PAUL DESMOND DESMOND BLUE RARE ORIG'94 LTD EDITION CLASSIC RECORDS AUDIOPHILE LP

$

22

WE CURRENTLY HAVE  NEARLY 300  LISTED ITEMS

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·       PAUL DESMOND – DESMOND BLUE – RARE, OUT OF PRINT, AUDIOPHILE, ANALOG STEREO PRESSING ON A 180-GRAM, HI-GRADE VIRGIN VINYL' BY CLASSIC RECORDS, OFFICIALLY LICENSED FROM THE RCA/BMG RECORDS– CLASSIC RECORDS STEREO LP LSP-2438 (AUDIOPHILE PRESSING OF THE 1962 RCA VICTOR  RELEASE)

·       CLASSIC RECORDS LIMITED EDITION, 180-GRAM, VIRGIN VINYL AUDIOPHILE PRESSING MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES

·       ORIGINAL U.S. AUDIOPHILE PRESSING

·       ORIGINAL BLACK RCA VICTOR STEREO LABEL WITH "SILVER TOP" [RCA VICTOR’S NAME IS IN SILVER LETTERS], ‘DOGGIE; LOGO ON TOP CENTER OF THE LABEL, AND "LIVING STEREO" INSCRIPTION AT THE BOTTOM OF THE LABEL (CLASSIC LABEL MIMICS THE ORIGINAL 1962 RCA V VICTOR 'LIVING STEREO' LABEL)

·       The record has ►Bernie Grundman initials: (B)ernie (G)rundman clearly stamped or hand-etched in the trail-off vinyl (dead wax) . Feel the Bern!

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. AUDIOPHILE PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER

·       ORIGINAL GLOSSY, LIGHTLY LAMINATED COVER

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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As intended, this album presents alto sax specialist Paul Desmond as never featured before, with the backing of a string orchestra. The record, filled with such beautiful jazz standards as "My Funny Valentine," "I've Got You Under My Skin," and "Body and Soul," is very rich in texture, yet subtle and mellow overall in mood. It's unyielding purpose: to soothe the souls of its listeners. Desmond's style and tone shine with an alluring quality, and the record is filled with melodies that don't fail to stimulate the sophisticated jazz listener. Desmond's melodies are eloquently detailed and charmingly spun in the midst of the string orchestra arranged and conducted by Bob Prince. The legendary Jim Hall is featured as guest guitarist, playing yet another scintillating role and using his classic comping style. Hall is perhaps the most highly respected of all jazz guitarists for his good taste and witty inventiveness. Desmond has always been most familiar to the jazz public for his sweeping scale passages and his seemingly effortless spontaneity during periods of improvisation, although here he is often featured in a more lyrical ballad style on such romantic tunes as "My Funny Valentine," "Late Lament," and "Then I'll Be Tired of You." This album is a highly innovative and meticulously crafted work, reflecting the ongoing success of both Desmond and Hall within the 1960s and the cool jazz period. Both of these musicians spent time working with Dave Brubeck and later lent themselves to many of Antonio Carlos Jobim's bossa nova projects. The arrangements are extraordinary throughout this collection, including the charming "Valentine," which begins with a fantastic Elizabethan flavor. The intro sets up the mood to carry Desmond into the first chorus, which then glides into a 20th century style. The tune "I Should Care" is "a shimmering debt to Ibert and one of the most imaginative blendings you will ever hear of strings, reeds, French horn and harp," according to the liner notes. The tone of the album: lush, reflective, thought-provoking, and soul-stirring. This work is quite a plus for any listener and especially those who consider themselves avid fans of Paul Desmond.

 (EXCERPT FROM AN ONLINE REVIEW BY SHAWN M. HANEY, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

Paul Desmond's sessions away from the Dave Brubeck Quartet were always something special, and Desmond Blue is no exception. By far the most interesting album that the alto saxophonist ever did with an orchestra, no doubt due to the choice of first-rate standards (such as "My Funny Valentine," "Body and Soul," "Ill Wind," and "Like Someone in Love") as well as conductor Bob Prince's thoughtful and never burdensome arrangements, the dependably melodious and inventive Desmond works magic in each of the seven standards and two originals heard here. Accompanied by the equally lyrical guitarist Jim Hall and a rhythm section that alternates between bassists Milt Hinton, George Duvivier, and Gene Cherico and drummers Connie Kay, Bobby Thomas, and Osie Johnson, this is an ideal set to introduce newcomers to jazz without overwhelming them.

 (EXCERPT FROM AN ONLINE REVIEW BY KEN DRYDEN, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·                               CONDITION:

·                               THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)            The record comes in a poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          In addition, the record is pressed on a beautiful, high-quality, virgin-grade vinyl, which is usually used for audiophile, extended-dynamic-range, half-speed mastered and connoisseur pressings.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NEAR MINT !

The following flaws or imperfections are noted on the cover:

-        A small (1 inch) crack (not quite split seam) noted on the spine

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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