ORNETTE COLEMAN TRIO At Golden Circle Stockholm V2-ASTONISHING COLOR & TEXTURE
$
40
$ 40
Sold For
Jun 16, 2014
Sold Date
Jun 9, 2014
Start Date
1
Number Of Bids
USA
Country Of Seller
eBay
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Description
ORNETTE COLEMAN TRIO At Golden Circle Stockholm V2-ASTONISHING COLOR & TEXTURE
A VG PLUS/VG LP ON BLUE NOTE BLP 4225
WITHOUT THE EAR BUT WITH Van Gelder IMPRESSED IN THE DEAD WAX BOTH SIDES AND WITH New York USA ON LABELS
RECORDED BY RUNE ANDREASON
WITH ORNETTE ON ALTO SAX, VIOLIN AND TRUMPET, DAVID IZENZON ON BASS AND CHARLES MOFFETT ON DRUMS
WITH THE ORIGINAL BLUE NOTE "1939-1966 27 YEARS OF BLUE NOTE" INNER SLEEVE AS SHOWN (SIDE SPLITS)
TRACKS AS SHOWN ON THE LABEL PHOTOS
BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
Review by Thom Jurek
The second night of Ornette Coleman's two-week stand in Sweden was even fierier than the first, if the recorded documents are to be believed. For starters, December 4 was the night that Coleman brought out the violin and the trumpet on the first tune; "Snowflakes and Sunshine" must have taken club-goers by surprise. Those first notes skitter across the neck as the bow goes "scree" in the middle registers and bassist David Izenzon moves to create an atonal bed of rock for Coleman, while Charles Moffett plays in the triple time to a cipher of a time signature. And just as the violin starts to create a tension that is difficult for the other two members of his trio to endure musically, Coleman switches to trumpet and hauls it back inside, or at least to the ledge's edge before returning to the violin a few minutes later. The rhythm sect tries to rein him in, but he careens off Izenzon's arco playing and into an entirely new harmonic language. For the rest of the gig, it's back to the alto, with Coleman even going as far as to goof on Gershwin's "Rhapsody in Blue" on the opening bars of "Morning Song" before playing a ballad every bit as tender and angularly beautiful as one of his. "Riddles" is one of Coleman's Eastern screamers, played modally with the same kind of breathy acrobatics Coltrane used on the music that made it onto the posthumous Sunship. There are several drone modes created by Izenzon, with off-measure rhythmic figures cut by Moffett. Coleman plays the alto as one would a Tibetan oboe or a thighbone trumpet, reaching deep into the lower register to touch the drone and then sail off into scalar abandon. There is more than enough fire, but the astonishing thing is the color and texture Coleman gets from the horn. The set closes with a lovely, knotty piece called "Antiques," in which Izenzon and Coleman match modes for an interesting meeting of the minds in a dramatic wash of color and mood. This is the stronger of the two evenings, but they are both fine records by an under-recognized band in Coleman's development.
COVER STOCK WITH LIGHT RUB AND RING WEAR AND AGE DISCOLORATION. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. ALL 4 CORNERS WITH BEND AND CRUSH MARKS. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.
SPINDLE HOLE WITH SOME LIGHT RUB MARKS. THE HIGH LUSTER VINYL BLANK WITH SOME LIGHT AND FINE SURFACE RUB SCUFF MARKS AND PLAY LINES UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION. WE'VE TEST PLAYED THIS LP BY SAMPLING EACH TRACK 2-3 TIMES ON A VPI TURNTABLE WITH A GRADO REFERENCE ONE WOOD CARTRIDGE WITHOUT NOTICE OF THE ABOVE ITEMS AND SOUNDING QUITE FINE HERE.
FROM A NOTED JAZZ REVIEWER'S PRIVATE COLLECTION
RARELY SEEN LP WHICH NOW FETCHES 100 PLUS WHEN SEEING THE LIGHT OF DAY
⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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DOMESTIC: Free USPS Media Mail with tracking. USPS 1 day Priority Express or 2-3 day Priority available-excess postage refunded. 574 (GS 6.7.4 (574))
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