PEARL JAM BINAURAL 2xLP on EPIC w/BOOKLET TRIFOLD US ORIG 2000 NM VINYL
  $   183

 


$ 183 Sold For
May 20, 2013 Sold Date
May 10, 2013 Start Date
$   75 Start price
15   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

Here is an EXCELLENT copy of a Pearl Jam 2xLP titled Binaural. It is an original US pressing on the EPIC label, catalog #E2 63665 in STEREO sound from 2000. The vinyls are shiny and black and in NEAR MINT MINUS condition with a couple of wispy sleeve marks that do not affect the playback. The cover is original cardboard in EXCELLENT/VERY GOOD PLUS condition with edge wear, small corner bumps and a little light creasing. It comes with it's UNIQUE BOOKLET and INNER SLEEVES! It is a beautiful copy for you to own. It is an opportunity to purchase this LP in condition! It’s a true gem for the ALTERNATIVE / INDIE / GRUNGE / EDDIE VEDDER PEARL JAM collector!! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO ITALY! International bidders can email me for shipping rates. Thanks for Looking & Good Luck!

Music Review from AllMusic.com by Stephen Thomas Erlewine

If anything, Pearl Jam was even more in the wilderness -- at least as far as the mainstream was concerned -- at the beginning of 2000 than they were in the second half of the '90s. Even with "Last Kiss," their first big hit single since Ten, under their belts, they were an anomaly on the pop and rock scenes. They were the only one of their old grunge colleagues still standing intact, and they were genuinely alone. No peers, and too sincere to even consider fitting into a pop scene dominated by 'N Sync on one side and Limp Bizkit on the other. Not surprisingly, they chose to persevere, ignoring trends, completely in favor of being a classicist rock band. This should come as no surprise, since that's what they've done since No Code and, perhaps, Vitalogy, but the real surprise about their sixth studio album Binaural is that it finds the group roaring back to life without dramatically changing the direction they followed on No Code and Yield. Maybe the addition of a new drummer, former Soundgarden member Matt Cameron, has kicked the band to life, but that unfairly dismisses Jack Irons' worthy contributions. Instead, the difference is focus -- though Pearl Jam is trying a lot of different styles, certainly more so than on Yield, they pull it all off better. The songs are sharper, the production is layered, and the performances are as compassionate as ever, resulting in their finest album since Vitalogy.

 




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