PAUL DESMOND DESMOND BLUE MINT ORIG LIVING STEREO LP DG
$
51
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WE CURRENTLY HAVE MORE THAN 1200 LISTED ITEMS. TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES) ►CLICK HERE
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· PAUL DESMOND – DESMOND BLUE – ORIGINAL 1962 RCA VICTOR “LIVING STEREO” LP LSP-2438
· ORIGINAL U.S. PRESSING
· ORIGINAL BLACK RCA VICTOR STEREO LABEL WITH "SILVER TOP" [RCA VICTOR’S NAME IS IN SILVER LETTERS], ‘DOGGIE; LOGO ON TOP CENTER OF THE LABEL, AND "LIVING STEREO" INSCRIPTION AT THE BOTTOM OF THE LABEL
· RARE STEREO PRESSING, MANY TIMES RARER THAN MONO
· DEEP GROOVE PRESSING.
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· This album is NOT:
- (a) later "dynagroove" living stereo (1963-64)
- (b) later pressing on a "white top" doggie label (1964-66)
- (c) any subsequent pressing made after 1966;
· THIS IS THE GENUINE, AUTHENTIC, RCA VICTOR LIVING STEREO ALBUM.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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As intended, this album presents alto sax specialist Paul Desmond as never featured before, with the backing of a string orchestra. The record, filled with such beautiful jazz standards as "My Funny Valentine," "I've Got You Under My Skin," and "Body and Soul," is very rich in texture, yet subtle and mellow overall in mood. It's unyielding purpose: to soothe the souls of its listeners. Desmond's style and tone shine with an alluring quality, and the record is filled with melodies that don't fail to stimulate the sophisticated jazz listener. Desmond's melodies are eloquently detailed and charmingly spun in the midst of the string orchestra arranged and conducted by Bob Prince. The legendary Jim Hall is featured as guest guitarist, playing yet another scintillating role and using his classic comping style. Hall is perhaps the most highly respected of all jazz guitarists for his good taste and witty inventiveness. Desmond has always been most familiar to the jazz public for his sweeping scale passages and his seemingly effortless spontaneity during periods of improvisation, although here he is often featured in a more lyrical ballad style on such romantic tunes as "My Funny Valentine," "Late Lament," and "Then I'll Be Tired of You." This album is a highly innovative and meticulously crafted work, reflecting the ongoing success of both Desmond and Hall within the 1960s and the cool jazz period. Both of these musicians spent time working with Dave Brubeck and later lent themselves to many of Antonio Carlos Jobim's bossa nova projects. The arrangements are extraordinary throughout this collection, including the charming "Valentine," which begins with a fantastic Elizabethan flavor. The intro sets up the mood to carry Desmond into the first chorus, which then glides into a 20th century style. The tune "I Should Care" is "a shimmering debt to Ibert and one of the most imaginative blendings you will ever hear of strings, reeds, French horn and harp," according to the liner notes. The tone of the album: lush, reflective, thought-provoking, and soul-stirring. This work is quite a plus for any listener and especially those who consider themselves avid fans of Paul Desmond.
(EXCERPT FROM AN ONLINE REVIEW BY SHAWN M. HANEY, ALL MUSIC GUIDE /ALLMUSIC.COM/)
Paul Desmond's sessions away from the Dave Brubeck Quartet were always something special, and Desmond Blue is no exception. By far the most interesting album that the alto saxophonist ever did with an orchestra, no doubt due to the choice of first-rate standards (such as "My Funny Valentine," "Body and Soul," "Ill Wind," and "Like Someone in Love") as well as conductor Bob Prince's thoughtful and never burdensome arrangements, the dependably melodious and inventive Desmond works magic in each of the seven standards and two originals heard here. Accompanied by the equally lyrical guitarist Jim Hall and a rhythm section that alternates between bassists Milt Hinton, George Duvivier, and Gene Cherico and drummers Connie Kay, Bobby Thomas, and Osie Johnson, this is an ideal set to introduce newcomers to jazz without overwhelming them.
(EXCERPT FROM AN ONLINE REVIEW BY KEN DRYDEN, ALL MUSIC GUIDE /ALLMUSIC.COM/)
"RCA Living Stereo" recordings - mostly classical, but also a handful of pop and easy listening titles - were made under the supervision of the most knowledgeable technicians and engineers on earth. The sound is simply amazing. Quiet passages are so quiet - and the surface noise so conspicuously absent - that you will not even realize that your stylus has hit the surface of the record until the music starts. The highs are high, and the lows are very low. You are going to need a subwoofer and a hypersensitive tweeter to express some of these tonal ranges appropriately. This is the music for the ears, heart, soul, mind and guts alike.
TO SEE IF WE HAVE OTHER LISTED ITEMS BY PAUL DESMOND ► CLICK HERE
TO SEE OUR OTHER LISTED RCA VICTOR “SHADED DOG” LIVING STEREO AUDIOPHILE PRESSINGS ► CLICK HERE
THIS IS A NO-RESERVE AUCTION!
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CONDITION:
RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(c) The record comes in its original poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!
(d) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(e) Stereo pressing of this title is much rarer, and by far more preferable to its mono counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies by a ratio of at least 3:1.
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3
- Back cover has some nondescript grayish stains which appear to be a minor printing flaw (as if printing press stalled or malfunctioned ). The line you see under the title on the back cover is NOT, repeat, NOT a tear or a cut.
- Minor shelf wear noted on the seams (nothing significant)
- Cover has two corners slightly worn / dinged / bent.
- Cover has a few tiny wrinkles along the spine
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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