OTIS SPANN "The Everlasting Blues vs. Otis Spann" LP OG 1969 on SPIVEY, NM/VG+
$
25
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Description
Condition: To my NON US customers, do NOT ask me to alter / change the declared value of your purchase for purposes of avoiding taxes in your country. I will NOT do so.
Otis Spann ?– The Everlasting Blues vs. Otis Spann
Label: Spivey Records ?– LP-1013 Format: Vinyl, LP, AlbumCountry: US Released: 1969 Genre: Blues Style: Chicago Blues
Tracklist
A1 I'm A Bad Boy 4:10 A2 I'm Gone (Black Snake Legend) 3:05 A3 Let Me Ride Your Mule 3:45 A4 Number 12 And 10 Train 3:20 B1 You Know You Don't Love Me Baby 5:15 B2 Why Don't You Leave Me Alone 3:30 B3 Where Is My Wife 4:20 B4 Going Back Home 3:45Companies etc
- Record Company – Spivey Records
- Recorded At – Café Au Go Go, New York City
Notes
THE RECORDING FOR SPIVEYThe contents of this LP was recorded during the week of Otis Spann's Café Ao Go Go engagement in New York City with mandolinist Johnny Young, guitarist Luther Johnson, young 21 year old Guitar Peter Malik and drummer S.P. Leary, - with Johnny and Luther on featured vocal, and a Spivey-Spann duet.
First Pressing
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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