    Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK".

    The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play.

    Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.

    In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.

     
  • Very Good (VG)   Generally worth 25 percent of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound.

    Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.

    Goldmine price guides with more than one price will list Very Good as the lowest price. This, not the Near Mint price, should be your guide when determining how much a record is worth, as that is the price a dealer will normally pay you for a Near Mint record.

     
  • Good (G), Good Plus (G+)   Generally worth 10-15 percent of the Near Mint value. Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white).

    A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object.

    It is a common item, you'll probably find another copy in better shape eventually. Pass it up. But, if it's something you have been seeking for years, and the price is right, get it...but keep looking to upgrade.

     
  • Poor (P), Fair (F)   Generally worth 0-5 percent of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon. 

     

 

My records are graded visually unless noted.  Shipping is media rate, second lp ships for $1.00,  priority shipping also available.   

Shipped in boxes made specifically for lps with bubble wrap and a plastic outer sleeve for most lps.
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