OTIS REDDING DOCK OF THE BAY RARE ORIGINAL 1968 VOLT STEREO LP BEAUTIFUL
$
307
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Description
WE CURRENTLY HAVE MORE THAN 600 LISTED ITEMS
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· OTIS REDDING with The Booker T. & the MG’s - THE DOCK OF THE BAY - ORIGINAL VOLT RECORDS 1968 STEREO LP S-419
· ORIGINAL U.S. PRESSING
· ORIGINAL YELLOW VOLT RECORDS "THUNDER" LABEL.
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING
· THICK CARDBOARD COVER, AMERICAN STYLE
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1C/-1C'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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It was never supposed to be like this: "(Sittin' on) The Dock of the Bay" was supposed to mark a beginning of a new phase in Otis Redding's career, not an ending. Producer/guitarist Steve Cropper had a difficult task to perform in pulling together this album, the first of several posthumous releases issued by Stax/Volt in the wake of Otis Redding's death. What could have been a cash-in effort or a grim memorial album instead became a vivid, exciting presentation of some key aspects of the talent that was lost when Redding died. Dock of the Bay is, indeed, a mixed bag of singles and B-sides going back to July of 1965, one hit duet with Carla Thomas, and a pair of previously unissued tracks from 1966 and 1967, respectively. There's little cohesion, stylistic or otherwise, in the songs, especially when the title track is taken into consideration -- nothing else here resembles it, for the obvious reason that Redding never had a chance to follow it up. Despite the mix-and-match nature of the album, however, this is an impossible record not to love. Cropper chose his tracks well, selecting some of the strongest and most unusual among the late singer's orphaned songs: "I Love You More Than Words Can Say" is one of Redding's most passionate performances; "Let Me Come on Home" presents an ebullient Otis Redding accompanied by some sharp playing; and "Don't Mess With Cupid" begins with a gorgeous guitar flourish and blooms into an intense, pounding, soaring showcase for singer and band alike. No one could complain about the album then, and it still holds more than four decades later.
(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
This is the final album in whose preparation Otis Redding actively participated, and his single biggest seller ever; a genuine historic artifact and one of the most cherished and beloved of all soul albums. The album comprises of the legendary title track, whose gentle, laid-back melancholy became a soundtrack to the entire soul generation, plus 10 other tracks culled from other Otis Redding albums and 45's… In terms of consistency, the album leaves something to be desired, but the sheer vocal power and emotional intensity of the performance easily compensate for all blemishes and rough spots. The title track was literally the last thing Otis Recorded in his life, and was left unfinished, for Steve Cropper and Volt/Stax engineers to reassemble and reincorporate, which they did masterfully. Recorded in a few frantic sessions just days before he died in a plane crash, Otis Redding was fighting with his own demons, as well as effects of a major surgery on his larynx, which rendered him inactive for most of his last summer (1967). As if he knew that his mortal hour was near, he poured his heart and soul in these, final sessions of November/December 1967. King of Soul still reigns, 33 years after his death. Bless your soul, Otis. Track listing: (Sittin' On) The Dock Of The Bay, - I Love You More Than Words Can Say - Let Me Come On Home - Open The Door - Don't Mess With Cupid - Glory Of Love - I'm Coming Home To See About You - Tramp - Hucklebuck - Nobody Knows You (When You're Down And Out) - Ole Man Trouble.
For additional historical or discography information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Stock (commercially released) mono copies of this album are NOT known to exist.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.
The following flaws or imperfections are noted on the cover:
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2.
- Cover shows some light yellowing on back side, apparently from aging (nothing significant).
- Cover has a few tiny wrinkles along the spine
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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