P.C. KENT, P.C. Kent (Upstairs Coming Down) [RCA] UK 1st pressing EXCELLENT- LP

$

70

P.C. Kent?– P.C. Kent (Upstairs Coming Down) Label: RCA Victor ?– SF 8083 Format: Vinyl, LP, Album, Stereo Country: UK Released: 1970 Genre: Rock Style: Folk Rock, Prog Rock, Psychedelic Rock Tracklist A1 Little Baby Won't You Please Come Home, Honey-Child Won't You Just Allow Me One More Change, Please A2 Sweet Suzie Brown Boots A3 Broadened A4 Please Time Please A5 I'm Hanging On A6 We Are The Police B1 Prelude To Brighton Rock B2 One For The Road B3 Suzy B4 After Dark B5 Blue Railway Fields B6 Plastic Wedding Companies etc Manufactured By– RCA Ltd. Credits Arranged By [Orchestrated]– David Palmer (2) (tracks: B6) Drums– John Ward (13) Engineer– Ken Scott, Roger Quested (tracks: B6) Painting– Tony Bond (2) Photography By [Back Cover]– Keith Morris (8) Photography By [Front Cover]– Terence Ibbott Producer– Sandy Robertson Vocals, Bass, Lead Guitar, Acoustic Guitar– Gavin Watson* Vocals, Electric Piano, Piano, Harpsichord– Paul Kent (2) Vocals, Piano, Harpsichord, Bass, Acoustic Guitar– David Richards* Notes Title on cover/labels: "P.C. Kent" Title on rear: "Upstairs Coming Down"

UK FIRST PRESSING VINYL LP IN LAMINATED SLEEVE.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First pressings are made from first generation lacquers and stampers. They usually sound vastly superior to later issues and re-issues (which are often pressed from whatever tapes or digital sources are currently available).

Many recent vinyl pressings claim to be mastered from ‘original tapes’ and are pressed on expensive 180g vinyl. Sonically, they frequently sound disappointing when compared to a decent condition first pressing. All too often, they sound like a CD pressed onto vinyl.

If you want the best analogue reproduction possible from vinyl, it is always a better investment to seek out original pressings in clean playing condition. They nearly always have more immediacy, presence and dynamics. The sound staging is wider, and subtle nuances are better placed with more spacious textures. Balances are firmer in the bottom end with the bass far tighter. Upper-mids shine, and the overall depth is more immersive. Inner details are clearer, and the music tends to sound more ‘alive’.

MATRIX NUMBERS IN RUN-OFF GROOVES: SIDE A: XGBS 02891 / SIDE B: XGBS 02901.

SLEEVE: VERY GOOD BUT HAS A BLUE STICKER ON FRONT, SOME CREASING, SMALL PEN MARK, SHELF, CORNER, RING AND EDGE WEAR.

DISC: EXCELLENT MINUS. NO SCRATCHES AND MINIMAL SPINDLE WEAR, JUST A FEW LIGHT HAIRLINES AND PLAY SCUFFS. CLEAN LABELS. A SPLENDID PLAYING COPY WITH SUPERB AUDIO.

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