PAUL REVERE+THE RAIDERS SPIRIT OF '67 ORIG '67 MONO WHITE LBL PROMO w/TIME STRIP
$
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Description
WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS
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· PAUL REVERE AND THE RAIDERS – THE SPIRIT OF '67 (OBVIOUSLY, A CLEVER PUN ON 'THE SPIRIT OF 1776' -- CHECK THE UNIFORMS) - ORIGINAL 1967 COLUMBIA MONO LP CL-2595
· ORIGINAL U.S. PRESSING
· *** WHITE LABEL PROMO ***
· *** IN ADDITION, THE PROMOTIONAL TIMING STRIP ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***
· ORIGINAL COLUMBIA MONO LABEL, MID-'60s STYLE, WHITE PROMOTIONAL VERSION
· RARE ORIGINAL MONO PRESSING, MANY TIMES RARER THAN STEREO
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1D/-1D'
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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The Spirit of '67, Paul Revere and the Raiders' third gold-selling, Top Ten album to be released in 1966, marked the triumph of the group's in-house writing team of lead singer Mark Lindsay, Paul Revere, and producer Terry Melcher. "Hungry," the Top Ten follow-up to "Kicks," was written, like the earlier hit, by Barry Mann and Cynthia Weil, but Lindsay-Revere-Melcher then hit the Top 40 with "The Great Airplane Strike" and the Top Ten with "Good Thing." (Actually, Revere was not a writer on "Good Thing," as subsequent releases indicated.) Those hits anchored this collection, which was filled out by showcases for bassist Phil Volk and drummer Mark Smith (guitarist Drake Levin had been replaced by Jim Valley), plus some secondary material by the group's leaders. As usual, they were listening closely to their peers, and much of the material had the twangy guitar-rock sound common to 1966, though some of the experimental eclecticism that would lead to the elaborate productions of 1967's Sgt. Pepper psychedelic era was also apparent in songs like "Oh! To Be a Man" and "Undecided Man" (the latter a near-copy of the Beatles' "Eleanor Rigby"). This stylistic trend following did not bode well for the future, but for the moment, Paul Revere and the Raiders were riding high.
(EXCERPT FROM AN ONLINE REVIEW BY WILLIAM RUHLMANN, ALL MUSIC GUIDE /ALLMUSIC.COM/)
THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++. A few light abrasions ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Mono pressing of this title is much rarer, and by far more preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 5:1.
(d) In addition, White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 100:1.
(e) The record comes in the Columbia's stock inner sleeve.
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on back side, apparently from aging (nothing significant).
- Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)
- Cover has a few tiny wrinkles along the spine (BARELY VISIBLE)
- Minor shelf wear noted on the top and bottom seams (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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