ORIG MERCURY LIVING PRESENCE STEREO AUDIOPHILE LP RESPIGHI LSO BIRDS NR MINT
$
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Description
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· MERCURY STEREO LIVING CLASSICAL AUDIOPHILE LP RECORD - OTTORINO RESPIGHI - BIRDS / BRAZILIAN IMPRESSIONS - ANTAL DORATI, CONDUCTING LONDON SYMPHONY ORCHESTRA;
· ORIGINAL "MERCURY LIVING PRESENCE STEREO" AUDIOPHILE, EXTENDED DYNAMIC RANGE, ANALOG VINYL LP SR-90153
· Featured in ►Harry Pearson's Super Disk TAS Classical List
· DEEP GROOVE PRESSING
· ORIGINAL MAROON MERCURY LABEL WITH SILVER SCRIPT
· No "Vendor of Mercury Records" inscription at the top part on the label.
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL LAMINATED COVER
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-2/-2'
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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It was Respighi’s fascination with ancient dances and songs that inspired him to write his bird suite. His great love for such music makes itself felt in every single movement of this work. While Respighi imbued each of the bird portraits with his very own sound colouring typical of his time, there is an original masterpiece by a Renaissance or Baroque composer lurking in the background. The marchlike "Intrada", based on a piece by Bernardo Pasquini (1637-1710), is further refined by a gradual building-up of the instrumental apparatus and comes to a final climax full of pomp and glory in which the brass are given prominence. Ornithological elements are easily identified in the movements which follow: the dove’s cooing and billing is are underlined by a sighing, rhythmic base; the hen is heard clucking with a characteristic motif, and the song of the nightingale is brought to us by the flute over a mysterious murmuring on the low strings. The cuckoo is then heard, followed by a repeat of the initial theme, thus bringing to perfect completion "Gli Ucelli" ("The Birds"), a colourful bird show which knows no rival in modern music. The "Impressioni brasiliano" ("Brazilian Impressions") is also a seldom heard jewel in both the concert hall and on record. Although the three-movement work has a subtle rhythm which runs throughout the work, it is far removed from the well-known 'Europeanised' samba adaptations which are so often heard. The suite is remarkable for its tender, impressionistic colouring which demands to be heard time and time again.
Recording: July 1957 in Watford Town Hall, London, by C.R. Fine
Production: Wilma Cozart and Harold Lawrence
OTTORINO RESPIGHI
* The Birds *
* Brazilian Impressions *
Antal Dorati
London Symphony Orchestra
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What else needs to be said? The sound of this classic audiophile "Mercury Living Presence STEREO" LP is incredible and, nothing short of breathtaking. This classical masterpiece leaps from out of your speakers with such persuasiveness and authority that you will forever lose any desire to buy another CD. Under the watchful eye of Mercury’s engineers and producers, the Mercury crew created one of the recording and engineering marvels of the 1950’s and 60's. The sound is simply amazing. On mint or near mint copies, the quiet passages are so quiet - and the surface noise so conspicuously absent - that you will not even realize that your stylus has hit the surface of the record until the music starts. The highs are high, and the lows are very low. You are going to need a subwoofer and a hypersensitive tweeter to express some of these tonal ranges appropriately. This is the music for the ears, heart, soul, mind and guts alike.
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is STILL in its original inner, perforated plastic baggy, which has - apparently with success - shielded the record from the harmful impact of elements over many years!
(c) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(e) Stereo pressing of this title is much rarer, and by far more preferable to its mono counterpart. The mix is more graphic, the resolution more precise and the channel separation (which does not exist on mono version) adds a whole new dimension to the music.
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3 (VISIBLE ON BACK SIDE ONLY)
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on back side, apparently from aging (nothing significant).
- Cover has a few tiny wrinkles along the spine
- Cover has two corners slightly worn (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No wrinkles or creases
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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