Ozzy Osbourne - Bark At The Moon - LP vg+ vg+/ex Black Sabbath cleaned tested

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Competitive pricing is my goal to get rid of the hundred's of Lp's.  I try my best to grade lp's, and on occasion I will play test if time allows... I am trying to clean records that raises my ire of suspicion, but am finding my self these days cleaning everything. My only method of cleaning is a soft brush and cloth and some Audio Advisor product. I do not have a vacuum. I listen with my turntable & needle when I play grade an LP. If a stubborn noise erupts I will then look under a light and microscope. It is quite time consuming. So I may miss a thing or two sometimes on my listings,  but I will always be here to help resolve the issue. All I ask is my buyers realize these points and be rest assured I offer a refund policy but I would prefer you email me so we can work something out first, I may have a back up copy... I have been collecting records since my 20's... Its has been a passion and a part-time hobby, I hope you love and enjoy music as much as I do, and selling is another way to get to know other people with a like minded interest as I. I offer a refund policy, so please give me the opportunity to make good if there is a problem with a transaction. I reserve the right to cancel a transaction after the sale If I find a missed defect on your behalf.
check prices, email me with concerns please.
Jacket vg+ Has a crease on back, otherwise very nice... Record vg+ ~ ex. Plays very nice; looks very nice... insert vg+ No names, warps... LP will be house in a brand new 4mil outer sleeve over a new 3 mil sleeve, and also have a new insert sleeve to protect record..

shipping: 1-2 Lp's: $3.50 3-3 Lp's: $3.80 4-5 Lp's: $4.50 6-6 Lp's  $5.50 7-9 Lp's  $6.50 

On leaving Sabbath, Osbourne recalled, "I'd got £96,000 for my share of the name, so I'd just locked myself away and spent three months doing coke and booze. My thinking was, 'This is my last party, because after this I'm going back to Birmingham and the dole."  However, Don Arden signed him to Jet Records with the aim of recording new material. Arden dispatched his daughter Sharon to Los Angeles to "look after Ozzy's needs, whatever they were", to protect his investment. Initially, Arden hoped Osbourne would return to Sabbath (who he was personally managing at that time), and later attempted to convince the singer to name his new band "Son of Sabbath", which Osbourne hated. Sharon attempted to convince Osbourne to form a supergroup with guitarist Gary Moore.  "When I lived in Los Angeles," Moore recalled, "[Moore's band] G-Force helped him to audition musicians. If drummers were trying out, I played guitar, and if a bassist came along, my drummer would help out. We felt sorry for him, basically. He was always hovering around trying to get me to join, and I wasn't having any of it."

In late 1979, under the management of the Ardens, Osbourne formed the Blizzard of Ozz  featuring drummer Lee Kerslake (of Uriah Heep), bassist-lyricist Bob Daisley (of Rainbow and later Uriah Heep), keyboardist Don Airey (of Rainbow, and later Deep Purple), and guitarist Randy Rhoads (of Quiet Riot). The record company would eventually title the group's debut album Blizzard of Ozz, credited simply to Osbourne, thus commencing his solo career. Cowritten with Daisley and Rhoads, it brought Osbourne considerable success on his first solo effort. Though it is generally accepted that Osbourne and Rhoads started the band, Daisley later claimed that he and Osbourne formed the band in England before Rhoads officially joined.

Blizzard of Ozz is one of the few albums amongst the 100 best-sellers of the 1980s to have achieved multi-platinum status without the benefit of a top-40 single. As of August 1997, it had achieved quadruple platinum status, according to RIAA. "I envied Ozzy's career…" remarked former Sabbath drummer Bill Ward. "He seemed to be coming around from whatever it was that he'd gone through and he seemed to be on his way again; making records and stuff… I envied it because I wanted that… I was bitter. And I had a thoroughly miserable time."

Osbourne's second album, Diary of a Madman, featured more songs co-written with Lee Kerslake. For his work on this album and Blizzard of Ozz, Rhoads was ranked the 85th-greatest guitarist of all time by Rolling Stone magazine in 2003. This album is known for the singles "Over the Mountain" and "Flying High Again" and, as Osbourne explains in his autobiography, is his personal favourite. Tommy Aldridge and Rudy Sarzo soon replaced Kerslake and Daisley. Aldridge had been Osbourne's original choice for drummer, but a commitment to Gary Moore had made him unavailable.  Sarzo had played in Quiet Riot with Rhoads, who recommended him for the position.

On 19 March 1982, the band were in Florida for the Diary of a Madman tour, and a week away from playing Madison Square Garden in New York City. A light aircraft piloted by Andrew Aycock (the band's tour bus driver) – carrying Rhoads and Rachel Youngblood, the band's costume and make-up designer – crashed while performing low passes over the band's tour bus. The left wing of the aircraft clipped the bus, causing the plane to graze a tree and crash into the garage of a nearby mansion, killing Rhoads, Aycock, and Youngblood. The crash was ruled the result of "poor judgement by the pilot in buzzing the bus and misjudging clearance of obstacles".[54] Experiencing firsthand the horrific death of his close friend and bandmate, Osbourne fell into a deep depression. The tour was cancelled for two weeks while Osbourne, Sharon, and Aldridge returned to Los Angeles to take stock while Sarzo remained in Florida with family.

Gary Moore was the first approached to replace Rhoads, but refused.  With a two-week deadline to find a new guitarist and resume the tour, Robert Sarzo, brother of the band's bassist Rudy Sarzo, was chosen to replace Rhoads. However, former Gillan guitarist Bernie Tormé had flown to California from England with the promise from Jet Records that he had the job. Once Sharon realized that Jet Records had already paid Tormé an advance, he was reluctantly hired instead of Sarzo. The tour resumed on 1 April 1982, but Tormé's blues-based style was unpopular with fans. After a handful of shows he informed Sharon that he would be returning to England to continue work on a solo album he had begun before coming to America. At an audition in a hotel room, Osbourne selected Night Ranger's Brad Gillis to finish the tour. The tour culminated in the release of the 1982 live album Speak of the Devil, recorded at the Ritz in New York City. A live tribute album for Rhoads was also later released. Despite the difficulties, Osbourne moved on after Rhoads' death. Speak of the Devil, known in the United Kingdom as Talk of the Devil, was originally planned to consist of live recordings from 1981, primarily from Osbourne's solo work. Under contract to produce a live album, it ended up consisting entirely of Sabbath covers recorded with Gillis, Sarzo and Tommy Aldridge.

In 1982 Osbourne appeared as lead vocalist on the Was (Not Was) pop dance track "Shake Your Head (Let's Go to Bed)". Remixed and rereleased in the early 1990s for a Was (Not Was) hits album in Europe, it reached number four on the UK Singles Chart. In 1983, Jake E. Lee, formerly of Ratt and Rough Cutt, joined Osbourne to record Bark at the Moon. The album, cowritten with Daisley, featured Aldridge and former Rainbow keyboard player Don Airey. The album contains the fan favourite "Bark at the Moon". The music video for "Bark at the Moon" was partially filmed at the Holloway Sanitorium outside London, England. Within weeks the album became certified gold. It has sold three million copies in the US. 1986's The Ultimate Sin followed (with bassist Phil Soussan and drummer Randy Castillo), and touring behind both albums with former Uriah Heep keyboardist John Sinclair joining prior to the Ultimate Sin tour. At the time of its release, The Ultimate Sin was Osbourne's highest charting studio album. The RIAA awarded the album Platinum status on 14 May 1986, soon after its release; it was awarded Double Platinum status on 26 October 1994.

Jake E. Lee and Osbourne parted ways in 1987. Osbourne continued to struggle with chemical dependency. That year he commemorated the fifth anniversary of Rhoads' death with Tribute, a collection of live recordings from 1981. In 1988 Osbourne appeared in The Decline of Western Civilization Part II: The Metal Years and told the director Penelope Spheeris that "sobriety fucking sucks". Meanwhile, Osbourne found Zakk Wylde, who was the most enduring replacement for Rhoads to date. Together they recorded No Rest for the Wicked with Castillo on drums, Sinclair on keyboards, and Daisley co-writing lyrics and playing bass. The subsequent tour saw Osbourne reunited with erstwhile Black Sabbath bandmate Geezer Butler on bass. A live EP (entitled Just Say Ozzy) featuring Geezer was released two years later. In 1988, Osbourne performed on the rock ballad "Close My Eyes Forever", a duet with Lita Ford, reaching No. 8 on the Billboard Hot 100. In 1989 Osbourne performed at the Moscow Music Peace Festival.

Successful through the 1980s, Osbourne sustained commercial success into the 1990s, starting with 1991's No More Tears, featuring "Mama, I'm Coming Home". The album enjoyed much radio and MTV exposure. It also initiated a practice of bringing in outside composers to help pen Osbourne's solo material instead of relying on his recording ensemble. The album was mixed by veteran rock producer Michael Wagener. Osbourne was awarded a Grammy Award for the track "I Don't Want to Change the World" from Live & Loud, for Best Metal Performance of 1994. Wagener also mixed the live album Live & Loud released on 28 June 1993. Intended to be Osbourne's final album, it went platinum four times over, and ranked at number 10 on that year's Billboard rock charts. At this point Osbourne expressed his fatigue with touring, and proclaimed his "retirement tour" (which was to be short-lived). It was called "No More Tours", a pun on No More Tears. Alice in Chains' Mike Inez took over on bass and Kevin Jones played keyboards as Sinclair was touring with the Cult.

Osbourne's entire CD catalogue was remastered and reissued in 1995. In 1995 Osbourne released Ozzmosis and returned to touring, dubbing his concert performances "The Retirement Sucks Tour". The album reached number 4 on the US Billboard 200. The RIAA certified the album gold and platinum in that same year, and double platinum in April 1999.[

The line-up on Ozzmosis was Wylde, Butler (who had just quit Black Sabbath again) and former Bad English, Steve Vai and Hardline drummer Deen Castronovo, who later joined Journey. Keyboards were played by Rick Wakeman and producer Michael Beinhorn. The tour maintained Butler and Castronovo and saw Sinclair return, but a major line-up change was the introduction of former David Lee Roth guitarist Joe Holmes. Wylde was considering an offer to join Guns N' Roses. Unable to wait for a decision on Wylde's departure, Osbourne replaced him. In early 1996, Butler and Castronovo left. Inez and Randy Castillo (Lita Ford, Mötley Crüe) filled in. Ultimately, Faith No More's Mike Bordin and former Suicidal Tendencies and future Metallica bassist Robert Trujillo joined on drums and bass respectively. A greatest hits package, The Ozzman Cometh, was issued in 1997.